Koizumi Kishio
Lingering Snow at Five-storied Pagoda
No. 7 from the series, Views of Nikko National Park
Date: 1936.
Size: Chuban. Approximately 10 x 7.75 inches (25.6 x 19.6 cm).
Medium: Japanese woodblock print.
Possibly faintly signed at lower right.
Condition: Excellent.

Ide Gakusui
Chrysanthemums
Size: Approximately 5.5 x 3.5 inches.
Date: 1950s-60s.
Gakusui signature and seal lower right.
Publisher: Watanabe Shozaburo
Woodblock print is tipped along the top edge to original 7 x 4.5-inch blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha for well over 150 years. The piece seen here is by the third generation potter and has the rare distinction of being endorsed by Sokuchusai, a former Head Tea Master of Omotesenke in Kyoto. Simple and elegant, a section of bamboo stands out in contrast to the white crackled porcelain glaze. If you are looking for a representative work by o...

Shoda Koho
A boy playing a flute while riding an ox
Date: 1930s.
Size: Tanzaku 13.25 x 3.125 inches.
Publisher: Hasegawa/Nishinomiya Yosaku (stamp on verso)
Artist's seal at lower right.
Reference: No. 1570
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Set of 13 American Modern sterling silver place card holders, ca 1950. This set comprises 12 place card holders and 1 menu holder. Each: Cast figure of recumbent whippet with gracile limbs and imperious pointy head mounted to oval base with applied gadrooned rim. The place card holders have a ring clip and the menu holder has a heart clip. Mondaine novelties guaranteed to raise the tone of one’s dinner parties. Marked “UV [in circle] Sterling”. Excellent condition.

Dimensions: Place card...

Georgian-style sterling silver coffeepot. Retailed by Cartier in New York. Lobed baluster body, hinged and domed cover with vasiform finial, high looping stained-wood handle, s-scroll spout, and raised and round foot. Fully marked including no. 80, pattern name Dublin, retailer’s stamp, and maker’s stamp for Worden-Munnis who were active in Boston from the 1940s to 1960s. Excellent condition.

Dimensions: H 9 1/2 x W 7 x D 4 in. Gross weight: 17.5 troy ounces. #BV446

Kawase Hasui
Postal Life Insurance Office
Date: ca. 1930s/1940s.
Size: 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Hasui seal at lower right.
Rare genuine woodblock-printed postcard.
Condition: Front is excellent. Verso has residue at top corners.

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft.

With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone ...

Chinese-style bowl, ca 1920. Mottled green hardstone urn on silver gilt fretwork base with 4 splayed supports. A pretty ornament that works as an ashtray with silver gilt leaf cradle mounted to rim. Marked “Edward I Farmer / Sterling”. Very good with nice toning. Rim has a few fleabite irregularities.

Overall dimensions: H 3 1/8 x W 2 7/8 x D 2 in. #BV277

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Victorian Georgian Queen sterling silver soup ladle. Made by John and Henry Lias in London in 1839. King-shaped handle has engraved armorial with sword-bearing lion rampant and motto “Courage”. Deep ovoid bowl. A substantial and traditional piece made shortly after young Victoria ascended the throne. Stylistic continuity in the new reign. Fully marked. Very good condition.

Height: H 13 3/8 in. Heavy weight: 12 troy ounces. #BV250

Kiyoshi Saito
Daitoku-Ji Kyoto (C) 1959
Edition: 99/100
Size: 23.5 by 18 inches. Matte size: 26.125 x 21.75 inches.
Date: 1959.
Self-carved and printed by the artist. (See tag).
Signed and sealed in the image.
Titled, numbered, and dated in pencil.
Condition: Margins heavily foxed. Front image area has minimal foxing. Two bits of tape residue at top back margin.
The temple dates to 1326. This print features a brilliant band of dark plum purple behin...

A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degree of mastery, both in form and glazing technique. For the collector who has always wanted a Hazan but has never been lucky enough to chance upon one, this may be a worthy acquisition. Although much of Inoue’s work is quite different in style to that of Hazan’s, you can find a number of pieces where the influence is unmistakeable—th...

Market-fresh Japonesque mixed metal and sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1879. Gently curved bowl and inset undulating rim with wide lip spout and integral scroll handle with tendril mounts that wraparound mouth rim. Handle has lily pad “cap” with crouching figure of frog. Applied leaves with copper-inlaid veins with one overlapping bold and scrolling interlaced acid-etched monogram on neck. A solitary beetle meanders along near the bottom. Dense allover s...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

Kawase Hasui
Mount Fuji, Narusawa
Date: 1936.
Publisher: Watanabe Shozaburo. Black 6mm Watanabe seal in lower left corner, indicating a lifetime edition printed between 1946-1957. We've marked in red the location of the lightly applied black seal.
Size: Oban. Approximately 15.5 x 10.5 inches.
Reference: Hotei #395.
Medium: Japanese woodblock print.
Condition: Pristine. Removed from original folder. Two original drying pinholes at top margin.

