Antique Japanese man's silk juban, an undergarment worn under a kimono. We can find true works of art hidden in this type of old kimono. The term "Juban" comes from the Portuguese word "gibao" (sleeveless garment). The design of hyotan sake (rice wine) gourds is out-lined with hand tie-dye. Interesting patterns inside the gourds. This is an old gown but the condition is like new except that the tie-dye has stretched out over the years. Circa, early 1900s...

Han-juban (short under kimono) made of plain weave silk and beni-itajime (clamp-board dye) with hand painted Yuzen design. The red dye is chemical which was practiced from Meiji period (late 19th century), after beni-itajime with beni(safflower), practiced in Kyoto in Edo period. The last image is beni-itajime with Yuzen dye. The lining is cotton. In excellent condition...

This is Japanese Indigo dye Stripe and weave beautiful hitoe kimono textile from the Taisho era to the Showa era(1910-1950). The material is silk and cotton. It does not have a stain and damage. It is in a very good state. size:140cm x 120cm(55.1" x 47.2)

Antique Japanese firman's jacket, hakeshibanten, cotton indigo dyed with sashiko stitching and freehand paste resist decoration (tsutsugaki). Middle back of jacket with round mon holding the red colored hiragana character "ha". Even wear overall.

Edo Period, Circa 1850s

Size" 33"H x 41"L

Yukata (cotton unlined kimono) with shibori (tie-dye) whose motifs are tomoe (three-way), aboshi (fishing net being dried) and a logo with the character uma (horse). The shibori techniques are: Miura shibori and Ori-nui shibori (folded and stitched). It is hand-sewn and all tie-dye is by hand. Vegetable indigo dyed. In excellent condition. 20th century. 126cm x 131cm

This tsumugi (raw, knobby silk, similar to tweed) purse was purchased at the well-known Kyoto antique textile shop Nakamura Chingiriya in 1972. It is unused and still has original box. H.6"(15cm) x W.6.25"(16cm.) Snap closes on one side, with eyelet for a hand, shoulder, or waist strap on the other. Indigo dyed folk materials and an elegant purse design make it suitable for kimono or jeans.

Cotton and silk, mixed weave haori with shibori asanoha (hemp leaf) pattern which is dyed with the root of murasaki or murasaki-sou (lithospermum), one kind of grass. It is called "shikon-zome". Murasaki was grown since Asuka period (very late 6th to early 8th century) and purple was thought as the noble color...

Indigo-dyed heavy cotton shop Apron, Unknown business. Stencil-dyed on both sides with shop name and address: “Takara;” braided cotton waist tie. Top line: “Saikou Kyuu Hin” (Top grade Excellent Goods,) logo: “Takara” (Treasure) character with image of Daikoku’s (one of the 7 Lucky Gods) hammer, 3rd line: “Daibenkyo no Mise” (A Shop with great discounts/bargaining opportunities.) This apron could be used generically for any type of business. Very good condition. Late1900’s...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, red and white threads woven into warp and weft creating patterns of circles , squares, and checks. Top cover only, no backing or wadding, very good condition. Early 1900’s. L.69”(175cm) x W.55”(140cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family...

Japanese Uchikake (wedding gown) with Imperial Carts, flowers and gold color “maku” (outside cloth divider). The divider is used as a street on this gown leading the wagons to the large area at the bottom half. The background colors from the top are orange, light pink to dark gray at the bottom. The liner is red. The condition is excellent, like new.
53" W x 75 1/2" L (sleeve length 41")

Elegant Japanese uchikake (traditional wedding gown) sewn in the style of the twelve layered court attire (juni-hitoe) from the Heian period (794-1160). The longing for the beautiful, culture rich era of the aristocrats that existed so long ago never seems to cease in people's mind even after 1000 years. Here on this red background, the classic design of the ox-cart in a pine forest is beautifully woven in gold. The layer of robes could have gone up to 15 or even more...

Beautiful peonies on a soft pure silk (sho-kinu, 100 percent silk) kimono roll. Hand dyed design (Yuzen zome) went through to the reverse side. The fabric (marked as Tango chirimen) is treated with some new chemical for easier maintenance, wrinkle free, washable (?), etc. Some designs are dyed to be matched for the wider width. Gentle, pale (smoky) purple color, 14 1/2 wide, full roll (enough to make a kimono).

Beautiful vintage Japanese sodenashi (work vest) made with indigo sakiori (rag weave) cotton, woven with multicolor areas to create a lovely patchwork effect, edged in solid indigo cotton, reinforced along the back, sides, and back of the neck in sashiko stitching. These vests were traditionally worn by workers in mountainous regions.

Early Showa period

Size: 13" W x 29" H

Sakiori obi (sash) for casual kimono. Wefts are strips recycled from silk kimono and warps are black cotton. In excellent condition. 20th century. 13.5cm x 2m40cm

This is a beautiful Japanese wedding gown (uchikake). Featured on brownish orange (when you looked at it where the gold does not take over, the basic color looks more like brownish red) silk are flocks of white cranes and stylized water in roundels of gold. The tone of the gold is rich but soft. The design is unique, elegant, artistic and well executed with excellent workmanship. The condition is almost new...

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

Elegant Japanese kimono wedding gown (Uchikake) designed by Hanae Mori. The gown displays the designer’s logo without a signature; her butterflies and initials are woven all over the red liner. Hanae Mori is truly the first and most famous international Japanese designer of the 20th century. She not only contributed to the Japanese clothing industry but to many other areas since the rebuilding time of Japan after WWII. A year after she opened a boutique in Paris, she became the only asian w...

