Nearly a century old, this Noritake dessert set contains plates, cups and saucers, coffee pot, creamer, and sugar bowl (no cover). This set was purchased in the US between 1935 and 1937.

Large Original Japanese framed print by Toko Shinoda (born 1913), entitled "Reminiscence". Color lithograph with sumi-e ink brushwork in black, light blue and gold ink. Signed in pencil and numbered "ED 30AP 7/10". Floated in frame under UV acrylic.

36 1/2" high x 46 3/4" wide x 2" deep framed. Artwork: 28 3/4" high x 39 1/2" wide

A large framed Japanese woodblock print by Joichi Hoshi (1913-1979). Signed, titled, and numbered 83/90 in pencil, with red chop.

Dated 1974.

Dimensions: 47 1/4" x 27 1/4" H (entire frame) 30 1/2" x 16" H (artwork only)

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors...

Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky...

A rare example of an early 1920's antique Japanese barber chair. The chair is made from hand forged iron with solid elm wood framing. Seat, arm rests, and head rest are wrapped in the original black leather. The position of the seat is adjustable to recline. Headrest is adjustable to many lengths.

Date: 1920's

Dimensions:50" high X 42" deep X 24" wide

Large Japanese woodblock print of a horse by the artist Nakayama, Tadashi (born 1927). Titled, "Cyclone". This image of a horse stands with it's mane billowing with bits of color and metalic leaf. The head of the horse is patterned with colors while most of the body remains a dapple of charcoal and white. In the background, a series of thin circular lines accent a metalic leaf sun or moon. Signed in pencil and numbered 85 of 85...

Japanese scroll painting of a ghostly woman standing in a shoji doorway. Her robes are white, the color of death and her hair falls unkept around her shoulders. Tendrils of flame appear where rays of light shine down at an angle to catch on her sleeve. Painted in mineral colors and ink on silk.
Painted by Obata Chiura (1885-1975), painter and first professor of Japanese painting at University of California, Berkeley. Born in Ibara-cho and raised in Sendai, Japan...

Japanese Gosho Ningyô with Samurai Attire, Signed by the 10th Generation Ningyo Artist Rozon. This master work is the results of ten generations and three centuries of ningyo artists. Unfortunately, it seems it is the end of the line for this studio. The children are not interested in continuing, which we think is sad. This Gosho is one of the most amazing examples of 20th century Japanese art. It features so many wonderful examples of great Japanese art forms...

Japanese rectangular suzuribako, lidded lacquer box with artfully and beautifully done with a dramatic design of blooming red hibiscus and its leaves, lacquer is raised and colors appear in layers, a most unusual and lovely technique, Taisho Period, signed and sealed tomobako: Setaro Imai, born Meiji 26 (1894). Size: 12 1/4" long x 11" wide x 2" high

A pair of Japanese vintage bronze temple lantern. Each lantern is made of 3 sections, the base, the light housing and the crown. The crown has a scalloped rim with heart shaped designs and a beautiful finial...

"Diary June 3rd '78" is a photographic silk screen print of a child holding a blanket on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scenes from daily life. Title, signature and date in pencil. Sealed with thumb print. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist. He is a professor emeritus at Tokyo University of the Arts...

"Diary March 5th '79" is a photographic silk screen print of a child holding a blanket in one hand with her other hand in a sling on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scene from daily life. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist...

A JAPANESE Gilt bronze model of a COCKEREL or ONAGADORI (LONG-TAILED COCKEREL)standing on a red lacquered wood stand probably late Meiji / Taishō period, the body is beautifully chiseled on every feather ,the tail is in two parts and they attach with a screw. The figure is unsigned. Dimensions h. 20", w. 6-3/4", d. 3-1/4"; overall h. 26", w. 9-1/2", d. 9-1/2"

Hiroshige Ando
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Series: No. 48 from Meisho Edo Hyakkei (One Hundred Famous Views of Edo)
Date: Intercalary 5th month, 1857.
Size: Oban 14 x 9.75 inches.
Publisher: Uoya Eikichi.
Medium: Japanese woodblock print.
Condition: Margin blanks and tears repaired by conservator. Soiling.

Japanese mid 20th century bronze vase by metal artist NEYA CHUROKU (1897 - 1987). The tall vase is done with a dragonfly and autumn grass design. The vase measures 17 7/8" tall and 6" in diameter.

Japanese framed print titled "Whispers of Love", by famous artist Yoshitoshi Mori (1898-1992), numbered 6/50 in its series. The print is signed in pencil with red cartouche.

Dated 1976.