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft. With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone looking for a ...

The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its theorized introduction during China’s Tang Dynasty. Falling in and out of fashion over the centuries as Japan alternated between preferences for Chinese style tea-ware and more homegrown versions, today it remains a common fixture in many tea rooms. With beautiful red accents on a dark background, this is surely one of this artist...

Japonesque mixed metal on sterling silver bowl. Made by Gorham in Providence in 1881. Curved sides, molded rim, and foot rim. On exterior are applied vegetation rooted in granulated soil, a stray dragonfly, and solitary fisherman who has hooked a fish. Fully marked with maker’s stamp and “Sterling / 385 / N / & Other Metals”. Very good condition.

Dimensions: H 1 7/8 x D 5 in. Gross weight: 5 troy ounces. #BV126

Turn-of-the-century American Art Nouveau glass claret jug with silver overlay. Cylindrical with spread base, c-scroll handle, and small lip spout. Star cut to underside. Overlay in form of scrolls and diaper. Shaped tubular cartouche engraved with interlaced script monogram. Glass is red except handle which is clear. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 x D 4 3/4 in. #BR791

Eijiro Kobayashi
A High Bridge by Night.
A design influenced by James Whistler and Hiroshige.
Series: Hasegawa Night Scenes.
Date: 1910. This edition 1938-1960.
Eijiro seal at lower left.
Size: Chuban. Approximately 10.75 x 8.0 inches.
Publisher: Hasegawa/Nishinomiya Yosaku. No. 1241 in Hasegawa catalog. Nishinomiya stamp in left margin.
"Made in Japan" stamped on verso. Artist noted in pencil on back.
Medium: Japanese woodblock print.
Condition...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

Ohara Hoson (Koson)
Carp jumping for insect, wisteria above
Size: Oban. Approximately 14.625 x 10.75 inches.
Date: 1931.
Publisher: Kawaguchi and Sakai. Publisher's seal in right margin. Carver (Ito) and printer (Komatsu) seals in left margin.
Bear Koson's "Hoson" signature and seal.
"Made in Japan" stamped on verso as well as the number 39.
Reference: H39.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese...

Paul Jacoulet
La Gerbe D'Anthurium, Angur, Mer du Sud (The Spray of Anthurium Flowers, Angur, South Seas)
Date: July 15, 1951.
Fewer than 150 impressions made. This example has no edition seal visible. Jacoulet's fancy PJ seal is covering another seal on the back.
Size: 18.625 x 14 inches.
Ivy seal. Carver: Maeda. Printer: Honda.
Reference: No. 118 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Excellent color. Light creasing in margins. Top back ...

Tadamasa Ueno (Torii Tadamasa)
Kumadori Ju-hachi Ban. Makeup for Asagao Senpei from Sukeroku. Eighteen Famous Kabuki Plays.
Date: 1940. First edition.
Size: 15.75 x 10.75 inches.
Publisher: Watanabe Shozaburo. Seal E (1932-42) at lower left margin.
Signed and sealed at upper left.
Condition: Fading in the blues. The upper background was tinted blue where formerly matted.

Turn-of-the-century Art Nouveau sterling silver mirror. Made by Lebkuecher in Newark. Two bracket supports joined by concave and crisscrossing stretchers. Hinged swing oval frame inset with beveled glass. Dense and fluid engraved scrolls, leaves, and flowers on lined ground. Each support has shaped cartouche (vacant). Glass frame engraved with interlaced script monogram. A timeless addition to a lady’s vanity table. Fully marked and numbered 2473/15. Excellent condition with strong definition....

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research. In some cases however, this proves to be a fruitless task and I am left only to appreciate the beauty and form of the object without having access to too many d...

Kaoru Kawano
Camellia (G) (Tsubaki)
Date: 1950
Size: Double oban. 23.75 x 18 inches.
Edition: 46/200.
Self-carved by Kawano.
Sealed by the artist at lower right.
Signed, titled, and numbered at lower margin.
Medium: Japanese woodblock print.
Condition: The thick paper has some thinner areas on the back from removal from backing. Slight toning line in margin.

Midcentury Modern sterling silver and cut-glass creamer and sugar. Made by Hawkes in Corning, New York. Each: Conical bowl on flutes and diaper, and scalloped rim border. Creamer has c-scroll handle and small u-form spout. Stepped and round sterling silver base. Fully marked including silver weight (16 pwts/each). Very good condition. Sugar has minor base ping.

