A narrow open-mouthed vessel decorated with autumnal trees by Ito Tozan II enclosed in the original signed wooden box. The piece could serve as a vase, but comes with a black lacquered wooden lid and is titled Mizusashi, making it rightfully a fresh water jar for the Japanese Tea Ceremony. It is 11.7 cm (4-3/4 inches) diameter 22 cm (9 inches) tall and in excellent condition, likely dating from the 1950s...
A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937).
Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s.
Late Meiji to Early Showa, 20th cent.
H...
An very pretty, oblong Iga vase for tokonoma presentation with compressed body and a long, trumpet-shaped neck. Two small ears on the side. Partly covered (upper part) with a running, olive-green glaze. Signed. Artist unidentified (see photo). Vintage. H 23.5 cm. Condition: Perfect.
Lovely large art deco signed Shino ceramic vase from one of the masters Takeharu Kobayashi.
Undulating waves of raised ridges creates a textured masterpiece. In a signed original box. Fired at the 'Chikurin Kiln. 40cm diameter x 35cm tall. Ca. 1980. Ask for shipping quote.
The Takahashi family is along with the Ueda family the oldest potter family in Shigaraki and Takahashi Rakusai III b.1898-1976 was largely responsible for the revival of unglazed Shigaraki pottery in the 20th century. Working in the third generation he was designated a "Shiga Prefectural Intangible Cultural Property" in 1964 for his countless efforts. He was succeeded in 1976 by his son Takahashi Rakusai IV who was designated by government as "Intangible Cultural Property"...
Lovely signed Bizen ceramic sweets serving dish from the famed BIZEN KILNS. A twined wisteria handle holds the wood fired dish with natural glaze markings and 5 circles on the dish. 20cm H x 26cm wide x 28cm deep. Excellent condition. Ask for shipping quote.
A beautiful Japanese studio pottery vase in a mossy green hue with stylized Chrysanthemums scattered about in artistic form. Studio stamped seal at the base.
Age: Mid Century
Dimensions: 12 1/2" High by 15 1/4" Diameter.
The size of Vase : 9 1/4" High x 8 1/2" Dia.
23.5 cm x 21.5 cm, 11 cm top dia.
This very nice Japanese Shigaraki Vase.
There is signature of artist on the bottom looks
like キ Ki in katakana.
Artist name is not known...
The size of Bowl : 11 3/4'Dia x 4 1/16" H (30 cm x 10.5 cm)
This Hira Mizusashi Bowl is made by Inoue Goutaro (1918 - ? ).
Mizusahi Bowl is water bowl used for Tea Ceremony, but bowl make
beautiful Ikabana (flower arrangement) Bowl. It is very handsome bowl.
It is made by Tama Yaki very rare bowl.
The bowl is stoneware material like Iga Yaki. It came with
Tomobako. The cover of Tomobako writing in Japanese as
"Tama Hira Mizusashi" on upper right...
Additional photo for Tama Yahi Mizusashi Bowl by Goutaro Inoue w/Tomobako
Classic vase by Mashiko artist Murata Gen (Japan, born in Ishikawa Prefecture, 1904-1988). Murata Gen apprenticed with Shoji Hamada before becoming an independent potter in 1954. This work is 8 1/2" high and 6 1/2" wide. Signed with the "MU" character within a diamond. In excellent condition.
Unusual early Showa period (1930s) ceramic sake cup made in nerikomi (agateware) technique, its body with vertical grooves all around the perimeter. Nerikomi (translated as “mix and pull up”) is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect. Beautifully made, wonderful patterns, glazed on the inside for safe drinking, inscribed by the potter the bottom, very pleasant to hold...
Magnificent Ko Iga flower vase made by Zoroku Mashimizu (1861-1936)
Zoroku Masashimizu was born in Kyoto with the childhood name Jutaro.
After his father passed away, he devoted himself to pottery under the guidance of his mother, Chika.
In 1882 he succeeded to the name Masashimizu Zoroku.
In 1884 he received a medal at the Kyoto Exposition.
He also won the first gold prize at the Nanto Expo.
In 1917 he moved his kiln to Nishinoyama, Yamashina Ward, Kyoto City.
During t...
