Rare sterling silver punch ladle. Made by Spratling in Taxco, Mexico. Round hand-hammered bowl with curved spout. Mount has tooled bands and applied rope band and is inset with tapering stained-wood handle. An early piece by this maker. 1940s marks. Very good condition with beautiful patina.

Dimensions: H 13 x W 3 3/4 x D 1/4 in. Gross weight: 5 troy ounces. #BR829

Midcentury Modern sterling silver centerpiece bowl. Made by Alfredo Sciarrotta in Newport. Curved oval on open s-scroll support. Bead and ring ornament mounted to ends. Visible hand hammering. Marked “Sciarrotta / Hand Made / Sterling / 117”. Very good condition.

Overall dimensions: H 5 3/4 x W 14 1/4 x D 7 1/4 in. Weight: 30 troy ounces. #BY691

Japanese Meiji Art Nouveau silver tea tray, ca 1890. Retailed by Arthur & Bond in Yokohama. Lobed oval. Well stippled and engraved with shaded interlaced monogram. Upturned c-scroll end handles. Blossoming prunus branches, iris flowers, and bamboo applied to handles and tapering shoulder. Exotic ornament and Western form. Marked “Arthur & Bond / Sterling / Yokohama”. Very good condition. One handle back has dent (not visible from front).

Overall dimensions: H 2 7/8 x W 28 1/2 x D 18 1/2 in...

Beautiful hand-hammered sterling silver and mixed metal perfume. Made by Tiffany & Co. in New York, ca 1880. Baluster with double-scroll side handles and threaded cover. Vertical stylized vegetation and darting insects (butterflies and dragonflies) applied to honeycomb ground. With chain for hanging on a lady’s chatelaine. A small-scale confluence of Japanese inspiration and Arts & Crafts technique. Hallmark includes pattern and order numbers, director’s letter M (1873-91), and phrase “St...

Japonesque mixed metal sterling silver bowl. Made by Gorham in Providence in 1883. Curved sides with allover spot hammering and gilt-washed interior. Applied copper and silver ornament: Rim overhung with fruiting and leafing branch mounted to exterior with exploratory fly, and opposite, a bonsai branch. On side are cattails rooted in granulated soil with perched crane as well as dragonfly and butterfly. Three splayed supports. Fully marked with maker’s stamp, date letter, no. 1725, and phrase ...

Large sterling silver Revere bowl, ca 1930. Retailed by Cartier in New York. Traditional form with tapering sides, curved bottom; allover spot hammering. Plain and stepped foot. Fully marked including maker’s (Old Newbury Crafters) and retailer’s stamps, no. 811, and phrase “P. Revere / Boston 1768 / Sons of Liberty / Reproduction”. Very good condition.

Dimensions: H 5 3/4 x D 11 in. Weight: 34.8 troy ounces. #BY351

Plique à jour enamel and gilt 930 silver bowl. Made by Marius Hammer in Norway, ca 1910. Round with curved sides. Well green guilloche enamel. Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). A beautiful piece by Hammer, who contributed to the revival of Norwegian art and history. Fully marked. Excellent condition.

Dimensions: H 4 1/4 x W 6 1/8 x D 4 in. #BY196

American applied sterling silver perfume vial, ca 1880. Clear glass cylinder with twisted fluting. Sterling silver collar and hinged cover with tendril, flower, and insect on hand-hammered ground; gilt interior. Unmarked. Very good condition with deep patina.

Dimensions: H 2 3/4 x D 1/2 in. #BN380

Midcentury Modern sterling silver water pitcher. Made by Svend Toxværd in Copenhagen. Baluster body with helmet mouth and grape-bunch mounted scroll handle. Alternating grape bunches and palmettes applied to base. Body has allover hand hammering. Fine Danish craftsmanship with a strong Jensen influence. Fully marked. Very good condition.

Dimensions: H 8 3/4 x W 7 1/2 x D 4 3/4 in. Weight: 19 troy ounces. #BL327  

Japonesque mixed metal napkin ring. Made by Gorham in Providence in 1882. Hand-hammered sterling silver ring applied with cooper ornament: A man in pointy hat is seated on the ground, smoking while a small dog approaches from behind, interrupting the opium-induced serenity. Above is a darting butterfly. Engraved name “Edward Hegeler”. Hegeler (1835-1910) was a German-born American industrialist and publisher. Fully marked including maker’s stamp, no. 675, and date letter. Very good conditi...

