Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

A copy of "Yosemite and the Range of Light", 1979, 12 1/2" by 16", published by the New York Graphic Society, Boston, 1979, stated second printing, HAND SIGNED on an inserted label of Time-Life Books, Carmel, California, 1980. The book has the original dust jacket which like the rest of the book is not in perfect condition. Dust jacket has small stain at lower left and general signs of moderate wear and slightly light-struck at far left...

A pencil signed limited edition color print "We The People 1787", featuring Ben Franklin at printing press with assistants, evidently producing copies of the Constitution for distribution in the colonies. The work measures 18 3/4" by 25 1/4" and 25" by 32" framed/matted (wood frame, no glass). The artist signed in pencil at lower left margin and at lower right the piece is numbered 344/2000...

CHRISTO (1935-2020) in close collaboration with his late wife JEANNE-CLAUDE (1935-2009) is considered one of the most important "installation" artists of modern times. Born in Bulgaria, he was in Europe in 1957 and became an American citizen in 1973. Around the early 1970's he came to world attention with a fresh approach to art---creating new ways of seeing the familiar landscape. His projects, then (and still) controversial and thought to be outrageous, were ambitious and unprecedented...

After a watercolor drawing by the iconic, famous French modern artist PAUL CEZANNE (1839-1906) is this print best described as a pochoir, titled "La Cruche Verte", ("The Green Jug"), numbered at lower left 128/225. The print is affixed to a board on which the numeration is written in pencil...

The paper size: 35" W x 23" H with border margin.
Unframed Original Lithograph by Artist, Charles Cobelle, (1902-1994)
The title, "Horse w/rider"
Medium: 100% Rag content Acid Free Paper
Condition: excellent, never been framed.
Edition number 97/500, Signed lower right in pencil.
Edition size 500 plus some aritist proof existing.
It was published in 1979 by The Graphic House.
We guarantee it is original lithograph...

These famous Lithograph each title were published on Saturday Evening Post illustration.
Painted by Norman Rockwell. We are proudly presenting first time.
All of these each offset lithograph which were kept last 32 years in our stored box.
We just opened the Box after 32 years later.
All of colors are fresh as 32 years ago, purchased date as 1990.
Both items are mint condition, they never been framed.
It is published by Curtis Publishing Co...

Wolgfang Roth - 20th century German/American

Color lithograph entitled "Elephant Ballerina" from the "Circus Suite" c...

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

This note shows two book plates depicting flowers. They were provided by Michael Minckler. The plates are signed Takako. Maejima Takako is the name of Maki's wife.

In 1976 Haku Maki did his eight-volume San Mon Ban--a total of 96 different embossed images. These included many items Maki had just used, would use soon and used later. I first show images of two prints like those in San Mon Ban but slightly larger. Then two images of insects in San Mon Ban and then 4 images of insects long hidden in my archives--even to me. These might all be called Maki Lite...

Haku Maki was undoubtedly Japan’s most prolific print maker of the second half of the 20th century. Many of his works were serious works of kanji and also ceramics. These three are perhaps a bit frivolous. They are actually pretty: each one has seeming globs of color The blue one on the left has kanji in the blue stone; the central one has a wonderful black kanji for Mountain in the center; and the one on the right four globs, each of a different color. And one splash.

This is Maki's print 71-2, which tells us it was the second print that he created in 1971.

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

This note concerns Poem 70-38, a rarely seen Big Red. NOTE: Daniel Tretiak created the term Big Reds for Haku Maki's large works centered on large kanji in red, usually on a black background and often done in broad strokes. Large ones in blue or yellow or green came to be termed Big Blues, Big Yellows, Big Greens, and so forth.

An Original and numbered 70/100 Serigraph Painting "LAMBDA" on thick paper by the artist BOB STADIUS. Signed and dated 1997, on the back by the artist, including the title "LAMBDA" and 70/100. Excellent condition as kept in a sealed roll.

This Lithograph title Wicket Thoughts was published on Saturday Evening Post illustration
September 5, 1931...

A framed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 8 1/2" by 11 1/4" inside the existing mat, 15" by 18" framed, signed in pencil by the artist at lower right and numbered 43/120 at lower left margin in pencil. The image is of a nighttime snowfall in front of a traditional Japanese structure. Sekino was creating art before age 20. He knew Shiko Munakata, the famous printmaker, while still young, as they were from the same area...