Round tea bowl of more or less circular shape on a bamboo node foot. Fine cream-colored stoneware with decoration in the form of an abstracted character in slightly raised slip relief on opposite sides of the bowl. The bowl is covered in a light gray glaze on the inside, the outside is covered in a bright copper red glaze, turned brown along the foot.
No potter’s mark, but the bowl has strong resemblances to works by Kawai Kanjiro (1890-1966)...
Wall vase of irregular cylindrical shape. Middle brown stoneware with irregular natural ash glaze dripping decoration. Metal eye at the back for hanging.
Marked with 3 dots at bottom, which is the mark of the Karatsu potter Nakazato Toraemon XII Muan. Japan, around 1960s/1970s.
H ca 7 in., W at foot 4 ¼ in.
Mint condition. The piece does not come with a box.
Nakazato Muan (1895-1985) inherited the artist name Taroemon XII, in 1927, following his father who was Taroemon XI...
Large peach-shaped bowl decorated on in- and outside with a bold Rinpa design of flowering red, white and blue camellias and leaves. Over a cream-colored coarse stoneware a thin layer of cream-colored slip has been applied, on top of which overglaze blue, black, green, red, white enamels and gold.
On the outside in a white rectangular reserve with black outlines the signature Kenzan. Japan, 1950s.
In the style of Ogata Kenzan or Ogata Kenzan studio.
H 4; w 12 inches...
Japanese Stoneware Sake Bottle, Tokkuri, 1960, 10 3/4" high, 5 1/2"-widest area, 2" diameter-top rim, with unglazed panel in front with design and Kanji writings, small flake chip on the top rim.
Japanese Brown Stoneware heavy Sake Bottle, Tokkuri, with Black Splash design on one side and wooden stopper, 14 1/2" high, 2 5/8" diameter-top rim, 9" wide-widest area, few flake chips on top rim.
Japanese Brown Stoneware Tokkuri, Sake Bottle, 1980, heavily potted stoneware and Black splash design on one side, small flake chips around the top rim.
Cute flower vase of convex shape with a flaring mouth...
TEABURI BRAZIER
Refined Japanese ceramic 'teaburi' (small hand-warmer brazier) of minimally roundish cylinder form coated with calm glossy pale glazing, early 20th century, approx. H 20 x D 17cm (7.87 x 6.69in). Profoundly heavier than its looks.
selected by kikue
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be a...
Antique Japanese Oil Spot or Mirror Black Glaze Tea Bowl, beautiful green black tortoise shell glazed tea bowl with painted decoration. The interior bottom has the spotted effects like oil spot and the painted design appears to be Japanese. The foot rim has a very small chip seen in the images. Size d 4.2"h 2.2"
Fairly large sake bottle of dark brown stoneware, with an angular hip, rounded shoulder and slightly everting neck. Its shoulder and neck covered in a yellow and greenish natural ash glaze.
Bizen ware. Impressed seal mark in bottom.
Japan, Showa era, ca. 1970s
H 8.1 in.; diam. 5.4 in.
Excellent condition
Vintage Japanese Grey Clay Banko Teapot with Mallard Ducks . Nice piece in buff yixing type clay with raised Mallard ducks flying over waves and cresting water in colored enamels. Undamaged signed on the base. No including the handle 4" high and 4.5" wide .
THE GREATEST GRATER
I have never seen such a radish grater! Anonymous mingei masterpiece for real. Pottery. Meiji-Taisho period, early 20th century, Japan. approx. 19 x 35 x H 15cm (7.48 x 13.77 x 5.90in)
selected by Jinta
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our...
KILN TOOL, KOBACHI
Used for pottery firing. Mino region, Japan, Showa period, early-mid 20th century, approx. D 16 x H 12cm (6.29 x 4.72in)
selected by Jinta
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances.
Thank you.
Highly unusual ovoid flower vase with an art deco decoration of four pairs of Native Americans standing face to face in war dress. Above and below decorative bands of repeating plant motives. Inside cream colored glaze.
Light colored stoneware with pastel colored sgrafitto clay inly. Excellent craftsmanship. Kyoto ware.
Signed on the bottom Gyozan
Japan, late Meiji/Taisho era, 1910s-1920s
H ca 9.25 inches
The Gyozan studio and kiln were in Kyoto. The studio produce...