This is a beautiful dark blue Japanese Uchikake (wedding gown) made in Nishijin, Kyoto. The label states the name of Nishijin and the use of pure gold. The gown is woven with fans and Gosho (palace) flower carts which is one of the favorite motifs used for Japanese wedding gowns. They are remainders of the Heian period (794-1192) which was the last graceful era of the aristocrats. The gown is meticulously hand sewn to perfection as most Japanese kimonos are. The gold picks up and shines...

Sakiori obi for an everyday kimono. It is handwoven of cotton and silk strips of old kimono and cotton yarn for warps. Some wefts are from kimono with kasuri. In excellent condition. 20th century. W:16.5cm, L:2m92cm

Sakiori obi (sash) for a casual kimono which is hand-woven of strips recycled from silk and cotton kimono for weft, and cotton yarn for warp. In excellent condition. 20th century. 18cm x 2m96cm

Asa (hemp）kimono with katazome (stencil-resist-dye) whose wefts and warps are hand-plied. Dyed with vegetable indigo. In excellent condition except for two rips in the center back (7mm and 5mm). The third quarter of the 20th century. 126cm x 134cm

Four volumes of sample books of mingei textiles which are all natural dye and handwoven from Aomori to Kagoshima prefecture. Some are designated as intangible national assets, however some haven't been woven anymore now, and some are reproduced. They include precious bast fibers such as fuji-fu (wisteria), shina-fu, kuzu-fu and so on. They also have natural dye textiles such as shikon-zome, akane-zome, indigo dye Arimatsu Narumi shibori, tsumugi and so on. Published in 1965, 3 volumes and a supp...

Kon, dark blue, Indigo-dyed cotton haori woven in botan kasuri (peony ikat) technique. Cotton liner features pattern of a crane’s head within hexagons, representing tortoise shells; both crane and tortoise symbolizing long life. A haori is a jacket worn over the kimono when going out. In contemporary fashion, it can easily be worn over jeans for casual wear or slacks for a more elegant look. Excellent condition, ca. mid-late1900’s. L.42”(107cm) x W.49”(124.5cm.) Kasuri techniques came t...

A large cloth, silk brocade, lined with cotton with ties on one side. Dimensions: 104 1/4” long x 45” in width (2.65m x 1.14m). There are four 26” panels sewn together (sewing machine), each panel is decorated with a pair of phoenix birds one parched on a paulownia tree and the other on a rock. Although the fabric is of high quality silk, it actually is older than it appears - you need to handled gently. The gold sparkles when it is hit by lights. The color is not red. It is mo...

Charming Japanese child's kimono, made of silk and printed with scenes of bird in bamboo, straw hats and Mt Fuji, lined with yellow silk, beautiful and sweet, Showa Period. Size: 33" wide x 36" high

Cotton kimono with shibori (tie-dye) pattern which is paulownia flower motif. All hand-tied and dyed with vegetable indigo. In excellent condition. Mid 20th century. 126cm x 140cm

Vintage Japanese uchikake (wedding kimono) crafted from heavy woven and embroidered silk brocade fabric with extensive gilt thread in a dense pattern of flowers and peacocks. Mid-20th century. The lining is fine red silk. Very good overall condition with only minor wear at the bottom corners where the lining meets the brocade. Measures about 73" in length by about 50" across. From a Casa Grande, Arizona collection.

Silk meisen kimono with geometric design, whose colors are yellow ground with black, white and red triangles. Kasuri pattern for both warps and wefts are stencil-resist-dye (heiyo-kasuri). In excellent condition except for minor spots in front. 1950s Probably made in Isesaki city. 126cm x 146cm

Cotton woman's kimono (yukata) with shibori pattern which is chemical indigo dye. Shibori techniques are Orinui shibori (folded & stitched) and Hiranui-makiage shibori (stitched & bound). In good condition. Mid 20th century. 130cm x 146cm

Silk Meisen unlined kimono with geometric pattern. Double kasuri (wefts and warps) is dyed with stencil-resist-dye (Heiyo-kasuri). Mid 20th century. In excellent condition. 126cm x 148cm

Beautiful Japanese child's kimono, made of orange silk woven with a subtle waves pattern and decorated all over with printed scenes of chrysanthemums, peonies, cherry blossoms and fans, details printed in gold and silver, large chrysanthemums on the back with embroidered details in gold and silver thread, pink and white chirimen silk ties. Size: 36" wide x 34" high

Boro furoshiki with many mending patches with various cloth and interesting mending stitches. The ground cloth is thin cotton cloth in gray. The first half of the 20th century. 126cm x 126cm

From our Japanese Collection, a fine and very attractive mid-century silk thread composition depicting a Shinto shrine nestled within a treed riverbank, with a foot-bridge and boats in the foreground. The composition uses rich but tasteful shades of burgundy, brown, cream, dark green, a touch of soft pink, and other subtle earth tones. The piece evokes a relaxed charm.

Size and Condition: Framed dimensions are 25 inches wide, 19 3/4 inches tall. There is some minor scuffing to the ...

A bag made of hand-spun cotton with shibori (tie-dye) and katazome (stencil-resist-dye) pattern which is vegetable indigo dye. It has cotton lining with kasuri pattern which is also hand-spun and vegetable indigo dye and thinly padded with cotton. Generally in good condition except for a few stains. The first half of the 20th century. 30cm x 41cm

A roll of asa (hemp) kaya cloth whose wefts and warps are hand-plied and dyed with vegetable indigo. In excellent condition. The first half of the 20th century. Approx. 34cm x 18m35cm

A pair of boro tabi (socks) with sashiko, which is made of cotton and indigo dyed and has four metal straps. The lining is cotton flannel. The first half of the 20th century. W:9cm, L:21cm.