This really pretty Moonlight Blue Caprice 7 Ounce Old Fashion Flat Tumbler was made by Cambridge Glass. This Tumbler measures 3 1/4 inches high and is in very good condition with no chips, cracks or scratches. Be sure to search our other Caprice available. We guarantee items to be as described. THANK YOU.

This really pretty Moonlight Blue Caprice 4 Footed Crimped Console Bowl was made by Cambridge Glass. This Bowl measures 11 across and is in very good condition with no chips, cracks or scratches. It would make a beautiful centerpiece for any table. Be sure to search our other Caprice available. We guarantee items to be as described. THANK YOU.

This really pretty crystal clear Royal Lace depression glass 8 inch high Pitcher was made by Hazel Atlas from 1934 to 1941. This pitcher holds 96 ounces and is in very good condition with no chips, cracks or scratches. Be sure to search our other Royal Lace available. We guarantee items to be as described. THANK YOU.

Line 700 was produced by Consolidated Glass Company in 1929. This is the #709 bread & butter plate in Green ceramic. (the color is a green ceramic finish fired on crystal.) 6 inches in diameter and excellent condition. See my other listings for more in this pattern, or email for other Consolidated pieces you're looking for.

Line 700 was produced by Consolidated Glass Company in 1929. This is the #709 bread & butter plate in Honey. (the color is a yellow gold ceramic finish on crystal.) 6 inches in diameter and excellent condition. I have 4 available, price is per plate. Email for other Consolidated pieces you're looking for.

Fenton's Cranberry Opalescent glass is one of their most popular treatments. Because it is cased glass (french crystal over gold ruby) every piece must be blown rather than pressed. This hand-work makes each piece unique. Offered here is the 389 jug in their hobnail pattern. This piece was produced from 1940 to 1948 and stands 5 1/2 inches high. Excellent condition, see my other listings for more Fenton Cranberry Opalescent glass.

Copper and enamel pendant, an early piece by Finnish Pentti Sarpaneva (1925-78). PS, a brother of Timo S, started out as a graphic artist. In his thirties he became a designer of jewels. The “eye” enclosed in a round or square shape is a recurrent theme in his jewelry designs. The little spikes are mobile. Another pendant with an “enamel eye” has recently been seen on the net, signed Pentti Sarpaneva and Hand Made. This pendant, however, is unsigned. Width "1 ½ / 4 cm...

A group of four small French Vallauris 1950's Demi-Demi (half-half) pieces: a handled black and white jug and a black and white pitcher, a mini vase in turquoise blue and black, and a small yellow and black cache-pot. All probably by Cérenne. Height "3 ¼/ 8 cm to "5 ¾/ 14,5 cm. Condition: the jug with a minimal flake to the rim.

A French vase by Paul Jacquet, 1ate 1920’s. Stylized flowers within panels in yellow, green and black, in late Art Nouveau style. Unsigned, impressed 1. Height "2¾/ 7 cm, diameter "3½/ 9 cm. Small glaze bubble to the neck (cf. photo).

A 1950's decorative plaque from Vallauris, France. Still life of vegetables in glossy green and red against a matted grey background. On the back an original label for Louis Giraud, renowned for his table tops and plaques. Width "9 ½ / 24 cm. Condition: fine.

Two small bottle vases in Art Nouveau style and techniques, made around 1970 by Mtarfa, Malta. One in the feather manner and iridescent, the other, the darker one, in iridescent overlay. Both signed Mtarfa. Height "3¼/ 8 and "3/ 7,5cm. Condition: fine.

A Bursley ware tazza by Charlotte Rhead in the Carnations pattern, enhanced with gold against a mottled crackle glaze ground. Probably 1940’s, with factory mark and pattern code T.L.40. Diameter (handles not included) "7 ½/ 19,5 cm, height "2 ½/ 6,5 cm. Condition: fine.

An English Bursley Ware bowl by Charlotte Rhead, 1940s, of square shape. Slip-glaze decoration in the Carnations or T. L. 40 pattern in blue and gilt on off-white, marbled ground. Factory mark and TL 40 = pattern number and the mark of the painter who applied the raised decoration, Mary Powell. Height "2¼/ 6 cm, width (diagonally) "4¾/ 12 cm. Condition: fine. Please note that all the little dots and accents that unfortunately look brown on the photos are really in gilt.

A smoky grey and / or steel blue bowl with softly folded sides, the shape typical of the 1950´s. Original paper label with: Pietro Toso & Co: Murano. The Toso family since the middle of the 19th century is one of Murano’s most renowned glass manufacturers. Width "4 ½ / 11cm, height "2/ 5 cm. Condition: fine.

Serving tray with four compartments for vegetables or pickles, by Poole Pottery, England. Déco design with wave shaped handles. matted white glaze and hand painted decoration of stylized flowers and birds. Stamped mark for c 1970 and painter’s signature. Measures: "13/ 33 cm and "8¼/ 21 cm. Condition: fine.

An Eames era ashtray, Germany, c 1960. Pale blue and clear glass overlay, with a silver lip at one end. The silver addition with German marks: stamped Von Häfen (in Hamburg) and 835. The base with inscribed mark xeix (?). Width "6 ¼/15,5 cm. Condition: barely visible nick where the silver lip has been fixed to the glass, otherwise fine.

Demitasse coffee can and saucer, Royal Crown Derby Imari. Red stamped mark and year code mark for 1923, the saucer with impressed mark Derby 1923. Height of can "2 / 5 cm, diameter of saucer "4/ 10.6 cm. Condition: fine.

This porcelain demitasse cup and saucer was produced in England by Shelley before 1950. The numbers 1301/101 are on the bottom. This may be a pattern identification. The saucer has a diameter of 4 1/2 inches and the cup is 2 1/4 inches high. The porcelain is fine, white bone china. The cup is can shaped. The set has an overlay of gilding which covers all of the white area on each piece. It is reminiscent of chintz...