Small and cute box for keeping incense, called kogo, originally used in the tea ceremony. Hand modeled coarse red stoneware with small sediment and mineral inclusions. White irregular glaze caused by feldspar inclusions in the clay that melted during the firing and dripped over the outside.
The overall shape is an irregular cylinder which turns into a plum blossom when seen from the top, with three clusters of stamen.
Ash glaze inside the lower part of the box.
Small, shallow impres...
MONKEY PARENT AND CHILD
Minimal ceramic figure of monkey parent and child in such beautiful silhouette, Showa period, 20th century, Japan, approx. H 22 x 13 x 11cm (8.66 x 5.11 x 4.33in)
selected by Jinta
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any c...
Clog-shaped chawan, tea bowl to be used in the tea ceremony. Over a whitish fine clay a silky black glaze and crackled white slip over which a decoration of interlocked diamonds and rings in iron brown.
Seal impressed in bottom/underside: Juzan. Refers to the Oribe potter Mizuno Juzan.
Mino ware, Oribe style, Japan. Showa era, 1950s
H 3 x W 4.25 in.
Perfect condition
There are at least two generations of Mizuno potters going by the name Juzan. The seal most likely ...
Japanese Blue and White Stoneware Sake Bottle, or Tokkuri, 10" high, 5 1/2" wide-widest middle section, with Blue Kanji letters on white rough glazed surface. White glaze chipped off, will make nice decorative kitchen items.
Impressive Mashiko iron glazed jar with impressed design by Sakuma Totaro (Japan, Mashiko, 1900-1976). Circa 1950s. In excellent original condition. 21cm high, 19cm across. Sakuma Totaro was one of the most important potters in Mashiko in the 20th century, as well as Shoji Hamada's friend and "partner in grime" (Robert Yellin).
A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against a transparent ash glazed ground. The back is plain and glazed with a clear ash glaze. Mid 20th century.
The original wood storage box (tomobako) lid is inscribed in ink with a title and the signature of the potter with his red seal.
First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father. The potter met Hamada Shoji who visited M...
Small food dish for vegetables, relish etc. of round shape with small indentations in the rim. Thin, light colored stoneware, covered in cream-colored glaze with very fine crackle and pinkish brown swirls. In the bottom a highly stylized kotobuki character (longevity) in iron brown and three green glaze splashes on the rim. Glazes have left a few spots uncovered. Oribe ware, Japan, early Taisho era, 1920s.
H 2 x diam. 4-1/2 in.
Minimal traces of usage, fine condition.
Wall vase for ikebana flower arrangement, to be hung at one of the vertical beams of the tokonoma. Brown stoneware with white inclusions, splash of greenish glaze. Metal eyelet through hole in the back for hanging the vase up (new replacement).
Signature in bottom: Jinsai.
Shigaraki ware, Japan, mid-20th century, before 1977, when Jinsai changed his name.
H 5 - 5-1/4 inches, diam 3-1/4 inches
Fine condition
Ogawa Jinsai was born in 1914 as the eldest son of the Ogawa Tok...
Japanese 20th - 21st century floral design plate. The floral design starts at the bottom front of the plate and continues over the lip and up the inside of the plate, separated by black slip. Signed by artist on bottom. The plate comes with TOMOBAKO, original artist signed wooden storage box. The plate measures 10 3/4" in diameter and 3 3/16" tall.
Japanese Stoneware hanging Vase with green and purple color drip glaze over dark brown unglazed surface, 4 3/4" high, 3 1/4" x 3 3/4" wide, the condition is good, no damages.
1920s Japanese ceramic tokkuri - sake bottle - with conical body and narrow mouth. The piece was made at Shigaraki kilns - one of the six ancient kilns of Japan - and displays typical coarse body with large sand particles, freely applied gray glaze with some areas that fired brick red. Excellent piece in Japanese taste, beautiful spiral line on the bottom. Some compressed dust, overall in excellent condition. Height 5 3/8 inches.
Stoneware receptacle, probably used as a kensui, or waste-water jug, in the tea ceremony. Relatively high, straight sides with a constriction under the edge, decorated with the typical green glaze patches and geometrical patterns and plant motives in iron brown on white slip. Bottom inside left unglazed. Impressed seal in bottom, in the shape of a flying plover. Seto ware, Oribe style, Japan, Taisho period or early Showa, 1920s-1930s.
H 4 ¼ inches, diam. circa 4 ¼ inches.
