Fairfax sterling silver tea tray, ca 1920. Retailed by Black, Starr & Frost in New York. Rectilinear with chamfered corners and shaped ends with cutout oval handles. A beautiful piece in the Art Deco pattern that was made by Gorham and Durgin. Marks include retailer’s stamp and pattern no. 04. Very good condition.

Dimensions: H 1 1/4 x W 25 3/4 x D 16 1/2 in. Weight: 104 troy ounces. #BY477

Edwardian Classical brilliant-cut glass water pitcher with sterling silver collar. Made by Wilcox (part of International) in Meriden, Conn., ca 1910. Baluster with c-scroll handle; ornament in form of leaf flutes, ferns, and stars. Beaded collar with helmet mouth; engraved interlaced script monogram. Silver marked “Sterling” with maker’s stamp. Very good condition.

Dimensions: H 9 1/4 x W 8 1/2 x D 5 1/2 in. #BZ300

Victorian sterling silver baby cup. Made by Robert Harper in London in 1871. Baluster bowl on raised foot; wrapped and bracketed double-scroll handle with graduated beading. Chased and engraved scene from Robinson Crusoe: In the foreground stands the hero in the baggy garb of a marooned islander. He holds a long gun with more survival tools—including a hatchet—slipped under his belt. He points to a group of people in the distance. The beneficiary of his observation is Friday, the captive ind...

Japonesque sterling silver spoon. Made by George W. Shiebler & Co. in New York, ca 1885. Tapering stem and round terminal; front hand-hammered and applied with a bug and bit of bamboo. Oval bowl. Back plain. Fully marked including maker’s and retailer’s (Theodore B. Starr) stamps. Very good condition. Dimensions: H 6 3/8 x W 1 3/8 in.;

With: Victorian sterling silver spoon. Made by same, ca 1891. Cast terminal in form of leafing nutmeg on stem. Back plain with engraved 3-letter script mon...

Victorian brilliant-cut glass ice bucket with sterling silver mounts. Made by Wilcox (part of International) in Meriden, Conn., ca 1900. Tapering sides with diaper and star ornament. Mouth has sterling silver collar with beaded rim and c-scroll tapering and concave swing handle. Fully marked including maker’s stamp. Very good condition.

Dimensions: H (with handle) 10 1/2 x D 6 in. H (without handle) 6 1/2 in. #BZ280

Chinese silver censer, ca 1910. Drum-form agate body set in silver gilt mounts with scrollwork and lunettes. Leaf-capped side bracket handles. Upward tapering support and stepped foot with fretwork brackets. Cover raised with pierced scrollwork borders bud finial with leaf brackets on solid central mount with scrolls and fan. Silver gilt and heightened with blue, green, and red enamel. Marked “Silver”. Very good condition.

Dimensions: H 8 3/4 x W 7 3/8 x D 4 3/8 in. #BY170

Art Deco sterling silver picture frame with classic linear ornament. Made by Scharling & Co. in Newark, ca 1920. Rectangular window in same surround. Front has vertical plain and engine-turned through stripes. Top center vacant. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 42. Very good condition.

Dimensions: Frame: H 9 1/4 x W 7 in. Window: H 8 1/4 x W 6 in. #BY272

Art Deco sterling silver picture frame with classic linear ornament. Made by Scharling & Co. in Newark, ca 1920. Rectangular window in same surround. Front has vertical plain and engine-turned through stripes. Top center vacant. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 32. Very good condition.

Dimensions: Frame: H 10 1/8 x W 7 5/8 in. Window: H 9 x W 6 1/2 in. #BY271

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, which is often clea...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims. Fully marke...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft.

With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone ...

Art Deco sterling silver picture frame with classic linear ornament. Made by JF Fradley & Co. in New York, ca 1920. Rectangular window in same surround with vertical plain and engine-turned through stripes. Bottom rail larger with lozenge mono plate (vacant) applied off center. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 2994T. Very good condition.

Dimensions: Frame: H 10 5/8 x W 8 in. Window:...

Victorian sterling silver pitcher. Made by Dominick & Haff in New York in 1894. Ovoid body with chased fruiting grapevines forming 2 irregular frames (vacant). Helmet mouth and raised and round foot with same applied to rims. High-looping branch-form handle. Tall and tactile with succulent bunches. Holds 5 1/2 pints. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), no. 275, and volume. Very good condition.

Dimensions: 15 1/4 x W 8 1/2 x D 6 in. Weight: 38.5 troy...

Danish Biedermeier Gothic Troubadour silver hunting horn on stand, 1855.

Horn has two applied bands with leafing scrollwork and cast green man applied to front. At top a third band with mandolin-strumming maidens and coat of arms-bearing pages in cloister colonnade. Cover domed with leaf-mounted cast figural finial in form of winged Classical man in drapery and helmet pouring wine into a cup. Tail cap has acanthus leaf border with cast owl finial. Gilt-washed interior.

Shaped stand with stra...

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research. In some cases however, this proves to be a fruitless task and I am left only to appreciate the beauty and form of the object without having access to too many d...

Edwardian Classical sterling silver gravy boat on stand. Made by Dominick & Haff in New York in 1907. Boat has helmet mouth, leaf-capped high-looping handle, and 3 leaf-mounted scroll supports. Stand has oval well. Turned-down and irregular scrolled rims with chased leafing scrolls and applied scallop shells. Engraved interlaced script monograms. Fully marked including dated maker’s stamp, retailer’s (Bigelow, Kennard) stamp, and no. 2340. Very good condition.

Dimensions: Boat: H 5 1/2 x W...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...