Turn-of-the-century Art Nouveau clear glass decanter with engraved silver overlay. Made by Alvin in Providence. Globular body with high-looping handle, upward tapering cylindrical neck, and helmet mouth. Ball stopper with short plug. Dense and scrolling fruiting grapevine overlay. Scrolled asymmetrical cartouche engraved with interlaced script monogram. Handle and mouth in silver collar as is stopper neck. Fully marked including maker’s and retailer’s (Mermod, Jaccard), and no. 36150. Very g...

Ito Sozan
Peahen
Date: Pre-1923. Pre-earthquake.
Size: Tanzaku. 11.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Artist's double red square seal at lower right.
Reference: Attribution by Mauro Novelli as T-48 at itosozan.com.
Medium: Crepe (chirimen) Japanese woodblock print.
Condition: Lightly foxed.

The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history that is closely intertwined with that of tea culture. Bizen-ware is known for employing a natural-ash glazing technique that is unique to this type of pottery and which requires extremely long firing times (7-14 days) at very high temperatures. This means that constant attention is required to ensure good results. The tea bowl shown here...

Tsuchiya Koitsu
Asakusa Kinryusan, 1938
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog TK-DH-51.
Medium: Japanese woodblock print.
Condition: Left margin has two tears that do not impinge on image.

Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.

A native of Tokyo, Takauchi (b. 1937) took the well-established path of working for a company after graduating from university and it was not until a number of years later—upon visiting the town of Mashiko and being inspired by the works of artists such...

Kawase Hasui
The Torii at Miyajima at Night
Date: 1930s.
Publisher: Watanabe Shozaburo.
Size: Koban. Approximately 6.25 x 4.25 inches.
"Made in Japan" stamped on verso.
Reference: Hotei Hp-52.
Medium: Japanese woodblock print.
Condition: Excellent.

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...

Ohara Koson
Two goldfish and lotus plants
Size: O-tanzaku. Approximately 14.75 x 7.5 inches.
Date: Early 20th century.
Reference: AK.21 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya.
Signed and sealed by the artist.
"Made in Japan" stamped on back.
Condition: Excellent. Marks in top margin. Slight edge indentation as shown.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer.

The craftsman, Wakashima Takao (b. 1935) was born in the north of Japan in the picturesque town of Wajima. The lacquer technique particular to this region (Wajima-nuri) is rather unique in its use of an undercoating incorporating special compounds that make it exceptionally durable over time. Wakashima perfected this demanding technique and, over the course of...

Eijiro Kobayashi
Pagoda by Moonlight
Approximately 10.25 x 7.5 inches.
Date: 1938-1960.
Red "Eijiro" seal at lower right.
Publisher: Nishinomiya Yosaku. From the "Hasegawa Night Scenes" series. Hasegawa catalogue No. 1243.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Utagawa Fusatane
An evening scene from the Snow, Moon, Flower series
Date: ca. 1850s-60s.
Size: 11.75 x 9.5 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Two punch holes from original folio. Thinned area from wormhole at upper left.

Takahashi Shotei (Hiroaki)
Cold Winter Wind.
Size: Mitsugiri-ban. Approximately 15.0 x 6.5 inches.
Date: pre-1936 (Mid-1920s).
Publisher: Watanabe Shozaburo. No. 204 in 1936 Watanabe catalog. M-4 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent. On the back, there is clear tape along the top edge.

Kaoru Kawano
Two Girls
Date: 1950s-60s
Size: Approximately 16.5 x 11.5 inches.
Sealed by the artist at lower right and on verso.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed this print from its original folder.

Tsukioka Yoshitoshi (1839-1892)
In the Moonlight Under the Trees a Beautiful Woman Comes (Getsumei Rinka Bijin Majiru)
No. 59 from the series "One Hundred Aspects of the Moon"
Date: 1888
Size: Oban. Approximately 14.5 x 10 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Yamamoto.
Condition: Some spots and creasing.
"The elegantly dressed Chinese woman represents the spirit of the plum ...

Hiratsuka Un-ichi (1895 ~ 1997)
Selected Woodcuts By Un-ichi Hiratsuka
Date: 1954
Publisher: Nippon Geijyutsu Hangasha
This rare book contains 30 lithographic plates (23 black-and-white, 7 color) by the renowned sosaku hanga artist. English and Japanese text.
Size: 14.25 x 10.5 inches.
Medium: Japanese woodblock print.
Condition: Very good. Light toning and foxing.

Okuyama Gijin (Yoshito) (b. 1934)
Ginkakuji
Date: ca 1950s.
Size: 19 x 9.75 inches.
Self-published by the artist.
Signed in pencil and sealed.
Medium: Japanese woodblock print.
Condition: Excellent. Slight margin creasing and wave.

Paul Jacoulet
Le Phare de Mikimoto, Shimoda Izu (Mikimoto Lighthouse, Shimoda Izu)
Date: February 1954.
Fewer than 80 impressions made. This example is stamped "PRESENT" on the verso.
Size: 17.75 x 13 inches.
Signed and sealed with peony seal. Carver: Maeda. Printer: Onodera
Reference: No. 134 in The Prints of Paul Jacoulet by Richard Miles
Medium: Japanese woodblock print.
Condition: Toning on verso. Please see additional photos showing partially trimmed...