Inside with w...
Vintage Mashiko-yaki Oozara (large plates) for serving or for dinner plates. Diameter: 10.875" (25.5cm) x Height: 1.5" (3.75cm.) Five different hand-brush-drawn designs on seven plates featuring, flowers, fish, bamboo, and trees (see all enlargements.) The designs were quite modern interpretations of traditional designs when they were contemporary. They are very sturdy in form and design. These plates were purchased in Mashiko in the early 1960's and have been cared for for more than 50 years by...
A Bizen type kogo in form of a primitively rendered reclining sage or monk. Signed on bottom. 20th century. Good condition. Length: 5 inches (12.7 cm)
A very unusual modern Japanese pottery vase. Exaggerated chatter decoration spiraling from the foot to the shoulder, the tacky clay lifted to a very coarse texture before firing. The neck to rim, also spiraling up the vase, finished smoothly. Apparently in the tradition of the stoneware tile work kilns of Bizen and Tokoname. Studio artist marks in impressed cartouches on the foot. Excellent condition. Height, 8 inches.
Small Japanese Kyotoyaki (Kyoto ware) ceramic teapot with cover. The body is painted with enamels on 2 sides with various grasses and flowers. No chips, cracks or repairs. Excellent quality decoration in Japanese taste, lower part and cover fired beautiful pink color, superb finely crackled glaze. Stamped with a potter’s mark by the foot and signed and stamped on the original wooden box by the potter WAZEN KITAMURA, blue wrapping cloth. Total length of the teapot with handle and spout 4 5/16 i...
A slip inlaid olive drab celadon stoneware pottery pear form bottle vase. Decoration of fish in black inlaid slip over a ground of white slip inlaid punched flowerheads. Possibly Japanese (see Korean legacy wares from provinces in Kyushu [Hizen, Higo, Satsuma] illustrated in Morse) and possibly Korean Joseon era punchong ware. Signed on bottom. Excellent condition. Indeterminate age (capped conservatively with this listing and likely at least a little earlier.) This strongly potted piece (1.01 k...
Large storage jug of typical Shigaraki stoneware with small white inclusions, made in three sections, decorated in multicolor enamel and gold with a cat making a mouse train come to an abrupt halt. A cat, high back, hissing at the mouse going at the head of a train, makes the train come to a dead stop and the following mice tumble, roll, spill in a ripple effect. Funny details: tumbling palanquin, spilling fish, flying papers. Either folk art or export. Japan, 20th century.
Height: ca. 18....
A round studio ware vase done on a black base glaze with white covering areas of the vase with a bit swirled with black. The vase contains a signature that appears to read: Kotaro. Age: Late 20th century. Size: height 6.5" diameter 7"
A mid 20th century Tokoname vase with dragon decoration. This example is a red ware production from the historic tile kilns. A dragon is depicted in low relief among stippled clouds. Extensive gilding remains on the dragon's scales and other places. Bamboo form handles. Key borders outside the foot and mouth rims and floral border under the mouth rim. Good condition. Anonymous. Height about 8 1/2 inches (21.59 cm)
Solidly potted Japanese Mashiko stoneware rounded square form vase with wide shoulders tapering to the base decorated with abstract brown drips over a whitened kaki brown background. The flat foot rim is unglazed. The base holds an unidentified “Y” form impressed potter’s seal. Mid-20th century. About 9” high by 7 1/2” diameter; weighs about 4 lbs. Very good overall condition with no chips, cracks, or repairs. This vase is from the collection of a Green Valley, Arizona couple who w...
Solidly potted Japanese Mashiko stoneware teardrop form vase covered overall in a green drip glaze over a brown ground that ends at the unglazed base. The base holds an unidentified impressed potter’s seal. Mid-20th century. 7 3/8” high by about 7” diameter; weighs about 3 lbs. Very good overall condition with no chips, cracks, or repairs. This vase is from the collection of a Green Valley, Arizona couple who were expatriates to Japan in the 1960s and 1970s. It was purchased in Mashiko...
