Pretty Edwardian sterling silver basket. Made by Tiffany & Co. in New York. Solid oval well and open weave-style sides with clusters of applied pendant flowers. Ends splayed. Scrolled rim. Tall and fixed c-scroll handle with entwined and split foliate mount. Spread foot. Interlaced script monogram engraved on handle. Fully marked including maker’s stamp, pattern no. 16368A (first produced in 1905), order no. 4117, and director’s letter C (1902-7). Excellent condition.

Dimensions: H 9 x W 9...

Pretty Edwardian sterling silver basket. Made by Tiffany & Co. in New York. Solid oval well and open weave-style sides with clusters of applied pendant flowers. Ends splayed. Scrolled rim. Tall and fixed c-scroll handle with entwined and split foliate mount. Spread foot. Interlaced script monogram engraved on handle. Fully marked including maker’s stamp, pattern no. 16368A (first produced in 1905), order no. 4117, and director’s letter C (1902-7). Excellent condition.

Dimensions: H 9 x W 9...

Edwardian Regency sterling silver jewelry box. Made by William B. Durgin in Concord, ca 1910. Rectangular with straight sides and hinged drop-front. Cover hinged and flat. On sides, wraparound garland held-up by sweet bare-bottomed cherubs. Cover top encircled with same (center vacant). Reeded rims. Interior velvet-lined. Fully marked including maker’s stamp and no. 1809. Very good condition.

Dimensions: H 4 x W 9 3/8 x D 4 1/2 in. Heavy gross weight: 40.6 troy ounces. #BX652

Victorian Rococo sterling silver mustard pot. Made by Edward, John, and William Barnard in London in 1845. Open sides with leafing scrollwork applied at base with leaves forming irregular skirted foot. Cover hinged and solid; top domed and with applied leaf thumb rest and engraved armorial surrounded by leafing scrollwork and flowers. Reeded and leaf-wrapped scroll handle. Detachable cobalt glass liner. Fully marked. Very good condition. Liner has minor rim chip.

Dimensions: H 3 3/4 x W 4 1/2 ...

Tsuchiya Koitsu
Mandarin Ducks
Date: 1930s.
Size: Mitsugiri-ban. Approximately 15.75 x 7.5 inches.
Publisher: Doi Hangaten.
Reference: Koitsu catalog no. TK-DH-76.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Medium: Japanese woodblock print.
Condition: Excellent. Back top margin has tape residue.
Note: An usual subject for Koitsu.

Pair of George III sterling silver gravy boats. Made by William Bond in Dublin in 1794. Each: Ovoid with helmet mouth and gadrooned rim. Leaf-capped double-scroll handle mounted to scrolled end. Three scallop-shell mounted leaf supports. Engraved armorial. Gorgeous Georgian Neoclassicism from across the Irish Sea. Fully marked. Very good condition with nice patina.

Overall dimensions: H 6 3/4 x W 8 3/4 x D 4 3/4 in. Total weight: 39.7 troy ounces. #BW160

Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...

Equestrian-themed silver tankard with German imperial association, ca 1875. Straight and paneled sides with low-relief frieze depicting galloping riders, racing through the countryside, trees and buildings in the background; branch borders. Split-mounted s-scroll handle with thumb rest. At bottom applied branch and leaf border and open supports. Cover hinged and bellied with imbricated leaf rim; on top is cast finial in form of mounted jockey and engraved phrase citing Kaiser Wilhelm I in an all...

English Victorian Modern sterling silver smoking box 1885. Rectangular with straight sides. Scroll-bracket handle mounted to central panel between two hinged covers. On one in blue enamel “Cigars”; on other “Cigarettes”. Cedar lined. Felt-lined underside. Fully marked including London assay stamp and maker’s initials “T.W”. Very good condition.

Dimensions: H 4 x W 7 3/4 x D 6 1/2 in. Gross weight: 28.3 troy ounces. #BX649

English Georgian sterling silver salver, 1727. Square with molded rim and curvilinear corners. Engraved armorial in well center. Rests on 4 corner hoof supports. Substantial with nice heft from the year the first Hanoverian king George I died and was succeeded by his son George II. A really nice piece of native craftsmanship from the early years of the German ascension. Worn marks including London assay stamp. Very good condition.