Dimensions: (entire frame) 42 3/4" L x 33 1/4" H (artwork only) 35 1/4" L x 26" H

Magnificent master work by Hirata Gōyō II (1903 - 1981) of a Bijin (young beauty). It features a wonderfully carved head and body cover with many layers of gofun oyster shell lacquer, with sumptuous brocade with gold thread wave pattern and applied chirimen silk with painted image of waves and cherry blossoms. circa 1945. 14.5 inches (37cm) tall...

Kawase Hasui (1883-1957)
Snow at Shiba Park (Shiba Koen no Yuki)
Date: 1931
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe B seal (used 1927-32) in right margin.
Reference: Hotei #244.
Condition: Formerly matted with some tonal difference primarily near lower margin. One foxing mark in lower foreground.
Note: This famous Hasui design was also used later in a 1953 Pacific Transport Lines calendar.

Japanese Musha Ningyo of Shoki the Demon Queller, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 21 inches (53.25cm) high.

A small sized Kutani ware censer decorated with motif of chrysanthemums and calligraphy inscribed on a circular base and on the lid's hand scroll like design,all the work meticulously executed by hand. On one sides of the censer is a small detailed calligraphy of the entire poetry collection of the Manyoshu and Shinkokinshu. On the side with the silvery circular design are two poems, one from the Manyoshu, composed by Otomo no Yakamochi reads: In the garden, among the bamboo groves, the bush war...

Japanese Musha Ningyo of Jimmu, the First Emperor of Japan, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 20 inches (51cm) high.

Large Japanese woodblock print by artist Mayumi Oda (1941-present) known for portraying male Buddhist deities as female. This print is titled "Victoria Invention, The Locomotive" Low numbered 6/30 in its series, and signed in pencil. Beautifully done. Size: 25.5" height, 19 3/4" width

A bright, beautiful woodblock print by Mayumi Oda (1941-present), headlining her exhibition in the Satori Gallery, San Francisco, January 1982. It is numbered 93/250 and signed/copyrighted in pencil. Largest prints she has made. Size: 39.5" height, 28" width

Large Japanese woodblock print by Joichi Hoshi (1913-1979), signed in pencil, number 64/99 in its series. Gorgeous metallic silver background. Red artist's stamp in bottom corner. Set in heavy metal frame. Size: (entire frame) 21" height, 34.25" width (artwork only) 14.5" height, 27.25" width

Japanese Silk Embroidery Seascape, Unsigned, 16 x 17"

Elegant Japanese bronze art deco vase with scalloped lip from the 1930s. The vase has 8 faces that start as an octagon at the base and rise up to a bulbous form. Unmarked vase. It measures 16.25" tall 6.5" wide at top.

Charles W. Bartlett
Title: Kobe
Date: 1915
Board size: 12 x 8.75 inches. Image size: 10.75 x 7.25 inches.
Medium: Watercolor on paper.
Signed "C.W.B", titled, dated, and dedicated in pencil.
Condition: Painting is laid down to board. Paper toned in places.
Note: As signed, the work was painted in 1915, the year Bartlett arrived in Japan, and was subsequently presented as a Christmas gift in 1936.

Chinese Quan Yin from the second half of the 20th century. It is made of rare aromatic Cheng Xiang wood. The figure stands statuesque and unperturbed atop a turbulent sea holding a string of beads. The robes drape gently down the figure and almost flutter in the wind. It measures 16" tall, base 5" diameter.

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

Beautiful framed Japanese urushi-e painting by artist Hakuo Iriyama (born 1904 in Shirone, Niigata). Urushi-e is a style of Japanese art in which colored lacquers are used, along with mica and metal elements as accents. This piece depicts Mount Fuji, raised against a deep blue background, with etched rock formations in bright gold and orange lacquer at its peak, fading to brown lacquer with silver mica-powder mists floating around it. Bright pink lacquer tree branches with blooming cherry blosso...

Japanese Late 20th Century (1995) porcelain charger by master ceramicist, Ono Hakuko (1925-1996). The charger has the design of fern leaves and blossoms done in Ono Hakuko's signature style with gold leaf underglaze. The charger is signed "Haku" on the bottom. The charger comes with TOMOBAKO, or original wooden artist signed storage box. The box is also signed by Ono Hakuko's son, Ono Jiro. It also comes with TOMOGIRE, or original artist stamped wrapping cloth. The charger measure 15 5/8" in dia...

