Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha for well over 150 years. The piece seen here is by the third generation potter and has the rare distinction of being endorsed by Sokuchusai, a former Head Tea Master of Omotesenke in Kyoto. Simple and elegant, a section of bamboo stands out in contrast to the white crackled porcelain glaze. If you are looking for a representative work by o...

Edwardian Regency sterling silver box. Made by Gorham in Providence in 1917. Square with straight sides. Cover hinged with gently curved top and scrolled top. Allover engine-turned wave ornament on box sides and cover top, which also has engraved garland and wreath (vacant) with pendant flowers; cover sides plain with pointille borders. Interior velvet lines. Perfect for jewelry and keepsakes. Fully marked including maker’s stamp, date symbol, no. 7113, and letter R. Excellent condition.

Ove...

Shoda Koho
A boy playing a flute while riding an ox
Date: 1930s.
Size: Tanzaku 13.25 x 3.125 inches.
Publisher: Hasegawa/Nishinomiya Yosaku (stamp on verso)
Artist's seal at lower right.
Reference: No. 1570
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Georgian-style sterling silver coffeepot. Retailed by Cartier in New York. Lobed baluster body, hinged and domed cover with vasiform finial, high looping stained-wood handle, s-scroll spout, and raised and round foot. Fully marked including no. 80, pattern name Dublin, retailer’s stamp, and maker’s stamp for Worden-Munnis who were active in Boston from the 1940s to 1960s. Excellent condition.

Dimensions: H 9 1/2 x W 7 x D 4 in. Gross weight: 17.5 troy ounces. #BV446

Kawase Hasui
Postal Life Insurance Office
Date: ca. 1930s/1940s.
Size: 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Hasui seal at lower right.
Rare genuine woodblock-printed postcard.
Condition: Front is excellent. Verso has residue at top corners.

English Georgian Neoclassical sterling silver basket, ca 1790. Ovoid body on same foot with reeded c-scroll swing handle. Engraved wavy-shaped frame (vacant) and ornamental borders. Linear and circular piercing and beading. Partially worn marks include London assay stamp. Very good condition.

Dimensions: H (with handle) 11 1/2 x W 14 1/4 x D 10 1/2 in. Weight: 27.5 troy ounces. #JM

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft.

With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone ...

George VI sterling silver salver. Made by Mappin & Webb in Sheffield in 1945. Molded curvilinear rim with ogee arches. Three hoof supports. Large and heavy in traditional Georgian form. Fully marked. Excellent condition.

Dimensions: H 1 7/8 x D 16 7/8 in. Weight: 61 troy ounces. #BU966

Victorian Classical sugar caster. Made by William Gibson & John Langman in London in 1893. Girdled body on stepped foot. Twisted fluting with scalloped borders. Cover has ornamental piercing and finial. Initials EAW engraved on underside. Elegant and substantial in Britannia (that is, 958) silver. Fully marked. Excellent condition.

Dimensions: H 8 1/2 x D 3 1/2 in. Weight: 11.5 troy ounces. #BV187

Aesthetic mixed inkwell. Made by Tiffany & Co. in New York. Bell-form copper body with reeded silver foot rim. Applied silver ornament including flower-inset guilloche band and tendril border at neck. Cover hinged and domed with silver ball finial. With clear glass liner. A later version (1892-1902) of a pattern (no. 6231) that was first produced in 1880. Fully marked: “Tiffany & Co / Makers 6231 / Sterling Silver / 925-1000 / T / And / Other Metals”. Very good condition.

Dimensions: H 4 ...

Edwardian sterling silver bowl. Made by Goldsmiths & Silversmiths Co. Ltd in London in 1905. Bellied with flat shoulder and gadrooned rim. Three leaf and scroll-mounted talon supports. Well circular and solid (vacant). Solid leafy ornament in open and leaf-inset diaper ground with scrollwork. Fully marked. Excellent condition.

Dimensions: H 4 3/4 x D 11 3/4 in. Weight: 41 troy ounces. #BR790

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Victorian Georgian Queen sterling silver soup ladle. Made by John and Henry Lias in London in 1839. King-shaped handle has engraved armorial with sword-bearing lion rampant and motto “Courage”. Deep ovoid bowl. A substantial and traditional piece made shortly after young Victoria ascended the throne. Stylistic continuity in the new reign. Fully marked. Very good condition.

Height: H 13 3/8 in. Heavy weight: 12 troy ounces. #BV250

Kiyoshi Saito
Daitoku-Ji Kyoto (C) 1959
Edition: 99/100
Size: 23.5 by 18 inches. Matte size: 26.125 x 21.75 inches.
Date: 1959.
Self-carved and printed by the artist. (See tag).
Signed and sealed in the image.
Titled, numbered, and dated in pencil.
Condition: Margins heavily foxed. Front image area has minimal foxing. Two bits of tape residue at top back margin.
The temple dates to 1326. This print features a brilliant band of dark plum purple behin...

A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degree of mastery, both in form and glazing technique. For the collector who has always wanted a Hazan but has never been lucky enough to chance upon one, this may be a worthy acquisition. Although much of Inoue’s work is quite different in style to that of Hazan’s, you can find a number of pieces where the influence is unmistakeable—th...

Market-fresh Japonesque mixed metal and sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1879. Gently curved bowl and inset undulating rim with wide lip spout and integral scroll handle with tendril mounts that wraparound mouth rim. Handle has lily pad “cap” with crouching figure of frog. Applied leaves with copper-inlaid veins with one overlapping bold and scrolling interlaced acid-etched monogram on neck. A solitary beetle meanders along near the bottom. Dense allover s...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft. With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone looking for a ...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...