Dimensions: H 1 3/4 x W 13 x D 13 in. Heavy weight: 61.7 troy o...

German Classical silver beaker cup, 18th century. At top leafing scrollwork and scallop shells; at bottom twisted leaf-and dart border. Ornament chased and heightened with engraving. Interior gilt washed. Maker’s mark comprising letters S and I. Condition: Minor dent on bottom otherwise very good with excellent patina.

Dimensions: H 3 3/4 x D 3 in. Weight: 3 troy ounces. #BX624

Victorian sterling silver mustard pot. Made by George Frederick Pinnell in London in 1844. Round with open scrollwork sides and spread base with applied leafing scrollwork. Hinged and domed cover with vasiform finial leaf thumb rest. Capped s-scroll handle. Open bottom. Detachable cobalt glass liner. Fully marked. Very good condition. Glass has a few rim chips.

Dimensions: H 3 3/4 x W 4 x D 2 7/8 in. Weight (silver only): 4 troy ounces. #BX206

George II sterling silver salver. Made by Robert Abercromby in London 1741. Molded scroll and shell rim and 4 scroll-mounted hoof supports. Armorial engraved in well center. Great heft and balance. Fully marked. Very good condition with period patina.

Dimensions: H 1 1/2 x D 12 3/8 in. Weight: 28.7 troy ounces. #BX211

Edwardian Classical sterling silver coffee and tea set. Made by Tiffany & Co. in New York, ca 1910. This set comprises 5 pieces: Coffeepot, teapot, creamer, sugar, and waste bowl. Tapering and fluted ovoid bodies. Feet domed. Covers double domed with vasiform finial. Handles scroll bracket (coffeepot and teapot stained-wood). Ornament acid-etched and stylized: Curvilinear fretwork and leafing borders, paterae and, on front and back, wreaths of which 1 engraved with symbol or cryptic monogram. F...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

Chinese silver mug, ca 1865. Straight and upward tapering sides with dense low-relief frieze: Spearmen and swordsmen on foot and horse thrust and lunge and, in some cases, fall in battle. Applied armorial shield with engraved presentation dated “May 4th 1865”. S-scroll handle in form of scaly dragon with horned head peering over rim. Marked. Very good condition with deep patina.

Overall dimensions: H 5 1/4 x W 5 1/4 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX464

Edwardian sterling silver covered urn. Made by William Comyns in London in 1908. Bowl has straight sides and curved bottom with leaf-capped and wrapped s-scroll side handles and stepped inset foot. Bid and bold chased leaf-and-dart border. Cover raised with bud finial surrounded by turned-down leaves with same border. Striking with plenty of room for engraving. Gilt-washed interior. Fully marked. Excellent condition.

Dimensions: H 10 1/2 x W 14 x D 9 in. Heavy weight: 84 troy ounces. #BX554 ...

Paul Jacoulet
The Wandering Buddhist Priest, Korea (Le Bonze Errant, Corée)
Date: 1948.
Edition 165/350. (Fewer than 50 impressions from this edition were produced.)
Print size: Approximately 18.5 x 14.375 inches.
Publisher: Self-published by the artist.
Carver: Maeda. Printer: Honda.
Signed, and sealed with the "peach" seal. PJ watermark.
Reference: No. 95, The Prints of Paul Jacoulet (Miles).
Medium: Japanese woodblock print.
Condition: Top ba...

Chinese export silver mug, ca 1850. Straight and upward tapering sides applied with leafing bamboo on stippled ground. Branch-form handle and rims. Applied rondel engraved with single-letter monogram in buckled belt. On underside is engraved “H. J. T. / 1855”. Interior gilt washed. Chinese mark and initials KHC for Khe Cheong, a Canton silversmith and retailer active from ca 1830s-70s. Very good condition.

