Asian Buddhist group lot Figures and bell. Metal standing Buddha with seal mark on base 6.5" a small seated Guanyin in brass 2" a Thai antique ? seated Buddha in plastic case for wearing or for car or key chain attachment 2.75" h and a great brass bell Chinese leaf bail top and engraved clouds and foo dogs. Size under 2.5"

Qing Peking glass Cobalt Blue beads Japanese Lacquer box Resin Guanyin. Fun group lot a 19th c Chinese Peking glass bead necklace (needs stringing) 32 violet cobalt blue beads , a nice late 19th or early 20th c Japanese lacquer box with lid with Fuji a Village house and a view of the bay in shades of gold leaf and a green resin and ? molded figure of Guanyin. Figure 2.5" box 2.25" wide . Various ages.

Great sterling silver stash box we use these for ground weed . Majestic Company of New York 1940s-50s. features a fluted ray design on the lid. The box opens to reveal a mirror . No monograms. good condition with surface scratches and slight abrasions. 3 x 2 1/4 x 1/2". 2.1ozt. Marked for sterling silver and for maker.

Lacquer over wood picnic set in an open carrier; consisting on the top tier of a small rectangular box, presumably for utensils, and five small trays. Below them is a covered three tier jubako box. The black lacquer is incised in places and otherwise decorated with gilt and silver blossom sprays. A small copper/brass handle is on the top. Many of the edges are gilt. It is 9 5/8 inches (24.5 cm) tall, 9 5/8 inches (24.5 cm) wide and 7 ¼ inches (18.3 cm) deep. 20th century...

DOORBOLT

Old wooden gate bar that was actually used at a certain Korean private house in early 20th century. approx. 5.5 x 7 x 37cm (2.16 x 2.75 x 14.56in) each. Stick (2.2 x 27cm (0.86 x 10.62in)) was attached in the later years...

Vintage Chinese Cloisonné Humidor stash box tight lid great box in good condition there is a chip on on the inside lid as seen . Great coffee table box for weed . Size h 3.2" by 3"

Vintage bronze or brass geometric floral Hookah Base or Vase, . Great as a vase or with parts a Hookah as made. Size 9" by 7"

Antique Japanese Inaba Cloisonné vase in red with a bamboo leaf pattern in the red body. The Front with a cherry blossom tree. Undamaged white flecks in images are dust and there is no damage. Unmarked. Size H 5" by 3"

Vintage round brass and copper engraved vase , unique round shape with applied copper accents with a wonderful engraved paisley vine pattern . Size h 4" by 5"

Antique Indian Tinned Bronze tall lassi cup with Palace scene. Antique Indian Tinned Bronze tall lassi cup with chased designs of various floral and buildings , nice tribal village piece . Size 7" by 3.5". Great as vase or pencil cup on a desk

Antique Indian Tinned Bronze tall lassi cup Etched floral. Antique Indian Tinned Bronze tall lassi cup with etched floral designs within the florals if Hindi script , nice tribal village piece . Size 7"

Antique Indian Tinned Bronze tall lassi cup with onion Dome. Antique Indian Tinned Bronze tall lassi cup with chased designs of vine and palace or dome roofed building patterns , nice tribal village piece . Size 6.5" by 3.5". Great as vase or pencil cup on a desk

HAMILTON BRITISH MILITARY 992B, 992, 3992B 24 HOUR white porcelain unused DIAL WWII. The British wanted white; so Hamilton accommodated. Produced by Hamilton in the spring of 1842 for the British Military. Associated with the WWII 22j Hamilton 3992B Navigation Master Deck Watch. Very low production and very rare. Recently discovered in the original Hamilton factory Wrap from original Hamilton unused WWII dial inventories. Dial feet located at 57, 22.5, and 28 minute locations...

A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degree of mastery, both in form and glazing technique. For the collector who has always wanted a Hazan but has never been lucky enough to chance upon one, this may be a worthy acquisition...

There are no chips or cracks in the glass. The bowl glows under a black light. Thanks for looking.

SHOPPER

Handmade shopping basket woven with the wires coated in black vinyl, early 20th century, Korea. approx. 35 x 8 x H 37.5cm (13.77 x 3.14 x 14.76in). Not standable on its own, but with enoughly solid strength when leans on the wall...

1900's Chinese Blue & White Gourd Shaped Porcelain Vase with Qilin & Figurine Marked

It is 9.6 inches (24.4 cm) tall by 5 inches (12.7 cm) wide. It is 2.5 Lb.

It has dark spots, skip glaze and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

1970's Chinese Turquoise Carved Snuff Bottle with Dragon & Chain

It is 3.3 inches (8.3 cm) in length with chain by 1.5 inches (3.9 cm) wide. It is 63.2 gram.

It has inclusions and surface scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Old (1930's) Tibetan Gilt Silver and Brass Fau Ghau Prayer Box

It is 2.2 inches (5.5 cm) tall by 4.7 inches (12 cm) wide by 6.1 inches (15.5 cm) long . It is 533 gram .

It is tarnished and has rubbing patina, stains and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three...

From our African Collection: An Ashanti Stool from Ghana, The Golden Stool is a sacred symbol of the Ashanti nation believed to possess the sunsum (soul) of the Ashanti people. According to legend, the Golden Stool -- sika 'dwa in the Akan language of the Ashanti -- descended from heaven in a cloud of white dust and landed in the lap of the first Ashanti king, Osei Tutu, in the late 1600s...

From our African Collection: A Baga Figure. 18" w, 48" h...

