American c1940s Colored Woodcut of a sailor unsigned well done on a very thin paper no damage other than toning. Paper is 11.5" by 8.5"

An etching of the famous chapel at Stanford University in Palo Alto, CA, titled at lower left margin "The Chapel" and pencil signed at lower right by well listed California artist GEORGE DEMONT OTIS (1879-1962). Measurements are 7" by 10" inside the present mat (12" by 15" in wood frame). The artist was born in Memphis, Tennessee and was raised in the Midwest after being orphaned...

Etching on paper, 11 3/4" by 13 1/2" as simply framed, the scene silhouetted ships in the harbor, the rising sun and new day ahead suggested by etched lines in the sky, pencil titled at margin "Dawn Portland Harbor" and signed at lower right and dated there 1915. The artist, Massachusetts-born PHILIP LITTLE (1857-1942) was a highly regarded impressionist American painter and etcher, an artist who had a truly American vision as he was not educated in Europe...

Ruth Doris Swett 1901- Member of Southern Printmakers This is an original drypoint etching by American Southern artist Ruth Doris Swett. The title of this etching is Deer Isle Spruces, created when she was summering up in Maine. This etching is pencil signed, titled and dedicated to: Margarest Strong. The image measures 12X8 7/8 inches. Printed on a medium weight wove type paper in an edition of 50.

Frederico Castellon, American, 1914-1971, Lithograph, "Taos Tryst", circa 1942, image size 7 1/2x11 3/4, pencil signed

Max Arthur Cohn 1903-1998 British/American This is a fine original screen print by American artist Max Arthur Cohn. The title is: Night Scene, created and printed in 1944. Hand signed with pen and ink within the image lower right. The image measures 12X17 1/2 inches. "Best known as a pioneer in screenprints, Max Arthur Cohn was born to Russian immigrants in London, in 1903, and moved with his family to New York City in 1905...

Carl Pickhardt, American, 1908- , Lithograph, "Back Stage", image size: 8 3/4 x 7 1/2", pencil signed

Three fine engravings of Mount Vernon, Monticello, and Independence Hall, nicely mounted and framed together vertically. The framed piece measures 16 1/2" by 11". These appear to be the same images that appear on US currency, and the very high quality of the printing (intaglio?) is similar. One wonders if these have been produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting...

A colorized print stamped Karl Bohme Munchen in the lower left corner along with a printers mark. Not examined out of the original frame. The frame measures 14-1/2" x 18"; the print , 9"x12".

A fine etching, titled at lower left margin "The Intruder", signed in pencil at lower right margin by the noted English-born dog artist MARGUERITE KIRMSE (1885-1954). The black Scottish Terrier has discovered several fox terrier pups and is intently staring them down. Kirmse was born in Bournemouth, England, showing early talent in music and drawing animals. She stayed in the United States after what was to have been a brief vacation...

Original color lithograph by Jean Charlot (American, born in France). Titled "Mexican Mother" in pencil l.l. Also signed and dated in the plate l.r. and signed in pencil by the artist l.r. Jean Charlot emigrated to Mexico in 1922 where he created woodcuts and lithographs depicting the Mexican people. This work was pulled in Colorado Springs in 1948 with master printer Lawrence Barrett. Morse #520. Offered framed and archivally mounted. Image size: roughly 17" by 13".

Albert Decaris, French, 1901-1989, "Paris Construction," engraving, image size 16 1/8 x 21 1/8 inches, c. 1940s, edition of 100, pencil signed and editioned.

To be sold together, available for purchase are two of the familiar Alaska scenes after original paintings by famed Alaskan artist SYDNEY LAURENCE (1865-1940), originally offered through Griffin's store in Juneau, AK. Each measures 9" by 7" inside the original mats (and 19 1/2" by 15 3/4" as framed). Titles are "Prospector's Camp", and "Trapper's Cache". The prints are in excellent condition...

Doel Reed 1894-1985 American Southwest This is an original aquatint etching by American artist Doel Reed. This image was created and printed in 1941 in an edition of 100. This was originally sold through Associated American Artists in New York. The image measures 8 15/16X14 7/8 inches. Pencil signed lower right.

The print (8 1/2" by 9 3/4" inside the mat, 15" by 20" as framed) is a very detailed etching typical of the meticulous style of the artist, renowned for his prolific printmaking. Popular and rare images by the artist, of New York City scenes, can sell for five figures. He traveled widely in Europe and architecture, especially Gothic architecture, especially revered by the artist, was a favored subject. This print is of a Gothic style building in Princeton, New Jersey...

A very interesting etching of what appears to be Paris' Montmartre section, (the windmill a famous feature, painted by many artists), signed in pencil in the lower right margin "B. Vilard". Surprisingly I do not see a listing for an artist by this name---could possibly be a pen name.. The work measures 8 1/2" by 11" inside the mat and 13 3/4" by 16 1/4" framed. It is very clean and fresh, despite likely dating to the first half of the 20th century. Note the subtle blue/brown colors.

John Stockton deMartelly, 1877-1947, American, "Ride-a-Cock-Horse," Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed.

Beautiful Japanese watercolor on paper mounted and silk measuring 32 x 27“, water garden with birds circa 1920