Japonesque sterling silver creamer and sugar. Made by Tiffany & Co. in New York.

Each: Urn body on domed foot Handles high looping. Interior gilt washed. Creamer has helmet mouth. Engraved insects (dragonfly and butterfly), flowers, and blossoming branch on allover honeycomb hand-hammered ground. Handles have raised interlocking scrollwork with flowers and Moresque shapes based on Persian, the flatware pattern that was designed by Edward C. Moore and first produced in 1872.

Fully marked incl...

Rare mixed metal pitcher with lots of bugs. Made by Tiffany & Co. in New York, ca 1880. Globular with drum-form neck, small lip spout, and c-scroll handle. Modish insects—dragon fly, grasshopper, and butterfly—creep and dart among fluid and interlaced grass stalks applied to hand-hammered sterling silver ground heightened with floral engraving and copper inlay. A superb integration of Japonesque and Craftsman. Interlaced script monogram engraved to underside. Fully marked including pattern n...

Japanese silver centerpiece bowl, ca 1900. Round and curved. Flat mouth rim with long and low scallops. Raised and spread foot. Applied iris flowers with loose and crisscrossing tendrils and stems in eddying water. Foot has cutout flower heads and engraved wraparound tendrils. Gorgeous period motif on spot-hammered ground. Double-walled. Meiji-era Art Nouveau centerpiece for the cosmopolitan West. Marked. Very good condition.

Dimensions: H 8 3/4 x D 12 3/4 in. Weight: 78 troy ounces. #BZ691 ...

Japonesque sterling silver spoon. Made by George W. Shiebler & Co. in New York, ca 1885. Tapering stem and round terminal; front hand-hammered and applied with a bug and bit of bamboo. Oval bowl. Back plain. Fully marked including maker’s and retailer’s (Theodore B. Starr) stamps. Very good condition. Dimensions: H 6 3/8 x W 1 3/8 in.;

With: Victorian sterling silver spoon. Made by same, ca 1891. Cast terminal in form of leafing nutmeg on stem. Back plain with engraved 3-letter script mon...

Turn-of-the-century American Craftsman sterling silver porringer. Bellied bowl on inset foot ring. Finely faceted hand hammering with "disco ball" shimmer. Plain open tree handle. Fully marked including retailer’s stamp for A. Stowell & Co., who were active in Boston from ca 1865 to 1904. Very good condition.

Dimensions: H 2 1/4 x W 7 1/2 x D 5 1/4 in. Weight: 8 troy ounces. #BT004

Craftsman sterling silver porringer. Made by Tiffany & Co. in New York, ca 1878. Traditional form with shaped open handle. Dense allover fish-scale hammering. Very much a statement design. Hallmark includes pattern no. 5050 (first produced in 1878) and director’s letter M (1873-91). Nice condition with deep period patina.

Dimensions H (handle) 2 3/8 x W 7 3/8 x D 4 1/2 in. Weight: 5.4 troy ounces. #BD353

Pair of Chinese export silver vases, ca 1910. Each: Flat and round moon body on domed foot; animal-head handles mounted to shoulder. On front and back is chased dragon—a horned and taloned serpentine serpent on hand-hammered ground. Marked Wang Hing & Co., an early 20th-century retailer active in Canton and Hong Kong. Very good condition. Handwork visible on foot underside.

Dimensions: H 4 1/2 x W 3 1/2 x D 2 in. Total weight: 7.5 troy ounces. #BY228

Arts & Crafts sterling silver picture frame. Made by Watrous Mfg. Co. (part of International Silver Co.) in Wallingford, Conn., ca 1920. Rectangular window with curved corners in same surround with allover spot hammering; at top plain rectangle (vacant). With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 60. Very good condition.

Dimensions: Frame: H 10 1/2 x W 8 1/2 in. Window: H 9 x...

Arts & Crafts sterling silver picture frame. Made by Watrous Mfg. Co. (part of International Silver Co.) in Wallingford, Conn., ca 1920. Rectangular window with curved corners in same surround with allover spot hammering; at top plain rectangle (vacant). With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 60. Very good condition.

