Beautiful Japanese watercolor on paper mounted and silk measuring 32 x 27“, water garden with birds circa 1920

Lithograph on paper by American artist STOW WENGENROTH (1905-1978), with blind stamp at lower left, pencil signed at lower right by the artist, bearing "Ed. 65" at lower left, and titled below near the bottom edge of the sheet "SEA GULLS". This is a typical work of Wengenroth, who is today best known for his fine lithography work consisting mostly of scenes of the Northeast coast from Long Island to Maine, and a few images of New York City which are especially sought after...

Jackson Lee Nesbitt 1913-2008 American Regionalist This is a fine regionalist etching by American artist Jackson Lee Nesbitt. The title is: Evening in March, it was created and printed in 1942. The image measures 11 3/4X8 5/16 inches. Hand signed and titled in pencil. Printed on a medium weight wove type sheet.

A very interesting etching of what appears to be Paris' Montmartre section, (the windmill a famous feature, painted by many artists), signed in pencil in the lower right margin "B. Vilard". Surprisingly I do not see a listing for an artist by this name---could possibly be a pen name.. The work measures 8 1/2" by 11" inside the mat and 13 3/4" by 16 1/4" framed. It is very clean and fresh, despite likely dating to the first half of the 20th century. Note the subtle blue/brown colors.

A wood engraving on thin paper, the sheet unframed and measuring 8 1/2" by 11", pencil titled "Wadcroft, Kettering, Northants", and pencil signed at lower right and numbered 71/100, by the artist, American artist LEONARD THIESSEN (1902-1989). This is a mid 1940's work by the Nebraska-born artist. Thiessen's father worked in printing in Omaha. The young Thiessen went to work for an architectural firm, and studied at university in Nebraska. He became an interior designer and decorator...

American c1940s Colored Woodcut of a sailor unsigned well done on a very thin paper no damage other than toning. Paper is 11.5" by 8.5"

Carl Pickhardt, American, 1908- , Lithograph, "Back Stage", image size: 8 3/4 x 7 1/2", pencil signed

John Taylor Arms 1887-1953 American This is one of the finest works by John Taylor Arms etching and aquatint. It was created and printed in 1940 as image number 1 of his Scandinavian Series. Pencil signed twice, dedicated to William Schaldach, lower border. The image measures 7 9/16X13 9/16 inches. It appears in the Fletcher catalog as image number 346. It is the third state of three from the edition of 330 impressions. Printed by David Strang...

Koitsu Tsuchiya, oban tate-e, ¡°Sunset at Mt. Futara¡±, slightly toned and creased, fine impression and color.

Unframed lithograph of the famous "Singing Tower" (Bok Tower) in Lake Wales, central Florida, signed in pencil at lower right margin by listed Kentucky artist CHARLES WINSTON HABERER (1905-1958). A leading Kentucky etcher and engraver, C. Winston Haberer studied printmaking techniques under Sudduth Goff, in Louisville, and at the Chicago Art Institute...

Luigi Kasimir, Austrian, 1881-1962, "Grinzing, Vienna," Etching and aquatint in colors, image size 17 1/2 x 22 1/2, cat: Lorenz-23, pencil signed by the artist, framed.

Lithograph on paper, unframed, the sheet 13 3/4" by 17 3/4", pencil signed at lower left and dated there 1949, and signed again in Hebrew and dated 1949 at lower right in pencil, by the noted Russian-born Israeli artist MIRON SIMA (1902-1999). According to a Wikipedia listing, Sima was born in Czarist Russia shtetl in 1902. By 1921 he was in Odessa, Russia for art study, and the following year saw him in Dresden, Germany...

SIXTEEN black and white vintage photographs, circa 1930 to 1950, all pencil signed by noted mid century California photographer FRED WILLIAM CARTER (1897-1974). The photos are all mounted on card and each is pencil signed by the photographer; two are titled: one says "Santa Monica Bay" and the other "Odes of March/silver 1931". Subjects are mostly California landscapes, with trees, coast, mountains, and one still life...

Color lithograph on paper, the sheet 12 3/4" by 9 3/4" (17 1/2" by 15" in attractive silvery framing), signed only in the plate and dated nearby Octobre 46, by important French 20th century woman artist MARIE LAURENCIN (1885-1956). The edition of 950 examples, now scarce, was printed by Publ. Beres, Paris, for the album "Sainte Catherine--Poemes de Paul Eluard". The image is typical of the work of this noted artist...

A dramatic early black and white photo of the Empire State Building in Manhattan, photographer unknown, the structure featuring prominently at center of the image, surrounded by the lower buildings from which it emerges. The building was completed in 1931. Some information I saw online suggests the antenna was not placed until as late as 1952. The photo dates from somewhere in that period, and very likely to the early/mid 1930's...

Original color lithograph by Jean Charlot (American, born in France). Titled "Mexican Mother" in pencil l.l. Also signed and dated in the plate l.r. and signed in pencil by the artist l.r. Jean Charlot emigrated to Mexico in 1922 where he created woodcuts and lithographs depicting the Mexican people. This work was pulled in Colorado Springs in 1948 with master printer Lawrence Barrett. Morse #520. Offered framed and archivally mounted. Image size: roughly 17" by 13".

Original unframed etching on paper, 8 1/8" by 12 3/8" inside the mat (the sheet 10" by 14"), signed in the plate and dated there 42, and pencil signed in the nearby lower right margin by the noted American printmaker LUIGI LUCIONI (1900-1988). **ONE OF SEVERAL PRINTS BY THE ARTIST IN MY SHOP**, this is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery, barns and farms of that rural state...

Lithograph of a bull in what appears to be a stark Southwestern landscape, 12" by 13 3/4" as framed, pencil signed at lower right margin by listed WPA era American artist CHARLES EARLE MILLER (1907-) and with notation "Ed. 30" at center margin. The image is a very powerful one, similar to the work of Peter Hurd, in some ways. Miller was a painter, etcher and lithographer. I see a number of works online dated in the late 1930's and early 1940's, but after that the trail is difficult to follow...