Hiroshi Yoshida
Evening at Chikugo River, Hida
Date: 1927
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Edition no. 51/125 penciled at lower right corner.
Made in Japan stamp on verso.
Condition: Excellent. On the verso, the upper right corner margin has been reinforced by a conservator.
A wonderful hand-modelled Aka Raku tea bowl with compressed ring foot and covered with a red and black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû...
Elizabeth Keith (1887-1956)
Lama Priest, Peking
Date: 1922.
Signed in red pencil by the artist. Monogrammed and dated.
Size: Oban. 15.25 x 10.25 inches.
Condition: Very good. Pencil notes on back with tape pieces at back top corners.
Old (1930's) Japanese Boxwood Carved Netsuke Monkey & Trainer with Puppy Signed
The netsuke is 1.75 inches tall, and 1 inch wide.
It is in good condition with no repairs, chips, nor cracks, except missing an eye at the shishi mask (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell...
Ohara Shoson (Koson)
Egret in Rain
Size: Tanzaku. Approximately 15.25 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo.
First edition bearing the Watanabe D seal (sausage seal) in the right margin as in the catalog example.
"Made in Japan" stamped on verso.
Bears Shoson signature and seal.
Reference: S14.3 (cat...
High Bridge at Night
Artist: Not signed.
There is a similar Hasegawa Night Scene by Eijiro as well as a painting by James Whistler.
Size: 14.5 x 6.5 inches.
Date: 1910s-20s.
Publisher: Likely Hasegawa.
Medium: Japanese woodblock print on thick paper.
Condition: Excellent with light spotting on back.
Note: Lovely visible woodgrain.
Hiroshi Yoshida
Three Little Islands, 1930.
Bears the jizuri seal in the upper left margin, indicating self-printing by the artist. Also signed in pencil.
Size: Oban. Approximately 15.50 x 10.25 inches.
Condition: Excellent.
Yoshijiro Urushibara
Stonehenge at Dawn
Size: Oban. Approximately 14.75 x 9.75 inches.
Date: 1910s-20s.
Publisher: "Ken Hoshino & Co. 57-58 Chancery Lane, W.C." at lower margin.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: Please also see our Moonlight version of this design (Urushibar016).
Hiroshige Ando (Utagawa)
The Monkey Bridge in Kai Province (Kōyō Saruhashi no zu)
Date: ca. 1841–42 This edition early 20th century.
Size: Large vertical diptych at 29.0 x 9.625 inches.
Publisher: Bears Tsutaya Kichizo seal on front. This edition published by Adachi (seal on back).
Condition: Slight creasing at top corners. A couple of faint foxing spots near bottom.
Kawase Hasui
Rain at Shinobazu Pond
Date: 1929.
Size: Oban. Approximately 15,25 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. Light toning and fading.
Japanese Antique Aka Raku Chawan (tea bowl) by the 1st Choraku Ogawa (1874-1939)...
Andrew Kay Womrath (1869-1939)
In collaboration with Yoshijiro Urushibara (1888-1953)
Venice at Night
Size: Chuban. Approximately 11.625 x 8 inches.
Edition: 3/50 OR 33/50. Numbered in pencil at lower left.
Date: ca 1920s.
Signed "A Kay Womrath" in pencil.
Medium: Japanese woodblock print.
Condition: Foxing nearly entirely in margin...
Bamboo and rattan ikebana basket (hanakago), rectangular format stretched in its height and Chinese style. Thicker bamboo braids on the four sides. Includes a bamboo sheet vase intended to receive the floral arrangement.
Ikebana or Ka-do (the way of flowers) is a traditional Japanese art of flower arrangement. Contrary to Western floral art, ikebana does not aim at highlighting only the beauty of flowers and the harmony of colors...
This is an imposing early 19th century Kakiemon style porcelain vase of Japanese origin inspired by a 17th century model currently valued in excess of $700,000. A piece similar to the original dated 1680 from the Blenheim Palace collection was exhibited at the Ashmolean Museum, Oxford in 1989.
21" in height, this vase is well enameled with three identical garden scenes separated with bands of blue flowering vines.
Condition: Excellent, with no chips, hairlines, or repairs...
Yoshijiro Urushibara
Stonehenge in Moonlight
Size: Oban. Approximately 14.75 x 9.75 inches.
Date: 1910s-20s.
Publisher: "Ken Hoshino & Co. 57-58 Chancery Lane, W.C." at lower margin.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Please also see our Dawn view of this design (Urushibar016).
Japanese woven kimono in a beautiful shade of violet, lined with white cotton fabric. It has a vertical linear allover pattern in white thread. Taisho period (1912-1925)
Size: 62.5" height, 47.75" width
Kawase Hasui (1883-1957)
Okitsu-cho, Suruga
Selection of Views of the Tokaido. The 17th station of the Tokaido.
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1934.
Publisher: Watanabe Shozaburo. First edition with Watanabe C seal (used 1929-42).
Signed and sealed by the artist.
Reference: Hotei #229.
Condition: Toning visible in margin. Very light creasing. The crease at the top of the back of the print does not appear on the front.
The mark of the potter is stamped in the middle of foot ring.
Konyu was born the eldest son of his predecessor Raku XI Keinyu. He succeeded his father at the young age of 15, was succeeded by his son Seinyu and retired at 63 and died at the age of 76. He was a mild-mannered man, and is said to have dedicated himself to the continuation of the Raku family and its legacy...