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Paul Jacoulet
La Gerbe D'Anthurium, Angur, Mer du Sud (The Spray of Anthurium Flowers, Angur, South Seas)
Date: July 15, 1951.
Fewer than 150 impressions made. This example has no edition seal visible. Jacoulet's fancy PJ seal is covering another seal on the back.
Size: 18.625 x 14 inches.
Ivy seal. Carver: Maeda. Printer: Honda.
Reference: No. 118 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Excellent color. Light creasing in margins. Top back ...

A Japanese cast bronze Okimono of an octopus moving across the sea floor. Its eight legs and large head depicts this true-to-life mollusc in motion. The two large eyes constantly observe its surroundings ready to shoot its ink at any predator.

11″ high x 29 1/2″ wide diameter

An old Japanese temple lantern made entirely of bronze. Sacred jewel called Hoju is represented in the finial. Hinged door allows access to the interior.

Large Japanese framed print by Joichi Hoshi (1913-1979), signed in pencil, number 30/99 in its series, dated 1974. Scene of a silvery tree covered in snow with metallic silver on mint green ground.

Dimensions: 29" x 29.5" H (entire frame) , 22.25" x 23" H (print only)

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...

A pair of abstracted foxes, sitting at their haunches, tails curled wound their feet, their heads turned upwards, gazing at the moon.
Brown patinated bronze with roughened surface.
Each fox signed on the bottom ‘Kozan’ in archaic script.

Japan, mid 20th century.

Height 10 and 10.1 inches (25.2 and 25.8 cm).

Comes with the original tomobako storage box; the cover inscribed on the outside ‘tsuki miru kitsune’ (foxes looking at the moon) and stamped ‘seido...

Ohara Koson (Shoson)
Mallards and Lotus
Size: Large toku-oban. Approximately 17.125 x 12.25 inches.
Date: pre-1936. First edition.
Publisher: Watanabe Shozaburo. First and only edition with Watanabe D seal in right margin.
Shoson signature and seal lower right.
Medium: Japanese woodblock print.
Reference: S7.1 aand cat. 145 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). Watanabe cat. #O-51.
Condition: Excellent with full...

A stylish cloisonné beaker vase decorated with a yellow rose on a blue ground by Ando, a leading Japanese cloisonné maker since the beginning of Meiji period. Impressed Ando and 'jyun-gin' (pure silver) marks on the bottom rim, dated from 1950 to 1960. Original square black stand and pamphlet issued by Ando with some brief notes about the company and a photo of the famous enameled mirror discovered in Shoso-in. 11" tall (vase alone) and 7 1/2" in diameter at the opening. Absolutely no dam...

Japanese woodblock print depicting a lone leafless tree at dusk set against a gold leaf background titled "Evening View (Dusk)" by Joichi Hoshi (1913-1979). Pencil-signed "Joichi Hoshi" and dated '77 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and numbered 43/99. A penciled inscription on the upper back reads "8408 S-1 12/12" and the original price of 100,000 yen is at the bottom of the back. Paper measures just under 25" x 34 1/4" (image...

A modern, elegant openwork flower basket, Hanakago, by Tanabe Chikuunsai II (1910-2000). *Material: Madake bamboo, rattan, lacquer. Hexagonal shape at the base. The weaving is made employing bamboo split in extremely thin strips. *Signed Chikuunsai zō (made by Chikuunsai) It comes with the original lacquered bamboo water receptacle Otoshi and Tomobako storage box inscribed and signed by the artist. * From the 60’s. ***Tanabe Chikuunsai II ( Ichichikusai ) (1910-2000), was son of Tanabe...

Japanese woodblock print by famed artist Mayumi Oda (1941-present) titled "Storyville I" in pencil, numbered 18/50 and signed. Size: 36"H x 24.5" L

A Mashiko ware tea bowl (chawan) by Hamada Shoji. The bowl is glazed in a style known as kaki yu or persimmon color glaze which is often seen in Mashiko wares. Hamada Shoji along with Yanagi Muneyoshi and Barnard Leech were part of the mingei movement in the late 20th century. The movement emphasized the simple minimalist beauty found in daily objects made by unknown artists. Thus, Shoji never signed his works, where he too wanted people to simply appreciate his ceramics, not his notoriety. Age:...

A lovely and whimsical Japanese print by artist Mayumi Oda (1941-present) titled "September Afternoon", numbered 12/50 and signed all in pencil. She is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more. Laid down on wooden board for flat presentation.

Size: 24.5" L x 32.5" H

Japanese woodblock print by well-known contemporary artist Tetsuya Noda (b. 1940), a professor at the Tokyo University of the Arts. His techniques combine woodblocks with silk screening. This print is part of his famed "Diary" series, titled "Diary : Jan. 15th '84 (1984)" in pencil. with calligraphy on the lefthand side, no. 39/40, signature in pencil with red fingerprint.