Dimensions: Creamer: H 4 x W 5 1/4 x D 3 3/4 in. Sugar: H 4 x D 4 in. #BU361

Aoki Seiko (b. 1880)
Flying Cuckoo
Size: Approximately 9.75 x 4.625 inches. 24.8 x 11.8 cm.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #360 tag on back.
Medium: Japanese woodblock print.
Condition: Slight creasing where publisher's original tag is attached to back. Small dash mark indentation under bird.
- Rarely seen.

Arai Yoshimune
Sailing Boats at Anchor Under the Moon
Date: ca. 1910.
Size: Approximately 25.8 x 12.5 cm. 10.125 x 5.875 inches.
Artist's Yoshimune seal at lower left.
Publisher: Matsumoto. Catalog No. 385 tag on back.
Condition: Small white surface marks in sky. Verso has a couple of faint foxing marks near top. Margin mark.
Compare with our Yoshimune036 "Sailing Boats and Moon (1)."

Shoda Koho
Country Scene (With Moon) from the Hasegawa Night Scenes series. Also known as "Canal by Moonlight"
Size: Chuban. Approximately 10.75 x 8.0 inches.
Date: 1938-60.
Publisher: Nishinomiya Yosaku.
Sealed by artist. "Made in Japan" stamped on lower right verso.
Medium: Japanese woodblock print.
Condition: Excellent. Light crease at lower left corner.
Compare with our Koho073 Country Scene With Moon (Canal) (1).

Shoda Koho
Country Scene (With Moon) from the Hasegawa Night Scenes series. Also known as "Canal by Moonlight"
Size: Chuban. Approximately 10.125 x 7.5 inches.
Date: 1910-38.
Publisher: Hasegawa/Nishinomiya Yosaku.
Sealed by artist. "Made in Japan" stamped on lower right verso.
Medium: Japanese woodblock print.
Condition: One dot of foxing in lower sky amongst trees.
Compare with our Koho074 Country Scene With Moon (Canal) (2).

A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddish maroon. A hasami-no-ato mark can be seen where the tongs were used to remove this piece from the kiln, and the potters mark can be seen near the foot of the bowl. Simple and refined, perfect for collectors and practitioners of tea alike.

Born into a generational line of tea-ware potters from Kanazawa, Fumiaki Kaihatsu (b. 1...

Spring Field
Artist: Unidentified.
Size: Approximately 5.625 x 3.625 inches 14.2 x 9.2 cm
Date: ca. 1910.
Publisher: Matsumoto (No. 425).
Medium: Japanese woodblock print.
Condition: Excellent. Wave in paper where original publisher's tag is attached to the back.
The Matsumoto catalog states, "Butterflies are flitting to and fro among the flowers."
An early and rarely seen design.

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.

In excellent condition, this piece is 5.5 in...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.

Born in Nagano, Kosei Matsui (1927-20...

Arai Yoshimune
Five-Storied Pagoda
Date: ca. 1910.
Size: Approximately 17.2 cm 12.6 cm. 6.75 x 5.0 inches.
Artist's seal at lower left.
Publisher: Matsumoto (No. 429).
Condition: Light wave in paper where the original publisher's tag is applied to the back. Some toning of paper.
An early and rarely seen design.

Aoki Seiko (b. 1880)
Mt. Fuji and Sailboat (Fuji Yama)
Size: Kotanzaku. Approximately 24.8 x 12.0 cm. 9.75 x 4.75 inches.
Date: ca. 1910.
Artist's signature and seal at lower right.
Publisher: Matsumoto (No. 367). Original publisher's tag on back.
Medium: Japanese woodblock print.
Condition: A few marks in sky. Small bends at top and bottom edges.

Japonesque sterling silver and mixed metal water pitcher. Made by Tiffany & Co. in New York, ca 1885. Globular body, straight neck, and c-scroll handle. Allover honeycomb hand hammering. Applied flowers, leafing tendrils, and butterflies. A restrained design with graceful plant and insect motifs. Fully marked including pattern no. 3077 and phrase “Sterling silver and other metals”. Very good condition.

Dimensions: H 7 3/8 x W 8 x D 5 1/2 in. Weight: 25 troy ounces. #BM963

Tsuchiya Koitsu
Nara Kofukuji
Date: 1937.
Size: Oban. Approximately 17.0 x 11.5 inches.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Bears the Doi watermark.
Artist's signature and seal at lower right.
This indicates an early postwar edition.
Reference: Koitsu catalog TK-DH-44.
Medium: Japanese woodblock print.
Condition: Excellent.

Toshi Yoshida (1911-1995)
Cherry Blossoms by the Gate
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1951. Pencil-signed first edition.
Medium: Japanese woodblock print.
Condition. Excellent. Upper left margin corner bend.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints. The collector's notes will be included.

Takahashi Shotei (Hiroaki)
Teahouse in the Night
Size: Mitsugiri-ban. Approximately 15.0 x 6.625 inches.
Date: pre-1936.
Artist's seal at lower right.
Publisher: Watanabe Shozaburo.
No. 564 in 1936 Watanabe catalog. M-57 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent.