Overall dimensions: H 5 x W 5 1/2 x D 3 1/4 in. Weight: 10 troy ounces. #BX462 ...

Japanese Modern silver box on stand, ca 1930. Rectangular with curved corners. Box has straight sides and cover top is gently raised and has applied gilt medallion with dramatic dragon in low relief. Box and cover interior lined with stained-wood. Stand has wide and tapering shoulder and flat well border with open stained-wood bottom. Marked. Very good condition.

Dimensions: Box: H 2 1/2 x W 6 1/2 x D 4 3/4 in. Stand: H 7/8 x W 8 1/8 x D 6 3/8 in. #BX437

Chinese export silver mug, ca 1860. Straight and upward tapering sides with applied pictorial frieze on engraved and stippled ground: Scenes of social life with contemplative sages and chaste maidens amongst palm trees and pagodas. Pastoral exoticism enlivened with scaly, slithering dragon handle, ferocious head peaking above the rim. Armorial cartouche (vacant). Marked “HCH”. Very good condition.

Overall dimensions: H 5 1/2 x W 5 x D 3 in. Weight: 9.6 troy ounces. #BX463

A unique and heavy sterling turquoise squash blossom necklace and earring set by Navajo artisan Hemerson Brown. The silver has been "antiqued" . The necklace measures 23" while the naja measures 2-1/2" x 2-1/2". The earrings (for pierced ears) are 2-1/4" x 1-1/2. Total weight 5.4ozs.

Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique. Wakasugi typically uses Shigaraki clay and porcelain clay from Kyoto in her works and says that when she first started out very few people were ma...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

Hasui Kawase
Kasuga Shrine, Nara
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. 15.375 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Publisher's 6mm seal (printed 1946-1957).
Reference: Hotei #317.
Medium: Japanese woodblock print.
Condition: Slight toning. Excellent color.

Pair of Midcentury Modern sterling silver 2-light candelabra. Designed by Alphonse La Paglia (d. 1953) for International Silver Co. in Meriden, Conn. Two arms, each comprising two open quadrilateral scrolls inset at center with volute scroll terminating in buds overhanging sides. Each arm terminates in socket. Sockets tall and tapering with wide flat rim and stylized leaves and beads at bottom. Arms mounted to raised foot with knop comprising alternating rings and beads. Marked “International ...

Gako
Moon, Beach, and Tree
Date: 1910s-30s.
Size: Chuban. Print size: Approximately 10 x 7.75.
Matte board size: 14 x 11.
Signed "Gako" by the artist.
Publisher: Takemura Hideo. Round, red Takemura seal.
Medium: Japanese woodblock print.
Condition: Print is fully adhered to the board. The board is foxed.

Turn-of-the-century French Belle Epoque Classical 950 silver gravy boat on stand. Oval bowl with curved sides and elongated end spouts. Side handles entwined and split-mounted with leaves and flowers. Stepped oval foot mounted to stand with oval well and reeded and serpentine rim. Armorial engraved on stand shoulder. Marks include unidentified maker’s stamp and Minerva head. Very good condition.

Overall dimensions: H 4 1/4 x W 10 1/2 x D 7 in. Weight: 20 troy ounces. #BX235

Victorian Classical sterling silver mustard pot. Made by Charles Thomas Fox & George Fox in London in 1858. Drum-form with straight and inset sides, and open bottom. Cover flat and hinged, and scroll-bracket handle with scallop shell thumb rest. Engraved ornament: On sides, leafing scrollwork, flowers, and eagles, and on cover top round frame (vacant) surrounded by leafing scrollwork. With cobalt glass liner. Fully marked. Condition: Very good. Minor rim chips to liner.

Overall dimensions: H 3...

Set of 6 Edwardian Regency sterling silver demitasse holders and saucers. Made by Tiffany & Co. in New York, ca 1914. Each holder: Tapering bowl with open bottom, high-looping capped handle, and raised and spread foot. Each saucer: Round with well and wide and tapering shoulder. Engraved ornamental bands with vases in beaded rondels joined by scrollwork between dentil borders. Fully marked including maker’s stamp, pattern no. 18705E (first produced in 1914), and director’s letter m. Very goo...