Size: (entire print) 29" L x 14" H

A rather unusual fan painting (senmen) portraying an image of a dragon rising above the clouds done using fingers. The tradition of finger painting is thought to have originated from China. Eccentric literati artists used their fingers instead of the brush to become one with the painting. Work contains a signature and seal by an artist named Sonsen. Additionally, the inscription on the fan reads: finger painted by Sonsen. Age: Early 20th century Size: Height 55.5" Length 27.5"

Japanese choba tansu (merchant's chest) from the Sakata area, made of keyaki (elm) wood with kiri (paulownia) wood interior. The upper and lower portions of the chest have drawers of various sizes. In the center is a compartment opened by two hinged doors. To the right of this is a safe box with a door that opens to reveal two small interior drawers. Substantial iron hardware includes decorative pierced designs of a crane and turtle on the safe door, raised fruits on the double doors, squa...

Joichi Hoshi (1911-1979)
Field
Size: 32 inches by 17.25 inches.
Date: 1974.
Edition: 63/99
Signed, dated, and numbered by the artist.
Medium: Japanese woodblock print on gold leaf.
Condition: Light toning at margin. Back margin has tape residue and one reinforced corner.
Note: Please see additional images for texture and metallics.

Japanese 20th century large porcelain vase by FUJII SHUMEI. The large bulbous form is decorated in a beautifully detailed mountain landscape with many trees. Signed SHUMEI on bottom. FUJII SHUMEI is a famous porcelain artist who exhibits at the prestigious annual NITTEN show in Japan. No storage box. The vase measures 12 1/2" tall and has a 11" diameter.

Japanese E. to Mid 20th century bronze vase by IPPOU. The vase has the design of various sea life creatures, such as octopus and a variety of fish done in fine design and detail. Signed IPPOU on bottom. The vase measures 8 3/4" tall and 5 1.2" in diameter.

Shiko Munakata (1903 ~ 1975)
Date: April 10, 1959.
Seated Figure. Here titled by the artist, "At Columbus" (コランバスに於て). Also signed by the artist and dedicated in pencil in Japanese at the top right, "to Ms. Ryuko Sato".
Munakata's famous 1959 United States lecture tour took him through Ohio. On the tour, he was known to carve one-off woodblock prints on the spot at gatherings and present them to hosts or guests, as once described on the Antiques Roadshow. We believ...

Rare "Buddha Asuka (B)" woodblock print by Kiyoshi Saito, 1955, number 40 of only 50 printed, signed in white ink and sealed in red ink both on the image area. Signed and sealed printed label "self-carved self printed" also included (attached to paper backing removed to inspect condition.)

We were not able to find a recent auction record for this image with data available. Another mid-century work by Saito (in color) titled Asuka (Kudara Kannon) [possibly confused by the artist with one of...

Hasui Kawase
Kasuga Shrine, Nara
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. 15.375 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Publisher's 6mm seal (printed 1946-1957).
Reference: Hotei #317.
Medium: Japanese woodblock print.
Condition: Slight toning. Excellent color.

Ikebana basket (hanakago) made of dark brow varnished bamboo wickerwork, elongated rounded shape, with a handle made of three varnished wooden branches. Thicker bamboo braids on the four sides. The roughness of the handle is a reminder of a raw wood and contrasts with the delicate weaving braiding of the basket.

Ikebana or Ka-do (the way of flowers) is a traditional Japanese art of flower arrangement. Unlike Western floral art, ikebana does not aim to empha...

Ohara Koson
Peafowl on flowering cherry
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (97)
Reference: K38.13 and plate 87 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A few small black marks in sky at left and above bird. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a de...

Ohara Koson
Peacock on a bough of a pine tree, a peahen behind
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature seal.
Publisher: Daikokuya (6)
Reference: K38.17 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Black mark at top margin and in sky at lower right.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendan...

Hanging scroll. Black ink, light colors and gofun on paper.
Painting of the demon of Rashomon stealing back his severed arm from Watanabe no Tsuna. Excellent use of dry-brush technique.
Signed: Yoshimitsu saku, seal Hoko. Japan, Taisho/Showa era.
Newly mounted with original embroidered brocade.
Image: 24 x 12.5 inches.
Total length: 58 inches.

Few old water stains on brocade, few tiny stabilized damages in paper, some damage to embroidery, all in all very good cond...

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.

Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...