Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.6.625"(15.75cm) x W.3.5"(8.75cm) x H.1.375"(3.5cm.) The chrysanthemum is a symbol of late fall and was also a popular motif for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

This is an exquisite handpainted cup and saucer depicting flowers in blue and gold with just tiny touches of white and pink. It is signed Limoges, France, and alo Raphael Weil & Cie, San Francisco. It is in perfect condition with no chips, cracks or repairs, and the gold is also in perfect condition.

A long Japanese ranma / transom Finely hand carved from Keyaki (hardwood), beautifully carved with a scene of cranes underneath the branches of a pine tree. Edged in black with attractive woodgrain. Original Condition Size: 73.5" length, 17.5" height, 1" depth

A Dainty Porcelain Inkwell with Four Different Bird Portrayals on Each Panel and a fifth on the Top. Dimensions; 3.25" x 3.25" x 3" high. Very minor gilt wear but otherwise in excellent condition. Probably French and from the early 1900's.

Japanese ceramic square dish by famed artist Otagaki Rengetsu (1791-1875) with lovely grass calligraphy, tan milky translucent crackle glaze, curled edges, four oval feet, bottom incised with floral pattern and signature. Four rounded feet raise bottom surface...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. Paddle-typ mold to make 4 piece sweets. L.14"(36cm) x W.2.75"(7cm) x H. .875"(2.25cm.) Condition Note: Insect damage to side of paddle. The wrinkled cap of the shiitake mushroom symbolizes old age and long life. It was used as a symbol of such on celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world...

A beautiful pair of old salmon red corral earrings with 14k backing in excellent condition. L:3.5cm

Kashigata (wooden sweet mold,) Matsu (pine) motif; Japan, early 20th C. L.8.5"(21cm) x W.4.0"(10cm) x H.1.75"(4.5cm.) The pine symbolizes "evergreen" and was a popular motif for celebratory occasions such as weddings and New Year's. It is one of the "Three Friends of Winter," which also includes plum and bamboo. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Wooden five storied pagoda done in the style just as the actual structures appear including the wooden joints and key architectural elements that are conjoined together to create the structure. Fine worksmanship is done with the balustrades, roof, and the are under the roof known as the mune in Japanese. Age: 20th century Size: height 84" width 16" length 16.25"

Kashigata (wooden sweet mold,) Sakura (Cherry Blossom) motif; Japan, early 20th C. Paddle-type mold to make 2 pieces sweets. L.14.25"(36cm) x W.3.5"(8.75cm) x H. 0.75"(2cm.) The cherry blossom is a well-known symbol of spring, beauty, and the fleeting nature of life in Japanese culture. Most likely, these molds were used for sweets in the spring season. Sweet molds, “kashigata,” have been a part of confectionary culture around the world...

Japanese Noh performance mask of Ko-omote the youthful beauty, made of carved wood with painted features. Size: 8 1/4" high x 5 1/4" wide.

Kashigata (wooden sweet mold,) Berry motif; Japan, early 20th C. 6-piece sweet mold. L.13"(33cm) x W.1.75"(3.5cm) x H.0.375"(1cm.) Condition Note: Bottom piece of mold only. No top cover. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Kashigata (wooden sweet mold) with image of Jou (old man from the Noh play "Takasago.") Early 20th C, Japan. L.7.75"(9.5cm) x W.3.375"(8.5cm) x H..75'(2cm). Bottom portion of mold only. The image of Jou, the old man raking leaves and the companion of Uba, is from the ancient Noh play "Takasago." Alone or accompanied by Uba, Jou is a symbol of a long married life and fidelity. Such sweets could have been used for marriages and New Years...

A large early 20th C. Chinese enamel plate depicting beautiful fairy ladies with a deer pulling a cart loaded with good luck wishes to earth and also with two good-luck bats following them. In excellent condition.Marked China D: 10-1/2"

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. L.5.25"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: Bottom piece only, no cover piece. The wrinkled cap of the mushroom symbolizes old age and long like. It was used for celebratory occasions that called for such symbolism. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

A beautiful early 20th C. Chinese enamel cloisonne box in quatrefoil form with brass trim and dragon motif, in excellent condition. W:2-1/4"xH:1-1/4"

This plate is a fine example of the work of Hamada Shoji, a well known Japanese master potter. It is 7 ¾ inches in diameter. It carries a letter of authenticity from Mr. Barry Till who is curator of Asian Art, Art Gallery of Greater Victoria. It was purchased in 1967 from a dealer in Hawaii. It is in very good condition.

Kashigata (wooden sweet mold) with double Kiku (chrysanthemum) motif, early 20th C., Japan. L.8.75"(22.5cm) x W.4.25"(10.5cm) x H.1.75"(4.5cm.) This mold has two chrysanthemum blossoms, a symbol of beauty and abundance in late fall and winter. On the side, the sweetmaker has written "an iri no natsume" (sweet red bean paste filled jujube) to indicate for which of type of sweet this mold was used...