Large and Modern sterling silver serving tray. Made by Tiffany & Co. in New York, ca 1923. Oval with deep well, wide shoulder, and molded rim. Fully marked including maker’s stamp, pattern no. 20182 (first produced in 1923), and director’s letter m. Very good condition.

Dimensions: H 7/8 x W 18 x D 13 in. Heavy weight: 53 troy ounces. #BY135

Unusual American Modern 18k gold chain, ca 1980. Small yellow gold links interspersed with large tooled ovals with central wraparound band as well as thick and solid rose ovals. With clasp. Very good condition.

Length: 32 in. Weight: 21.7 dwt/33.8 g. #1232

George V sterling silver box. Made by Henry Matthews in Birmingham in 1930. Rectangular with straight sides. Corner posts on ball support. Cover flat and hinged; on top horizontal engine-turned bands bordered by plain and wraparound engine-turned bands. Sides same with plain borders. Box interior wood-lined and partitioned. Open leather-lined bottom. Fully marked. Good condition.

Dimensions: H 3 x W 7 x D 3 3/4 in. Gross weight: 23 troy ounces. #BW000

American Modern ring with cabochon tiger eye in 14k yellow gold setting; brilliant-cut diamond on each shoulder. Hallmarked. Excellent condition.

Size: 8 1/2. Weight: 10.5 dwt (16.3 g). #1223

Modern sterling silver bowl. Made by Tiffany & Co. in New York, ca 1937. Round with curved and fluted sides. Rim flat and applied with incised band. Short foot ring with same. Fully marked including maker’s stamp, pattern no. 22392 (first produced in 1937), and director’s letter m. Very good condition.

Dimensions: H 3 1/2 x D 9 1/4 in. Weight: 19.5 troy ounces. #BX604

Francis I sterling silver teapot. Made by Reed & Barton in Taunton, Mass. Bellied ovoid body on domed foot, high-looping leaf-capped scroll handle, and leaf-capped s-scroll handle; cover hinged and domed with leafing-scroll quatrefoil finial. Strapwork frames (vacant) on front and back between cornucopias and pendant ribbon-tied flowers. Rims irregular with applied leaves and scrolls. Fully marked including maker’s stamp, pattern name, no. 570A, and phrase “Hand Chased”. Very good conditio...

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.

Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...

Midcentury Modern sterling silver monteith bowl. Made by Tiffany & Co. in New York. Curved sides and reeded curvilinear rim; raised and spread foot. Stylish for serving and presentation. Plenty of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23881. Very good condition.

Dimensions: H 5 1/4 x D 9 3/8 in. Heavy weight: 30 troy ounces. #BP797

Traditional Georgian-style sterling silver candlesticks, ca 1950. Each: Spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marked including stamp for Prill Silver Co., Inc. a New York maker active from 1930s-1970s. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 4 1/4 in. Total weight: 35 troy ounces. #BX825

Traditional Georgian-style sterling silver candlesticks, ca 1950. Each: Spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marked including stamp for Prill Silver Co., Inc. a New York maker active from 1930s-1970s. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 4 1/4 in. Total weight: 34 troy ounces. #BX824

Victorian ring in platinum on 18k gold with rose-cut diamonds and rubies in crisscross design. England, ca 1880. Hallmarked. Excellent condition.

Size: 4 1/2. Weight: 2.1 dwt (3.2 g). #1221

English Modern sterling silver cigar box, 1919. Rectangular with plain straight sides. Cover hinged with tapering tab; top gently curved with engine-turned wave ornament bordered by fretwork, and centrally mounted gold ring inset with word “CIGARS”. Interior cedar lined and partitioned. Underside leather lined.

Fully marked including Birmingham assay stamp and mark for WC Griffiths, a silversmith and retailer. Very good condition.

Dimensions: H 5 3/8 x W 10 1/8 x D 5 3/4 in. Gross weigh...

European silver fish-form spice box, 19th century. Hinged head and lower mouth, and faceted red eyes. Articulated and scalloped wide body, and hinged fins and tail. Loose-mounted ring. Unmarked. Very good condition with deep patina.

Overall dimensions: H 1 5/8 x L 3 1/8 x D 1 7/8 in. #BS513

Modern sterling silver serving tray. Made by Tiffany & Co. in New York. Round with stepped rim. Smart and functional with nice heft. Fully marked including maker’s stamp, pattern no. 21252, director’s letter m (1907-47), and wartime star (1943-5). Very good condition.

Dimensions: H 1/2 x D 10 in. Weight: 16.2 troy ounces. #BX445

Victorian sterling silver letter opener. Made by George Neal & George Neal in London in 1900. In form and with dimensions of a 12-inch ruler. Tapering point for getting underneath the fold. A stylish and useful desk novelty. Fully marked. Very good condition. Weight: 2.5 troy ounces. #BW008

Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23617. Very good condition.

Dimensions: H 3 7/8 x D 7 3/4 in. Weight: 14.2 troy ounces. #BX699

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...