Dimensions: Frame: H 10 1/2 x W 8 3/8 in. Window: H 9 x...

Gorgeous turn-of-the-century Martelé-style Art Nouveau 950 silver basket. Made by Black, Starr & Frost in New York. Flared and ovoid mouth and cylindrical body flowing into spread foot on 4 turned-under scroll supports; fixed and shaped c-scroll handle. Ruffled and irregular rims. Chased and applied ornament with flowers and climbing and entwined tendrils overlaid with leaves. Hand-hammered ground. Fully marked with maker’s stamp, no. 7577, and phrases “Exclusive Design”, and “950 Fine�...

Japonesque sterling silver inkwell. Made by Tiffany & Co. in New York, ca 1882. Drum form with curved shoulder, short neck, and hinged and cork-lined bayonet cover. Leaves and tendrils and butterflies, too, applied to honeycomb hand-hammered ground. Bonus bug (a modish beetle) on cover. Interior glass lined. Fully marked including pattern no. 6771 (first produced in 1882), director’s letter M (1873-91), and phrase “Sterling-Silver”. Excellent condition and patina.

Large dimensions: H 4...

Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rippling through the clay body. The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant li...

The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...

Japonesque sterling silver and mixed metal water pitcher. Made by Tiffany & Co. in New York, ca 1885. Globular body, straight neck, and c-scroll handle. Allover honeycomb hand hammering. Applied flowers, leafing tendrils, and butterflies. A restrained design with graceful plant and insect motifs. Fully marked including pattern no. 3077 and phrase “Sterling silver and other metals”. Very good condition.

Dimensions: H 7 3/8 x W 8 x D 5 1/2 in. Weight: 25 troy ounces. #BM963

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive. Additionally, once collected it takes on average 3-5 years for ...

Beautiful German sterling silver swan bowl with rare glass liner. A nice-sized bird with twisting s-scroll neck, closed bill, and direct expression. Gently protuberant haunches and webbed feet in glide mode. Fine delineation of feathers from scaly neck to downy wing plumes. Liner is frosted with scalloped rim. Silver marked “Sterling 925 Fine / Germany” with stamp for Israel Freeman & Son Ltd in London. Very good condition.

Dimensions: H 9 1/2 x W 10 1/2 x D 6 in. Weight (silver only): 32 ...

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

Midcentury Modern sterling silver compote. Made by William G. DeMatteo in Bergenfield, New Jersey. Round and wide bowl on twisted shaft mounted to domed and beaded foot. Mounted to bowl underside is floral band comprising seed-spilling buds. Visible hand hammering. Marked “Sterling” with maker’s stamp. Very good condition.

Dimensions: H 6 5/8 x D 6 3/4 in. Weight: 12.5 troy ounces. #BZ145

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

Shodo Kawarazaki (1889-1973)
Iris
Date: 1950s. Later edition.
Size: Oban. 15.75 x 10.75 inches.
Artist's seal lower left.
Publisher: Unsodo. Publisher, carver, and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Three Japonesque sterling silver ladles. Made by Gorham in Providence, ca 1885. Each: Curved and tapering handle; round and lobed bowl with small lip spout; bowl interior gilt washed. Terminal curved with applied mixed metal cherry branch. Allover spot hammering. A multi-course set. Rare serving pieces for connoisseurs of food and art. Marked “Sterling & Other Metals” with maker’s stamp. Very good condition with deep patina.

Dimensions: Soup: H 12 3/4 x D 4 in. Oyster: H 11 x D 3 1/2 in...

Super stylish Art Deco sterling silver compote. Round bowl with flared rim and curved and tapering sides. Ovoid support with Bakelite band to round foot with same. Visible hand hammering with nice shimmer. Italian marks (1934-44) including unidentified Roman maker’s stamp (14 Roma) and Milan retailer’s stamp (Fratelli Veneziani). Good condition. Bakelite crack on foot.

