Measuring 3.5 inches long x 2.25 inches high x 1.25 inches wide, this unique and petite, highly beaded, Iroquois-made, change purse was made for the tourist market at the beginning of the 20th century.
Embellished with beaded edges, a large, 5-petal flower, and a detailed leaf on a heavy cardboard-like material that is lined with a red polished cotton, the little purse closes via a hook and eye closure.
It is in overall fine condition with expected creasing given its 100+ years of age as se...
Case mask with one half face painted green and one half red, tubular mouth; no ears, blossom on one side and tuft of red hair and feathers on the other. Douglas fir ruff. Body painted any common katsina style. Carries staff tipped with feathers, and a rattle. Appears in regular katsina dance.
Fewkes, 1894, 1903; Stehphen, 1936. ca.1920
5" Height X 1.5" Width
Provenance: Dorothy Louise Luhrs. PhD. 1910-1972, UNM, School of Field Research
A Zuni Polychromed Wood Kachina Group, depciting three Koyemsi, or Mud Heads, of classic articulated form and decoration, one, carrying Kianakwe Shikan’ona, White Kianakwe of the East on its back, dressed in a cloth manta, the white painted case mask with concentric bands in numerous colors with white dotted details, the other, carrying a bowl in his hand; possibly a depiction of the Kianakwe Ceremony. Heights: from 10" tp 13.75".
The rarer Katsinas of the some of the Rio Grande Pueblos are stylistically similar to Hopi figures, though often made of pine wood. Hopi Katsinas are made of cottonwood and more simply painted. This doll has great provenance: Dorothy Louise Luhrs, PhD. She taught at UNM School of Field Research. She was born in 1910 and she died in 1972. This doll was purchased from her estate and sold by Case Auctions, Memphis, Tennessee.
c.1920, 14" height x 2 3/4" width, 9 1/2" width of tableta
Green case mask, mouth a beak or tube, blossoms and tufts of red hair for ears, band of red yarn across forehead. Douglas fir ruff. Kilt, wedding sash, fox skin, red Navajo-style moccasins. Body paint pink and yellow. Carries a rattle. Appears in regular katsina dance. Fewkes, 1903, Pl. XXXV, XXXVI, figures other Navajo Katsinas which have been taken from Navajo ceremonies and are said not to be Hopi. Fewkes, 1894, 1903; Earl and Kennard, 1938...
Navajo Profile Spoon, c. 1905 4.5"
First purchased at Chautauqua in New York State in 1908. The doll is c. 1890. 10.25"
Crow, c. 1870-1880, 14.5", provenance: Paul Gray
Case mask with one half face painted green and one half red, tubular mouth; no ears, blossom on one side and tuft of red hair and feathers on the other. Douglas fir ruff. Kilt, sash, fox skin, and green moccasins. Body painted any common katsina style. Carris staff tipped with feathers, and a rattle. Appears in regular katsina dance...
Fully worked front and back as well as across the unseamed arms, fringed cuffs and bottom perimeter. The arm consists of Germantown yarn and the red is unraveled flannel.
Length 25"
c. 1870
"After an intensive search, less than a hundred examples have been located which can be considered as representing the type of work produced previous to the 1880's. To these may be added a few owned privately and thus not listed...
4.5" Has the word “Navajo” stamped in the bowl, and a rocker engraved face stamped in the bowl, similar to that on the handle. It has two arrows on the handle. c. 1895-1910.
4.5" Navajo Profile Spoon c. 1895-1900
A PAIR of antique prints of Plains Indians, likely from the 1841 edition of "Letters and Notes on the Manners, Customs and Condition of the North American Indians", Catlin's iconic book on the subject. The prints were printed by Tosswill and Myers of London in that year as illustrations in that work. Measurements are 7 1/4" by 5 1/4" inside the mats and 14" by 11 1/2" in modern strip frames. These prints are HAND COLORED, unlike many from the 1870's and 1920's which were printed in color.
Sioux Baby carrier with tree dweller figure beaded on flap, c 1890. Provenance: Dennis Lessard Collection; 30"
Case mask painted black with green mark on forehead representing a snipe track and white moon symbols on cheeks, snout with teeth, wildcat skin ruff. Velvet shirt, white trousers. Carries a knife. Chaveyo may come at any time during the spring months if Hopi children are particularly bad. "The boogie man will get you if you don't watch out."
Voth, 1901; Fewkes, 1903; Stephen, 1936; Nequatewa, 1948, p. 60.
Provenance available.
Chaveyo with half moon marks is from First Mesa...
Tewa-Hopi jar by Rondina Huma. It is an extremely well done piece in very good condition. W: 7 inches, H: 6 3/4 inches
Hopi pot with lizard design by Sylvia Naha, good condition. W: 6 1/4 inches, H: 3 3/4 inches
Hopi pot by Rita Andrews. Good condition. W: 6 inches, H: 3 3/4 inches
Hopi low bowl by Marcella Kahe. Good condition. W: 10 1/2 inches, H: 2 1/2 inches
A fine larger carving in emerald of an Owl Fetish, Native American, probably Zuni, Navaho tribe and 20th. century.
