Tsuchiya Koitsu
Plum Warbler
Date: 1940.
Size: Oban. Approximately 16.25 x 11.25 inches.
Publisher: Doi Hangaten.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-60.
Medium: Japanese woodblock print.
Condition: Very good. Slight creasing. Soft corner bends. Faint foxing at upper left margin...

Narazaki Eisho (1864-1936) (aka. Kyokudo, Fuyo, Shinjo)
Futagawa in Snow (Futagawa no Yuki)
Date: Early 20th century.
Size: Approximately 7.25 x 5.25 inches.
Signed and sealed "Kyokudo".
Publisher: Watanabe Shozaburo.
A very rare creped print.
Condition: Unframed. Excellent.
The uneven margin is due to the creping process.

Japanese Hand Painted scroll of a warrior in a fighting stance with sword drawn, signed by the famous print maker Yoshitoshi Mori ((1898-1992). Unusual that this is a true painting and not a woodblock print. Very Collectable Size: (total) 49" H, 19" W, (painting only) 16.5" H, 12.25" W

A large unusual natural section of Japanese burl wood with dramatic twisting form on a stand. Great presence and charming qualities. Size: 44" H, 42" W, 14" D

This is one of the original works of Tokisada Nakamura, who signs as Masatoshi in this miniature sculpture that depicts Oni, the little demon, crossing a river in the company of a Man and a Woman. The Oni is carrying a skull ended mast, and he is holding on to the woman's arm. The man is carrying, over his left shoulder, a large Mokugyo and a couple of giant lotus flowers. He is picking up his robe to prevent it from getting wet...

Kawase Hasui
Chuzenji, Utagahama
Size: Approximately 6.0 x 4.0 inches.
Date: 1930s-1950s.
Tipped at top edge to original cardstock.
Medium: Japanese woodblock print.
Condition: Small bend at lower left corner. Light creasing.

Kawase Hasui
Rain at Ushibori, 1929.
Size: Oban. Approximately 16.75 x 11.75 inches.
Publisher: Origanlly published by Kawaguchi and Sakai. This edition is ca. 1950s and was published by Shobisha.
Condition: Front is excellent. Verso is lightly toned. Two original drying pinholes at margin.

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

A print of a woman in a field of camellias by Shiko Munakata, 1903-1975. A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. This print measures 11.75" wide by 15.5" tall...

Japanese 20th century bronze vase with gold and silver inlays. The inlays are in a geometric design. Made by KASAI TAIZO, born 1922. From Takaoka City. Signed TAIZO on bottom. Comes with TOMOBAKO, original artist signed wooden storage box. 14 1/4" tall by 5" wide at its widest.

Basket made of yama-budo (crimson glory vine) for body part and akebi (akebia vine) for handles. It is from Tohoku region, North-East of the Honshu. In excellent condition. 20th century. 48cm x 33cm x 16cm (body part)

This is a wonderfully hand-carved netsuke depicting Bakemono "Unreal Thing or Goblin" with a Rokuro-Kubi (whirling Neck), in other words a Goblin creature with an expanding neck like the spring of 'Jack-in-the-box", that, according to legend, twists its head around and leers in the faces of sleepers. The creature is standing on one foot and appears to be praying. Amber Double inlaid eyes. Unsigned, but attributed to the 20th century Japanese artist Koraku...

Ohara Koson
Playing Monkeys
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1920s-30s.
Reference: K41.17 on pages 57 and 200 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya/Adachi.
Koson signature at lower left.
"Made in Japan" stamped on back.
Condition: Excellent. Uncirculated. Bend at tip of bottom left corner.
Provenance: The Robert O. Muller estate.
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This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

A long Japanese ranma / transom Finely hand carved from Keyaki (hardwood), beautifully carved with a scene of cranes underneath the branches of a pine tree. Edged in black with attractive woodgrain. Original Condition Size: 73.5" length, 17.5" height, 1" depth

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960...

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Work 73-122". Depiction of a bright embossed persimmon against black background. Signed in pencil with red artist's cartouche. Set in a black and gold wooden frame. Size: 17.25" height, 14" width (entire frame) 11.25" height, 8.5" width