Hanten, called "suzukake" worn by a Shugen-sha or Yamabushi who practiced Shugendo. Shugendo is the Japanese unique religion combining Buddhism, Shintoism, and worship of nature (mountains). A practitioner (shugen-sha) trained himself in the holy mountains that is ascetic and very painstaking. It is made of hemp and weft of is hand-plied but warp is machine-spun...

Gorgeous art deco Tamekichi Mitsui III signed Kutani plate. He received his artist's name Tamekichi III in 1961 from his teacher, and was soon afterward commissioned to create a plate for Edwin Reischhauer's visit in 1962. He was a favorite of the royal family who bought numerous pieces in 1976. Also from 1979-1988 Japanese Prime Ministers took his works abroad as gifts during state trips. He was a professor of art in Washington D.C...

Hanten with sashiko (quilting) which is made in Shonai in Yamagata prefecture in Tohoku District, which is made of hand-spun cotton and vegetable indigo dye. It has 2 layers of cloth with sashiko. The collar cloth is also hand-spun and vegetable indigo dye cotton with stripes. In excellent condition. The first half of the 20th century. W:88cm, L:75cm

A vintage Japanese Okidoko (Tokonoma alcove chest) made of a dense grain Akita Sugi (Cryptomeria) wood. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays...

Kawase Hasui
Deer Strolling Along Kasuga Shrine, Nara
From the series, Shinto and Its Architecture.
Date: 1936.
Size: Koban. Approximately 7.5 x 5.25 inches.
Provenance: The Robert O. Muller estate.
Publisher: Watanabe Shozaburo.
"Made in Japan" stamped on verso
Medium: Japanese woodblock print.
Reference: Hotei #Hb-s7
Condition: Excellent.

Kawase Hasui
Torii at Miyajima in Snow (Ryobu-torii of Itsukushima Shrine in Inland Sea)
Size: Koban. Approximately 7.5 x 5.125 inches.
Date: 1936. From "Shinto and its Architecture."
Publisher: Watanabe Shozaburo.
Hasui seal lower left.
Medium: Japanese woodblock print.
Reference: Hotei Hb-s9
Condition: Foxing in sky at right. Pencil note on back.

Kawase Hasui
Moon at Matsushima
Date: 1930s.
Image Size: 6.125 x 4.125 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-37.
"Made in Japan" stamped on verso.
Hasui seal at lower right.
Condition: Excellent.

Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This is an abstract piece he created early in his career with a goldenrod yellow and grey background and bold, black criss-crossing lines with solid black circles, capturing motion and fluidity. It is set in a black and gold frame...

Japanese bronze suiban, or a dish to be filled with viewing stones called suiseki, as well as small plant arrangements. The rim has flower petal incision motifs while the sides are decorated by medallions and a pair of handles shaped like elephant heads. Artist's signature on bottom.

Size: 17" L x 9" W x 4.5" H

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

High Bridge at Night Artist: Not signed.
There is a similar Hasegawa Night Scene by Eijiro as well as a painting by James Whistler.
Size: 14.5 x 6.5 inches.
Date: 1910s-20s.
Publisher: Likely Hasegawa.
Medium: Japanese woodblock print on thick paper.
Condition: Excellent with light spotting on back. Note: Lovely visible woodgrain.

Paul Jacoulet (1896-1960)
Nuit de Neige, Coree (Snowy Night, Korea)
Date: 1940s~1950s.
Size: 6.0 x 4.25 inches.
Publisher: Self-published, from a series of surimono.
Seal: Boat
Medium: Japanese woodblock print tipped along its top edge to original blank card.
Condition: Excellent...

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960...

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery...

A lovely Shino tea bowl fashioned from coarse Mino clay and covered in a crackled feldspar glazing. The front and sides of the bowl are decorated with paintings of abstract foliage resembling Iris leaves and the base of the bowl is unglazed, displaying rough clay...

Kawase Hasui
The Great Buddha, Kamakura (Kamakura Daibutsu)
Date: 1930.
Pre-war edition.
Size: Oban. Margins trimmed. Approximately 14.375 x 9.5 inches.
Reference: Hotei #204a.
Medium: Japanese woodblock print.
Condition: Margins trimmed. Fading.

Ohara Koson
Small Bird on a Morning Glory
Size: Approximately 16.9 x 12 cm. 6.5 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at lower left.
Publisher: Matsumoto (no. 438).
AK.24 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A couple of spots the lower sky.
An early and rarely seen design.