The carving is cut and polished in one emerald stone and depicts an Owl. The stone is transperant light blue-green and very beautiful.
Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people...
An original North West Native American Haida Indian carved cedar panel. With Eagle and Bear tribal design motif initials carved into the wood on the verso R D attrubited to Robert Davidson.
24.5" W x 35.25" H x 1.5" D. A beautiful example of North Coast Native Indian art.
San Idelfonso blackware jar, burnished finish with abstract designs, early unsigned piece, in the style of Maria Martinez (1887-1980), beautiful condition and good size.
Measures 6" diameter, 4 3/4" high, opening is 3 3/8", bottom is 3 1/8" diameter.
Fairly thick walls, evidence of hand finishing in interior, bottom has spots where it looks like felt buttons were once attached.
Classic designs of feathers, circular shapes, all very precisely done, this was crafted by a highly skilled artisan...
Two types of masks: At First Mesa, a white case mask with beak, owl wings in place of ears. At Second and Third Mesas. a case mask covered with rabbit fur, "horns" of jackrabbit tails, beak. Fox skin ruff. Kilt, sash, fox skin, buckskin over back. White body paint. Carries a bow and a yucca whip...
Watercolor on paper depicting two female Corn Dancers, by Quah Ah (White Coral Beads) aka Tonita Peña circa 1930s. San Ildefonso, New Mexico.
Tonita Peña: Born May 10, 1893 at San Ildefonso Pueblo, NM; died May 1, 1949; daughter of Natividad Peña and Ascencion Vigil; niece of Florention Montoya; After her mother’s death when she was twelve years old, the artist was raised by her aunt, Martina Vigil of Cochiti. She was the only woman painter in her generation and was one of the original g...
Watercolor on paper depicting a woman with a basketry tray on her head filled with blue cornmeal, by Awa Tsireh (Cattail Bird) aka Alfonso Roybal circa 1930s. San Ildefonso, New Mexico.
Awa Tsireh: Born February 1, 1898, NM; died May 1955 at San Ildefonso, NM; son of Alfonsita Martinez, potter, and Juan Esteban Roybal; nephew of Crescensio Martinez. By 1917, Alice Corbin Henderson had commissioned the artist to execute paintings for her. Later, Awa Tsireh painted daily with Fred Kabotie and V...
Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman's old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Katsina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa they are said to sing Zuni songs.
Length 3 1/8" X Width at the shoulders 1"
Turquoise Frog Fetish, excellent condition, c. 1940, 1 3/4" long, 1" high at highest point and hind quarters are 3/4" high.
Articulated Mud head puppet carved by Henry Seeni.
Similar example in Denver Art Museum, Denver, Colorado.
Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman's old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa th...
Watercolor on Paper depicting a Man & Woman in full Regalia doing a Kachina Dance, by Quah Ah (White Coral Beads) aka Tonita Peña circa 1930s. San Ildefonso, New Mexico.
Tonita Peña: Born May 10, 1893 at San Ildefonso Pueblo, NM; died May 1, 1949; daughter of Natividad Peña and Ascencion Vigil; niece of Florention Montoya; After her mother’s death when she was twelve years old, the artist was raised by her aunt, Martina Vigil of Cochiti. She was the only woman painter in her generation a...
Watercolor on paper depicting Eagle Dancer, by Quah Ah (White Coral Beads) aka Tonita Peña circa 1930s. San Ildefonso, New Mexico.
Tonita Peña: Born May 10, 1893 at San Ildefonso Pueblo, NM; died May 1, 1949; daughter of Natividad Peña and Ascencion Vigil; niece of Florention Montoya; After her mother’s death when she was twelve years old, the artist was raised by her aunt, Martina Vigil of Cochiti. She was the only woman painter in her generation and was one of the original group who pa...
Navajo stamped coin silver bracelet. In an excellent condition.
1 1/2" the space in the back, 1" width, c.1930
Original Vintage Iroquois Indian False Face Soceity carved wood mask c.1930. Measuring 10 inches by 7 inches by 4 inches deep. Hand carved and paintied wood with traditional metal eye accents and horse hair. From a north eastern American collection.
The False Face Society is probably the best known of the medicinal societies among the Iroquois, especially for its dramatic wooden masks. The design of the masks is somewhat variable, but most share certain features.
The eyes are deep-set a...
A plains Cree Beaded Hide Pouch with hide suspensions with the pictorial elements of a bird, flowers and leaves.
C. 1900
Height: 13" including the fringe
Width: 5"
Southern Plains Beaded Hide Doll probably Comanche Kiowa, c. 1900. She has yellow ochre high-top moccasins, yarn hair, and an ink-drawn face. She is 12" tall.