Lovely Japanese Byobu Screen 6 panels with Spring Flowers.
The size of Screen: 148" L x 66" W (376 cm x 168 cm)
This Byobu is made finely and fine condition. Gold leaves and
Painting is very lovely. There is no place to be repaired.
It has the signature of artist name, Naofumi, but we do not
have profile information. Dating of screen from 1950’s...

Old Japanese Studio Standing Cat

It is 6.4 inches (16.3 cm) tall by 4.1 inches (10.5 cm) wide. It is 1 Lb.

It has skip glazes, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated August 21st, 1937.
Size: 7.5 x 5375 inches (19 x 13.6 cm).
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese shin-hanga woodblock print made from a carved wood block...

Woman's juban (under kimono) made of recycled cloth such as hand-spun cotton with Hinode shibori, which is vegetable indigo dye for the lower part, and cotton with katazome, for the top part. The first half of the 20th century. In excellent condition except for a few light stains in the white cotton lining. 124cm x 126cm

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "White Plum in the Farmyard" dated in the left margin 1951. The artists's red seal is at the lower left and the print is pencil-signed in the lower right margin. Early edition likely dating from the 1950s/60s. Paper size: 15 1/2" x 10 7/8" (image: 14 3/8" x 9 5/8"). Very good overall condition. The back margin edge is very lightly distressed. The original 14,000 yen price is in pencil on the back lower right edge.

Height: 3.3 cm (1.6 in)
Width: 5.8 cm (2.6 in)

Japanese ivory okimono of three wise monkeys; signed; circa early 20th century

It is a beautiful kimono in excellent condition. The black dye changed it's color to a current black which has a tint of brown. The silk is in a super good condition. The design is the favorite design of Kakiemon, the hoo bird and the leaves of the paulownia tree. The hoo bird has been associated with the Empress in Japan and her crest is an elegantly designed paulownia leaves.

Ohara Koson
Cawing Crow
Size: Dai-oban. Approximately 16.5 x 10.5 inches.
Date: Early 20th century.
Reference: K5.15 and page 140 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland).
Signed and sealed by the artist.
Publisher: Believed to be the earlier Daikokuya version alluded to in the catalog...

A pair of cotton tabi with sashiko and a pair of kokake. Tabi is made of hand-spun white cotton and has nice sashiko for strength. Soles are machine-woven. Kokake is also made of hand-spun cotton and dyed with vegetable indigo and has fine sashiko for also strength. Kokake has no soles and it is worn over zori (Japanese sandals) for warmth and waterproof in winter. Both are in excellent condition. The first half of the 20th century. Tabi L22.5cm, W10cm, H13cm Kokake L26cm, H14cm

Ito Shinsui (1898-1972)
Peaches and Melon. From the Three Still Lifes series.
Date: 1939.
Size: Approximately 19 x 14.25 inches.
Publisher: Watanabe Shozaburo.
Artist's signature and seal.
Medium: Japanese woodblock print.
Condition: Toning. Fading. Repairs made to margins and portion near left edge.

Japanese framed woodblock print by Shiro Kasamatsu (1898-1991) of a bridge and a quiet lake in the evening. Lanterns illuminate cherry blossom trees among the darker color palette. Print is laid down and framed. Artist's chop and signature with title in right margin.

Size: (entire frame) 15.75" L x 21" H (print only) 10.75" L x 16" H

Jokata Kaiseki (1882-1966)
Snow-capped Mt. Fuji.
Series: Twenty-five Views of Mt. Fuji in the Four Seasons
Date: 1929-31.
Size: Oban. Approximately 14.5 x 11.5 inches.
Signed and sealed by artist.
Medium: Japanese woodblock print.
Condition: Very good with slight toning and faint line above the mountain.
- Features embossed snow and reddish mist.

Splashes of earthen color decorate the deep sides of this large open dish by Living National Treasure Tamura Koichi enclosed in the original signed wooden box. The bowl is 15-1/2 (39 cm) diameter, 4 inches (10.5 cm) tall. The box is worn but still sturdy, and the bowl is in perfect condition. Koichi graduated from the Tokyo University of Fine arts Where he later taught), and took up an apprenticeship under (later) Living National Treasure Tomimoto Kenkichi...

Solidly potted Japanese Mashiko stoneware teardrop form vase covered overall in a green drip glaze over a brown ground that ends at the unglazed base. The base holds an unidentified impressed potter’s seal. Mid-20th century. 7 3/8” high by about 7” diameter; weighs about 3 lbs. Very good overall condition with no chips, cracks, or repairs. This vase is from the collection of a Green Valley, Arizona couple who were expatriates to Japan in the 1960s and 1970s...

Japanese scroll painting in colors on paper depicting “delicacies from the land and the sea” - a cuttlefish on a bamboo branch, edible taro bulbs and a long stemmed fuki - Japanese butterbur. Beautiful work, elegant composition in Japanese taste, delicate subtle painting. Signed SHUJI GA (painted by Shuji) followed by the red seal of the artist. Beautiful bamboo pattern paper mounts, lacquered scroll ends, in perfect condition, excellent painting for display during tea ceremony...

Conceived by 20th century master ceramicist Kawai Kanjiro (1890 - 1966), the combination of “shinsa” (cinnabar glazing) and “tsutsu-gaki kamon” (raised-relief slip-trailing floral design) used in the creation of this work is one of his most recognizable motifs.

Like so many great artists throughout history, Kanjiro refused to confine himself to one genre...

An elegant celadon receptacle with custom made black lacquered lid by important female potter Suwa Sozan II titled Seiji Mizusashi and enclosed in a wooden box annotated by the third generation head of the family. The Taru shape (a traditional bound shallow wood bucket) is surmounted at the rim with lily pads upon which rests a tiny frog. In the center of the base is her circular stamp. It is 24 cm (9-1/2 inches) diameter, 12 cm (5 inches) tall and in excellent condition...

Chidori plovers soar between warm green clouds draped over the rim of this Oribe style bowl by Kitaoji Rosanjin enclosed in a double wood box (Nijubako) annotated by Living National Treasure Kaneshige Toyo. On the bottom of the bowl is the star mark of Rosanjin, which he used to mark pieces made for his restaurant. The bowl is 16.5 cm (6-1/2 inches) diameter and in excellent condition...