From our African Collection: A Mossi Mask from Burkina Faso, 16" h. TYPES OF ART The Mossi make both political art and spiritual art. Figures are used by the ruling class to validate political power, and masks are used by the conquered peoples to control the forces of nature. Each year at the annual celebrations of the royal ancestors, figures of the deceased kings are displayed. On many occasions each year, especially during the long dry season from October to May, masks appear to honor...

From our African Collection: A Large Baule Mask with Horns, circa 1960. 22" Diameter, horns are 18" h. From the Ivory Coast. TYPES OF ART The Baule create art in several media, including wooden sculpture, gold and brass casting similar to their Asante ancestors, and mask and figure carving, which have been greatly influenced by their Senufo and Guro neighbors. HISTORY The Baule belong to the Akan peoples who inhabit Ghana and Côte d'Ivoire. Three hundred years ago the Baule people ...

From our African Collection: A Nok Terracotta Figure, 18" w, 50" h. The small head is 3 x 4". Nok refers to the culture associated with a one hundred square kilometer area in central Nigeria where thousands of terracotta figures were found. These figures were first encountered in tin mines by Colonel J. Dent Young in 1928 and were classified as Nok by Bernard Fagg in 1943. Dates associated with Nok were recently categorized into three periods: Early Nok beginning in the middle of the second ...

From our African Collection: An old miniature figure from Dogon Peoples, . 1" w, 5" h.

From our African Collection: Large scale tall figure with scarification, Dogon and Songe, Tanzania. Square Base with support 24 x 24", 72" h.

From our African Collection: A Bamana Tribe Chief's Chair from Mali with a Crocodile Motif. 22" w x 52" h. TYPES OF ART The artistic tradition of the Bamana is rich, filled with pottery, sculptures, beautiful bogolanfini cloth, and wrought iron figures fashioned by blacksmiths. They also have extensive masking traditions, which are used as a form of social control and community education. HISTORY The Bamana are members of the Mande culture, a large and powerful group of peoples in w...

From our African Collection: A Yoruba Metal Wheel Shrine, circa 1900. approx 80" h. TYPES OF ART The arts of the Yoruba are as numerous as their deities, and many objects are placed on shrines to honor the gods and the ancestors. Beautiful sculpture abounds in wood and brass and the occasional terracotta. Varied masking traditions have resulted in a great diversity of mask forms. Additional important arts include pottery, weaving, beadworking and metalsmithing. HISTORY The oral hist...

From our African Collection: A Senufo Winged Figure,circa 1960. 72" h. The Senufo people, also known as Siena, Senefo, Sene, Senoufo, and Syénambélé, are a West African ethnolinguistic group. They consist of diverse subgroups living in a region spanning the northern Ivory Coast, the southeastern Mali and the western Burkina Faso. One sub-group, the Nafana, is found in north-western Ghana. The Senufo people are predominantly animists, with some who are Muslims.They are regionally famous fo...

From our African Collection: 2 Baga Snakes, both are 72" h. The serpent Baga (Baga Snake), Kalimbe, or Bansonyi, refers to a protective spirit manifested in the form of a snake that presides over male initiation ceremonies among the Baga culture in Guinea, West Africa. Typically, during the days preceding the initiation ceremonies, two carved Bansonyies appear in the village and are decorated with streamers and colorful banners. The two sculptures are then supported by scaffolding and carr...

From our African Collection: A Makonde Legionnaire from Tanzania, circa 1940. 12" wide at center, 52" tall. The Makonde are an ethnic group in southeast Tanzania, northern Mozambique, and Kenya. The Makonde developed their culture on the Mueda Plateau in Mozambique. At present they live throughout Tanzania and Mozambique, and have a small presence in Kenya.The Makonde population in Tanzania was estimated in 2001 to be 1,140,000, and the 1997 census in Mozambique put the Makonde population in ...

Kawase Hasui
Mount Fuji, Narusawa
Date: 1936.
Publisher: Watanabe Shozaburo. Black 6mm Watanabe seal in lower left corner, indicating a lifetime edition printed between 1946-1957. We've marked in red the location of the lightly applied black seal.
Size: Oban. Approximately 15.5 x 10.5 inches.
Reference: Hotei #395.
Medium: Japanese woodblock print.
Condition: Pristine. Removed from original folder. Two original drying pinholes at top margin.

From our African Collection: A Burkino Faso Flying Wing Shield, circa 1940. 24 x 72" Many of the ancient artistic traditions for which Africa is so well known have been preserved in Burkina Faso because so many people continue to honor the ancestral spirits, and the spirits of nature. In great part they honor the spirits through the use of masks and carved figures. The history of Burkina Faso is dominated by its largest ethnic group, the Mossi peoples. The Mossi founded powerful kingdoms i...

From our African Collection: a Hand Carved container from the Easter Democratic Republic of the Congo, hand wrought. 8" x 15", 9" h. Congo’s many ethnic groups and regions have developed a mosaic of traditional arts, including painting, sculpture, music, and dance. There has been a tendency to classify sculpture and carving according to the styles of the areas from which they originate

From our African Collection: a Yoruba Granary Door, circa 1930. 32 x 52" h. Doors of these granaries are often adorned with impressive carvings of animals or people which serve as invocations of deities or spirits, or as symbols of status. The stored grain is considered "safe" when it is guarded by the ancestors whose images are depicted on granary doors. These doors protected the window-like opening into each family's grain storage building, and used a simple sliding door lock. Primordial b...