Japanese pottery tsubo vase. An earthy, drab gray-green glaze on porcelaneous body with thin iron wash and with bold, rich red iron oxide glaze painted floral decoration on opposing sides of the tsubo form with thickly potted shoulder rising to a broad, everted rim. Two character impressed artist's mark inside the foot appears to read Kazan ('Ka' being the 10 stroke character also read as "hana".) A pleasant, substantial feel when held. Excellent condition. Height, 9 3/4 inches (24.76 cm)
An interesting modern, abstract koro. The compressed sphere with elliptical, off centered opening. A warm, brown temmoku glaze with darker brown glaze dripping from the top and stopping in controlled fashion above a well - continuing to form the unglazed foot in ogee fashion. An artist seal (three or four stylized Kanji characters within an oval) is impressed into the concave base near the foot rim. Very good condition. Some burnt on kiln residue on the foot goes to 'wabi'. A couple small chips ...
Japanese 20th century NEZUMI SHINO ware KASHI BACHI shallow bowl or dish. Signed by artist, KOSABURO, in back. The container has the simple design of a few bamboo leaves. The container measures 6 5/8" long by 6 1/2" wide by 2 1/8" tall.
Large stoneware jar with multi-color dripping glaze over a creamy white crackled glaze. The green is the traditional green of earlier Shigaraki ware, the blue as well, but a variety of brown, red, pink and black have been added to the palette. Inside and bottom covered in brown glaze with yellow spots. Japan, early Showa, 1920-1930s.
Height 17 inches (43.2 cm), diameter at shoulder ca. 17 inches (43.2 cm).
Mint condition.
Mashiko ware vase with long neck coated in black glaze, and overglaze painting of camelia flowers on body, ca. 1960's. H.48cm(19") x Dia.23cm(9"). A fine example of vintage Mashiko ware that might have graced the tokonoma of a local Mashiko family home, this vase conveys an elegant shape while retaining its simple rustic background. Mashiko wares became popular through the work of National Living Treasure Hamada Shoji, who settled in this agricultural pottery town in the 1920's. Prior to Hamada'...
Serving plate. Over a grayish brown stoneware a geometrical design in blue, brown and green glazes, partly with fine crackle. Unsigned, but clay, color and design remind one of Mashiko ware. Diameter 10 ¼ inches, height 2 inches. Japan, 2nd half 20th century. Slight traces of usage (tiny scratches and water stains), otherwise very good condition.
A fabulous ceramic casket by Kawai Kanjiro covered in his famous Gosu blue with abstract colorful patterns enclosed in a wooden box signed by the head of the Kawai Kanjiro Kinenkan Museum. It is 25 x 14 x 14 cm (10 x 5-1/2 x 5-1/2 inches) and is in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters. After graduating the Tokyo School of Industrial Design, he came to study in Kyoto, eventually establishi...
A lovely bowl covered with abstract flower designs by Kawai Kanjiro enclosed in the original signed wooden box titled Hanawan. It is 12 cm (4-3/4 inches) diameter, 11.5 cm tall and in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters. After graduating the Tokyo School of Industrial Design, he came to study in Kyoto, eventually establishing his own kiln on the Gojo-no-Saka (It remains standing today and is ...
A very rare Mashiko platter by Living National Treasure Hamada Shoji decorated with a poem cradled in an offset ring forming the mika-tsuki or third day moon by poet Shimizu Hian. The poem reads: Akaki Mi no Omoto no Hotori Dainaru Maruki kono yo no ishi okitari, and is signed by the 76 year old man Hian meaning it was made either in 1958 or 59 (depending upon whether Hian was going by the Western or Japanese manner of counting age). It is 35.5 cm (14 inches) diameter and is in excellent condi...
An open tsubo covered in highly unusual gloss glaze with a colorful floral spray by Kawai Kanjiro enclosed in the original signed wooden box. It is 24 cm (9-1/2 inches) tall and in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters. After graduating the Tokyo School of Industrial Design, he came to study in Kyoto, eventually establishing his own kiln on the Gojo-no-Saka (It remains standing today and i...
A beautifully sculpted image of a pheasant by Ogawa Yuhei enclosed in the original signed wooden box. It is 37 cm long and in excellent condition.
Yuhei Ogawa (1885-1945) was born in Takamatsu, Okayama prefecture an came to pottery a bit later than most. In 1923, while working part time at the Naval Hydrographic Department, he was deeply moved by seeing the solo exhibition of ceramic sculptor Kazumasa Numata. This gave him impetus to begin sculpting in his free time. Although he started...