Takahashi Shotei (Hiroaki)
Shower at Takaido; passengers at a loss
Size: Mitsugiri-ban. Approximately 15.0 x 6.625 inches.
Date: pre-1936.
Artist's seal at lower right.
Publisher: Watanabe Shozaburo.
No. 210 in 1936 Watanabe catalog. M-10 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent. Back has a bit of brown residue.

Kobayashi Kiyochika
Dawn at Ryogoku Hyappongui, Tokyo
From the series, Famous Places of Tokyo (Tokyo Meisho).
Date: 1879.
Signed by the artist at lower right.
Publisher: Fukuda Kumajiro.
Size: Oban. Approximately 14.25 x 9.75 inches.
Medium: Japanese woodblock print.
Condition: Missing some margin. Frayed areas of the margin have been repaired by a conservator. Excellent color.

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

Chrysanthemum sterling silver 5-light centerpiece candelabrum. Made by Tiffany & Co. in New York. Sizable baluster shaft on raised squarish foot with corner volute supports. Four scrolled arms, each terminating in single socket, joined by applied leaves and surrounding central raised socket. Flowers and leaves wrapped around shaft and arms and applied to foot. Massive and sculptural. A hard-to-find solo stick in the fashionable Japonesque pattern that was first produced in 1880. Fully marked inc...

Ohara Koson
Two Mallards in Flight in Front of a Full Moon
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1910-1923.
Koson signature and seal
"Made in Japan" stamped on verso.
Publisher: Daikokuya (108)
Reference: K7.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent. Margin chip upper right corner.

Ohara Koson
Goshawk chasing a rabbit between reeds
Size: Naga-oban. Approximately 13.5 x 7.5 inches.
Date: Late 19th - early 20th century.
Publisher: Matsuki Heikichi. Sold by Daikokuya.
Reference: Crows, Cranes and Camellias: The Natural World of Ohara Koson (Amy Reigle Newland),#K13.15. page 184.
Condition: The paper has areas of toning and discoloration.
- This print bears the H. Matsuki/Daikokuya address stamp at the lower right on the front of the print. V...

Kobayashi Kiyochika
Taro Inari Shrine in the Asakusa Ricefields (Asakusa Tanbo Taro Inari Mae)
From the series, Famous Places of Tokyo (Tokyo Meisho).
Date: 1877-1879.
Signed by the artist at lower left above the grasses.
Publisher: Fukuda Kumajiro.
Size: Oban. Approximately 14.25 x 9.75 inches.
Medium: Japanese woodblock print.
Condition: Excellent color. Bumped corners. Margin lightly creases.

Very large Art Nouveau sterling silver picture frame. Rectangular window in flat surround engraved with dense and fluid scrolls and flowers. Top rail center is vacant. With glass, silk lining, and velvet back and hinged support. For portrait (vertical) display. An eye-catching showcase for an important forbear. Fully marked including no. 720 and stamp for IN Deitsch, a New York maker who was active from ca 1904 to 1915. Very good condition.

Dimensions: Frame: H 17 x W 14 1/2 in. Window: H 14 x...

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...

Exotic mixed metal tea caddy. Made by Tiffany & Co. in New York, ca 1910. Sterling silver ginger-jar with squat and tapering sides, short neck, and snug-fitting cover. Copper ornament with irregular scrollwork. Fully marked including pattern no. 11975, director’s letter m, and phrase “Copper and Silver”. Very good condition.

Dimensions: H 3 3/4 x D 3 3/8 in. Weight: 5.6 troy ounces. #BT602

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sake set he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly unique pieces...

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set of sake cups he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly uniqu...

Takahashi Shotei (Hiroaki)
Sudden Night Rain Near a Bridge
Size: Mitsugiri-ban. Approximately 15 x 6.75 inches.
Date: pre-1936.
Hiroaki seal at lower right.
Publisher: Watanabe Shozaburo.
No. 539 in 1936 Watanabe catalog. M-50 in Shotei catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent. Top center margin has transparent tape residue.

Urushibara Mokuchu (Yoshijiro) (1888-1953)
Horse (Facing Upward)
Date: ca. 1940s.
Size: Oban. Approximately 14.75 x 10.75 inches.
Signed "Y. Urushibara" in pencil.
Sealed "Mokuchu".
Round watermark at top margin.
Medium: Japanese woodblock print.
Condition: Excellent.
Removed from original folder.

Goats at Sunset Artist: Seal not read.
Date: Early twentieth century.
Size: 5.5 x 3.5 inches.
Publisher: Shmbi Shoin.
Medium: Japanese woodblcock print.
Condition: Excellent. Sent by Shozo Nakamura to Dr. and Mrs. Dr. Dawson.