figure Figure 1 is a dark and brooding big red just received so dark even out of frame and matte maki s first big red appeared in 1963 this is an abstract rendering of the kanji for woman she seems to be standing there swaying ever so slowly this print has a good green blue sun at the upper left Here no splashes yet to add color figure 3 figure 3 here figure 4 alsom here

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Ohara Koson
Three goldfish and flowering wisteria
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-23.
Bears Koson seal.
Publisher: Daikokuya (86).
Reference: K39.14 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent with small red dash above the lowest fish and faint smudge to the left. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

The big red Poem 71–74 is a rarely seen Maki Big Red. It shows a three-character phrase from Daoist literature 心善渊 “Heart like a deep pool, clear and calm, not affected by external environment.” As depicted by Maki, it is a stunning print. It was seen electronically but once in the past decade. It is coming back to Asia with a big red roar...

Unsigned. Attributed to Kawase Hasui.
Boat On A Snowy Lake
Size: 5.75 x 3.5 inches.
1930s to 1950s.
Publisher: Watanabe Shozaburo.
Condition: Excellent.

Tsuchiya Koitsu
Plum Warbler
Date: 1940.
Size: Oban. Approximately 16.25 x 11.25 inches.
Publisher: Doi Hangaten.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-60.
Medium: Japanese woodblock print.
Condition: Very good. Slight creasing. Soft corner bends. Faint foxing at upper left margin...

Narazaki Eisho (1864-1936) (aka. Kyokudo, Fuyo, Shinjo)
Futagawa in Snow (Futagawa no Yuki)
Date: Early 20th century.
Size: Approximately 7.25 x 5.25 inches.
Signed and sealed "Kyokudo".
Publisher: Watanabe Shozaburo.
A very rare creped print.
Condition: Unframed. Excellent.
The uneven margin is due to the creping process.

Japanese Hand Painted scroll of a warrior in a fighting stance with sword drawn, signed by the famous print maker Yoshitoshi Mori ((1898-1992). Unusual that this is a true painting and not a woodblock print. Very Collectable Size: (total) 49" H, 19" W, (painting only) 16.5" H, 12.25" W

A large unusual natural section of Japanese burl wood with dramatic twisting form on a stand. Great presence and charming qualities. Size: 44" H, 42" W, 14" D

This is one of the original works of Tokisada Nakamura, who signs as Masatoshi in this miniature sculpture that depicts Oni, the little demon, crossing a river in the company of a Man and a Woman. The Oni is carrying a skull ended mast, and he is holding on to the woman's arm. The man is carrying, over his left shoulder, a large Mokugyo and a couple of giant lotus flowers. He is picking up his robe to prevent it from getting wet...

Kawase Hasui
Chuzenji, Utagahama
Size: Approximately 6.0 x 4.0 inches.
Date: 1930s-1950s.
Tipped at top edge to original cardstock.
Medium: Japanese woodblock print.
Condition: Small bend at lower left corner. Light creasing.

Kawase Hasui
Rain at Ushibori, 1929.
Size: Oban. Approximately 16.75 x 11.75 inches.
Publisher: Origanlly published by Kawaguchi and Sakai. This edition is ca. 1950s and was published by Shobisha.
Condition: Front is excellent. Verso is lightly toned. Two original drying pinholes at margin.

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

A print of a woman in a field of camellias by Shiko Munakata, 1903-1975. A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. This print measures 11.75" wide by 15.5" tall...

Japanese 20th century bronze vase with gold and silver inlays. The inlays are in a geometric design. Made by KASAI TAIZO, born 1922. From Takaoka City. Signed TAIZO on bottom. Comes with TOMOBAKO, original artist signed wooden storage box. 14 1/4" tall by 5" wide at its widest.

Basket made of yama-budo (crimson glory vine) for body part and akebi (akebia vine) for handles. It is from Tohoku region, North-East of the Honshu. In excellent condition. 20th century. 48cm x 33cm x 16cm (body part)

This is a wonderfully hand-carved netsuke depicting Bakemono "Unreal Thing or Goblin" with a Rokuro-Kubi (whirling Neck), in other words a Goblin creature with an expanding neck like the spring of 'Jack-in-the-box", that, according to legend, twists its head around and leers in the faces of sleepers. The creature is standing on one foot and appears to be praying. Amber Double inlaid eyes. Unsigned, but attributed to the 20th century Japanese artist Koraku...

Ohara Koson
Playing Monkeys
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1920s-30s.
Reference: K41.17 on pages 57 and 200 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya/Adachi.
Koson signature at lower left.
"Made in Japan" stamped on back.
Condition: Excellent. Uncirculated. Bend at tip of bottom left corner.
Provenance: The Robert O. Muller estate.
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