Okuyama Gijin (b. 1934)
Shorenin Temple Garden
Date: ca 1950s.
Size: 9.5 x 4.75 inches.
Self-published by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Okuyama Gijin (b. 1934)
Heian Shrine
Date: ca 1950s.
Size: 7.75 x 5.5 inches.
Self-published by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Delightful 18k gold figural pin. Stylized owl with ribbed crown, rose-diamond eyes set in concave disc sockets, sweet wing flaps, and branch-gripped talons. Breast inset with turquoise stone. A symbol of wisdom in the advanced taste. United states, ca 1930. Stamped “750”. Very good condition with great color.
Dimensions: H 1 5/8 x W 7/8 x D 1/2 in. #873
Beautiful 14k gold flower brooch comprising petals inset with 33 rubies (approx. 3 carats) on white-gold stem encrusted with pave diamonds. The flower is framed by 3 scrolled yellow gold leaves. United States, ca 1940s. Very good condition.
Dimensions: H 2 x W 1 3/8 in. #675
Pair of Modern 14k gold clip-on earrings. Each: Strands comprising rope and beads forming semi-abstract scrolled leaf. Snazzy Midcentury style. United States, ca 1960s. Marked. Very good condition with nice finish.
Dimensions: H 1/2 x L 1 1/4 x W 7/8 in. Total weight: 12.8 DWT (20 g). #1145
Cyrus leRoy Baldridge (1889-1977)
Peking, 1925
Edition: 81/200
Publisher: Watanabe Shozaburo.
Size: Oban. Approximately 15.25 x 10.5 inches.
Signed in pencil: "Cyrus Baldridge".
Medium: Japanese woodblock print.
Condition: Margin has matte line, pinhole, and tape at corner. Image has a few faint spots.
Kasamatsu Shiro (1898-1991)
Misty Evening at Shinobazu Pond
Date: 1932.
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Watanabe Shozaburo.
First edition. Watanabe sausage seal (in use 1929-42).
Shiro seal lower left.
Medium: Japanese woodblock print.
Condition: Faint matte line near image edge. Pinhole at margin edge. Light toning and fading.
American crossover cocktail ring in 14K white and yellow gold, ca. 1970. Double-headed with juxtaposing turquoise beads and pave diamonds (3.4 cts). Excellent condition.
Approx. size: 6 1/2. #5040
Early gilt-washed sterling silver sauce bowl on stand with butler finish. Made by Tiffany & Co. in New York. Round and tapering bowl with gilt interior and raised foot. Side handles in form of post inserted with short perpendicular column and mounted with stylized leaves. Classical rim. Engraved presentation: “W.B.K. Jr from W.B.K. Sr / Newark N.J. / April 29, 1871.” Stand round with well and same rim. A fine Greek Revival piece that incorporates Aesthetic influence. Union Square hallmarks...
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...
Ohara Koson (Shoson)
Two Ducks Flying Above Snow-covered Reeds
Size: Approximately 7.25 x 4.75 inches.
Date: ca. 1930s.
Shoson seal at right.
Reference: AS.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Front is excellent. Back has paper and adhesive residue.
Katsuhira Tokushi (1904-1971)
Five Kinds of Sleigh - Akita Prefecture
Date: 1932.
Image size: Approximately 5.5 x 3.75 inches.
Prints are tipped along top edge to 9.5 x 7.0 card.
Folder included.
1. Hako Sori (Box Sleigh), 2. Naga Sori (Long Sleigh), 3. Uma Sori (Horse Sleigh), 4. Kazu Sori (Kazu Sleigh), 5. Ba Sori (Commuting Sleigh).
The artist has signed the Box Sleigh panel in pen "Katsuhira Tokushi May 17, 1951".
Note: Katsuhira Tokushi was a true fol...
Unlike many of the pieces in the genre of Kyo-ware, this tea bowl is decidedly demure in appearance. Milky, flowing glaze pools in places along a backdrop of ivory and coral pink sides, contrasting nicely with the rough, unrefined clay of the base. In the center of the kodai is a decorative swirl pattern reminiscent of the yin and yang.
The potter, Kanpu Kawanabe (1873 - 1947) was born into a family of weavers but went on to be trained in many of the arts related to tea ceremony. A...
Ohara Shoson (Koson)
Carp (Two Carp and Blooming Water Plants)
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: ca. 1926. This edition 1929-1942.
Publisher: Watanabe Shozaburo. Sausage seal right margin.
Signed and sealed by the artist.
Collectors seal at left margin.
Medium: Japanese woodblock print.
Reference: S39.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Toning. Some areas of corners and ma...
Takahashi Shotei (Hiroaki)
Moonrise at Tokumochi
Date: Pre-1936.
Chuban. Approximately 10 x 7 inches.
Publisher: Watanabe Shozaburo. No. 197 in 1936 Watanabe catalog.
White 6 mm Watanabe seal at lower right.
Artist's seal lower left.
Medium: Japanese woodblock print.
Condition: Slight fading. Paper residue at back bottom margin.
This piece is described on the box as a Hikidashi Kuro Chawan. In Japanese hikidashi means “a pull-out drawer” and the term first came into use at Mino kilns in the 16th century to describe individual pieces that were pulled out of the wood kiln at the peak of firing to gauge if the batch was ready. The rapid cooling of such pieces often creates dramatic effects, with the most noted being rich varieties of deep black. Today this practice has fallen out of use and and only a handful of master...
Takahashi Shotei (Hiroaki)
Spring Evening
Date: Pre-1936. This is the more rare creped edition.
Size: Mitsugiri-ban. Approximately 12 x 5.75 inches.
Publisher: Watanabe Shozaburo.
Shotei seal at right.
Reference: Shotei #M-12. Watanabe #212.
Medium: Japanese woodblock print.
Condition: Excellent color. Paper residue at top back margin.
Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rippling through the clay body. The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant li...