Dimensions: H 5 x D 9 3/4 in. Gross weight: 22 troy ounces. #BY685

Rare Japonesque mixed metal tray. Made by Tiffany & Co. in New York, ca 1878. Square with curved sides and straight edges. Two birds soar and glide. One is viewed from below and the other from above (that is, from bird’s eye). An original and jokey design incorporating the exotic flattened Japanese perspective. Feathers are gold, and beaks, eyes, and wispy, dangly talons are copper. Crescent frame engraved with calligraphy-style presentation dated 1879. Ground hand hammered. Corner leaf-and-sc...

Japanese Modern silver flask, ca 1950. Curved and faceted sides with flat bottom. On front bright-cut leafing-scroll lozenge (center vacant) between side borders. Back hand hammered. Tall and straight exterior cover and cork-lined interior cover; both threaded. Marked. Very good condition.

Dimensions: H 6 3/8 x W 4 x D 1 3/8 in. Weight: 5.7 troy ounces. #BZ410

Fujiwara Fuseki
A Scenic Spot in Atami, Mt. Izu Coast
Not dated. ca mid-century.
Publisher: Nisshinbo
Size: The artwork measures 5.75 x 3.75 inches and is attached along its top edge only to a 7.5 x 5.75 inch paper frame.
Sealed by the artist.
Medium: While this piece has the look of a watercolor, the cover states "hand-printed woodblock print".
Condition: Artwork is excellent. Paper folder is toned.
Note: The print features mica highlights.

Craftsman sterling silver bowl. Made by Lebkuecher in Newark, ca 1920. Ovoid with reeded rim and small c-scroll handles. Fluting and ogee-form frames (vacant). A traditional pottery form with visible hand hammering. Fully marked including maker’s and retailer’s (Grogan Company) and no. 02907HCD. Very good condition with nice shimmer.

Dimensions: H 6 1/4 x W 10 3/8 x D 8 3/4 in. Heavy weight: 39.7 troy ounces. #BX864

Danish Midcentury Modern sterling silver compote. Wide and round bowl mounted to shaft with understated Classical ornament: Urn with bold and stylized leaf-and-dart ornament on sides, in turn mounted to baluster with half fluting; wavy borders. Domed foot. Visible hand hammering. Fully marked including maker’s stamp for Roif Fritiof Bratland, who was active from 1956-73, as well as no. 85A. Very good condition.

Dimensions: H 11 3/4 x D 10 1/2 in. Weight: 33 troy ounces. #BY987

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 1/2...

Craftsman sterling silver porringer. Made by Gorham in Providence, ca 1910. Traditional form. Unusual open geometric handle. Allover spot hammering. Fully marked including maker’s stamp and no. A5235. Very good condition with nice shimmer.

Dimensions: H 2 x W 6 5/8 x D 4 3/4 in. Weight: 7.8 troy ounces. #BX326

Pair of Danish Midcentury Modern sterling silver 3-light candelabra. Each: Scroll encircled with fruiting grapevine mounted to tapering shaft with lobed knop at base mounted to raised and round foot. Three bud-mounted c-scroll arms, each terminating in single socket. Visible hand hammering. A Jensen-inspired design from the master’s homeland. Marked “Sterling / Denmark / 925S” with unidentified maker’s stamp. Excellent condition.

Dimensions: H 7 1/2 x W 7 x D 3 1/4 in. Total weight: 20...

Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and with all of the trappings that let you know they were cared for by a devoted cha-jin can be quite challenging. Here we see all three. The shape of this tea bowl is exquisite and something I have not seen before in a Mino piece. The lacquer box, while not the original was undoubtedly custom made for this tea bowl and looks to be 100 - 200...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Jinbo Tomoyo (1902-1994)
Pensive Girl
Date: 1939.
Size: 16.5 x 11.25 inches.
Edition: First and only.
Signed and sealed by the artist.
Edition: 56 of 100. Hand numbered in Japanese on back beside one hundred limitation seal.
Artist's red seal on back with date and seals of carver (Ishizaka Kenichi) and printer (Nakamura Sanjiro).
Mica highlights on hair ornaments.
Medium: Japanese woodblock print.
Condition: Abrasion at index finger area. A few ...

Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.

A native of Tokyo, Takauchi (b. 1937) took the well-established path of working for a company after graduating from university and it was not until a number of years later—upon visiting the town of Mashiko and being inspired by the works of artists such...

