Neoclassical sterling silver tray, ca 1950. Round with beaded and curvilinear ogee rim. Nice heft with plenty of room for engraving. Marked “Silver / 925 [in oval]”. Very good condition.

Dimensions: H 1/4 x D 12 1/4 in. Weight: 23 troy ounces. #BY064

George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved armorial in leaf and flower surround. Four hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/2 x D 14 in. Weight: 36.3 troy ounces. #BY071

Set of 3 George VI sterling silver napkin rings. Made by Turner & Simpson Ltd in Birmingham in 1939. Hexagonal with allover engine-turned ornament in thin plain frames. Letter block monogram on lined ground. Each has a different letter: F, G, and L. Fully marked. Very good condition with deep patina.

Dimensions: H 1 3/8 x W 1 7/8 x D 1 5/8 in. Total weight: 4.3 troy ounces. #BY221

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Pair of Victorian Georgian sterling silver serving trays. Made by William Ker Reid in London in 1846. Each: Serpentine and gadrooned with oval well. On shoulder engraved armorial with lion rampant and Latin motto “Vive Ut Vivas” (Live That You May Live). Sturdy with nice heft and balance. Fine examples of the enduring popularity of 18th-century design well into the reign of the young queen. Fully marked. Very good condition.

Dimensions: H 1 x W 13 1/4 x D 9 3/8 in. Heavy total weight: 68.8...

Pair of traditional Georgian sterling silver 4-light candelabra. Made by Asprey in London, 1992-3. Each: Four capped and curvilinear arms each terminating in single faceted socket with same wax pan and baluster pendant. Arms mounted to tall and faceted baluster finial set in girdled and knopped baluster shaft on square, stepped, and chamfered foot. A stylish step back in time by a noted maker.

Fully marked including date letters for 1992 (bases) and 1993 (arms). Excellent condition.

Dimensi...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.

A simple silver bangle with niello marked Sterling. The width is a tad over 1/16"~ inner diameter 2-5/8".

Edwardian sterling silver porringer with circus motif. Made by William B. Kerr in Newark, ca 1910. Upward tapering sides and molded rim. Solid and waisted handle. Acid-etched procession with piggies, kitties, and doggies as well as elephants and lions in fancy dress. Monkey-supported mirror for engraving the initials of the cutest animal of all. Fully marked including maker’s and retailer’s (Bailey, Banks & Biddle) stamps, and no. 1482. Excellent condition with strong definition and deep pat...

Elizabeth II sterling silver tray. Made by Tiffany & Co. in Birmingham in 1963. Traditional Georgian cartouche with molded curvilinear rim. Fully marked including phrase “Made in England”. Very good condition.

Dimensions: H 3/8 x W 10 1/8 x D 10 1/8 in. Weight: 22 troy ounces. #BY062

Turn-of-the-century sterling silver baby cup rich in period assumptions. Made by William B. Kerr in Newark. Upward tapering sides and scroll handle.

Acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Symbolic imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”

Ahem.

Fully marked including maker's stamp and ...

English Modern sterling silver box. Tall and rectangular with curved corners. Cover hinged with gently curved top and double-scroll tab. Box interior cedar-lined with open leather-lined bottom. Cover interior gilt. Worn marks including maker’s stamp for Arthur & John Zimmerman, a Birmingham maker active from the 1920s to 1940s. Very good condition.

Dimensions: H 4 x W 6 1/4 x D 4 7/8 in. Gross weight: 33.7 troy ounces. #BV990

Lovely Art Nouveau sterling silver picture frame. Oval window in same surround. On front acid-etched ornament in form of fluid flower heads and tendrils between scalloped borders; sides plain. Two charming ball supports. With glass, silk lining, and burgundy velvet back and hinged easel support. For portrait (vertical) display. Fully marked including stamp for IN Deitsch, a New York maker active from ca 1904 to 1915, and no. 118. Very good condition with strong definition.

Dimensions: Frame: H...

Handsome European stone trinket box, ca 1910. Rectangular with straight sides and sharp corners. Shoulder and base chamfered. Cover hinged, inset, and chamfered. Silver-plated mouth and cover rims. Cover has cabled border and filigree scrolled tab. Stone mottled red. Very good condition.

Dimensions: H 2 x W 4 x D 2 1/2 in. #BX269

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...