Handwoven with delicate precision, this Japanese bamboo ikebana basket showcases the beauty of traditional bamboo weaving and the elegance of classic Chinese design that much of Japanese traditional art is based on. Its sturdy construction and balanced proportions make it perfect for ikebana arrangements, merging floral artistry with cultural aesthetics.

Though little is known about this artisan, I was able to find examples of their work in several high-end Japanese g...

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old. The form and compositi...

German 800 silver figural bird bowl, ca 1910. A big beautiful swan with graceful downturned neck terminating in closed and tapering bill. Fan-shaped tail and hinged wings ready to spread for taking flight if the party chat gets too dull. Finely chased and engraved feathering from dense and imbricated to fluffy and plumy, and tucked-up taloned and webbed feet. Capacious hollow body for holding treats or flowers. Marks include maker’s (Friedrich Reusswig) and Munich retailer’s stamp (Rosenau) ...

A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...

George V sterling silver bowl. Made by Lionel Alfred Crichton in London in 1912. Curved with flared rim and stepped foot. Cast lion’s head side mounts in leafing-scrolled frames with loose-mounted rings. Four cast lion couchant supports with extended forepaws. Allover spot hammering. Engraved interlaced script monogram. A beautiful Edwardian Classical centerpiece. Fully marked. Excellent condition with nice shimmer.

Overall dimensions: H 9 1/4 x W 13 x D 11 3/4 in. Heavy weight: 85.4 troy o...

A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as being by the legendary potter Ninsei (17th C.). Though the potter’s mark suggests this could be the case, there is no way to confirm for certain other than by its age and undeniably elegant craftsmanship. Believing it to be quite precious, the previous owner bestowed it with the poetic name "Ibitsu" which means "warped" or "cu...

A beautiful and very old Hagi tea bowl; showing signs of long use and appreciation. The gold repairs add to the overall composition and highlight the important role this piece played in someone’s tea practice. Though still functional to be used as a ceremonial implement, this would fit much better as a treasured display object.

In excellent condition this tea bowl is 5.1 inches in diameter at its widest point (13cm), and stands 3.1 inches tall (8cm). It comes with a pe...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Masaharu Aoyama (1893-1969)
Man Cutting Hay by Hand
Date: ca. 1950s.
Print size: Oban. 16.5 x 12 inches.
Signed in pencil.
Aoyama's seal at lower right.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Creasing (See last photo).

Japanese silver box, ca 1890. Rectangular with straight sides and hinged cover. On cover top and box sides are chased and engraved iris flowers and tendrils in eddying water. Stippled ground. Box and cover interior lined with stained wood. Open bottom. Meiji-era Art Nouveau for the cosmopolitan West. Appears to be unmarked. Very good condition with deep patina.

Dimensions: H 3 x W 6 3/4 x D 3 5/8 in. Gross weight: 15 troy ounces. #BX248

German Neoclassical silver urn, 18th century. Oval tapering bowl on raised and stepped foot. Cover domed with vasiform finial. Chased imbricated leaf border at bowl bottom; same on cover dome. Visible hammering and handwork. Marked. Good condition.

Dimensions: H 4 3/4 x W 4 1/2 x D 3 in. Weight: 5 troy ounces. #BX291

Edwardian Art Nouveau sterling silver bowl. Made by Tiffany & Co. in New York, ca 1907. Four curved and wavy sides with concave corners and molded rim. On exterior are acid-etched ogee frames (vacant) surmounted by dense leafing branches. Engraved monogram. Fully marked including maker’s stamp, pattern no. 17032C (first produced in 1907), and director’s letter m. Very good condition with strong definition.

Dimensions: H 3 1/2 x W 8 3/4 x D 8 3/4 in. Weight: 22.5 troy ounces. #BZ555

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

Very desirable sterling silver pea server in Vine. Made by Tiffany & Co. in New York. Tapering handle with loosely arranged wraparound pea pod vine on tapering stem. Round bowl with pierced ornament in same motif. A beautiful conflation of symbolism and function. Interlaced script monogram engraved on verso. This pattern is commonly known as Fruits and Flowers, and was in production from 1872 to before 1904. Illustrated in: Hood. Tiffany Silver Flatware, 1999, p. 143. Fully marked. Very good con...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...