American Colonial sterling silver bowl. Retailed by Georg Jensen USA in New York. Revere form with Tapering sides, flared rim, and curved bottom; stepped foot. Traditional form with lots of room for engraving. Fully marked including retailer’s stamp, no. 408, and phrase “P Revere / Reproduction”. Excellent condition.

Dimensions: H 4 1/2 x D 9 in. Weight: 26 troy ounces. #BX242

Turn-of-the-century Germany sterling silver box. Made by B. Neresheimer & Söhne in Hanau, and imported to England in 1914 by Berthold Hermann Muller in London. Rectangular with straight sides. Cover hinged and raised. Squashed ball corner supports. Engraved naif ornamental borders and, on cover top, Renaissance scene with mounted hunter and hounds in pursuit of a stag. With key. Marks include maker’s and importer’s stamps. Very good condition. One-inch bump to bottom rim.

Overall dimensio...

Turn-of-the-century Chinese export silver picture frame. Oval window in shaped surround with scrolls and flower heads at top, and leaves, stars, flowers, and heart cartouche vacant on stippled ground at bottom. With glass, silk lining, velvet back, and hinged easel silver wire support. Marked “Sterling”. Very good condition with deep patina.

Dimensions: Frame: H 7 1/4 x W 4 3/4 in. Window: H 4 1/4 x W 2 3/4 in. #BW978

Arai Yoshimune
Suma Beach
Date 1910s. Printed 1938-1960.
Size: Chuban. 10.75 x 8.0 inches.
Sealed by the artist at lower left.
Publisher: Hasegawa/Nishinomiya Yosaku. From the famous "Night Scenes" series. Hasegawa catalogue No. 1252.
Nishinomiya publisher's seal at left margin.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: The figures on the beach are gathering salt.

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

Kihei Sasajima
Shitenno Jikokuten (one of the Four Heavenly Guardians)
Date: ca. 1960s.
Publisher: Yoneda Minoru (impressed colorless seal at lower margin).
Date: 6.5 x 5 inches.
Medium: Woodblock print.
Condition: Toning in margin. Margin trimming.

Kihei Sasajima
The Buddhist Goddess Kisshouten
Date: ca. 1960s.
Publisher: Yoneda Minoru (impressed colorless seal at lower margin).
Date: 7 x 5 inches.
Medium: Woodblock print.
Condition: Slight toning. Margin trimming.

Set of 4 Edwardian sterling silver place card holders. Made by Sampson Mordan & Co. Ltd. in Chester, 1904-6. Each: Two flat discs mounted to flat and circular base. Front disc smaller and enameled with fox loping through forest. In leather-bound case with fitted velvet and silk lining; lining has gilt retailer’s stamp (Arnold & Lewis, Manchester). Fully marked including date letters 1904 (3) and 1906 (1), and design nos. 402227 (2) and 429790 (2). Very good condition with strong color.

Dimen...

English Georgian sterling siler ladle with oval bowl; twisted baleen handle with sterling silver terminal. Worn marks including maker’s initials TM (possibly Thomas Mynd). Good condition.

Height: 13 7/8 in. #BX386

German Neoclassical silver urn, 18th century. Oval tapering bowl on raised and stepped foot. Cover domed with vasiform finial. Chased imbricated leaf border at bowl bottom; same on cover dome. Visible hammering and handwork. Marked. Good condition.

Dimensions: H 4 3/4 x W 4 1/2 x D 3 in. Weight: 5 troy ounces. #BX291

Joichi Hoshi (1911-1979)
Field
Size: 32 inches by 17.25 inches.
Date: 1974.
Edition: 63/99
Signed, dated, and numbered by the artist.
Medium: Japanese woodblock print on gold leaf.
Condition: Light toning at margin. Back margin has tape residue and one reinforced corner.
Note: Please see additional images for texture and metallics.

Set of 6 Victorian sterling silver equestrian place card holders. Made by Samuel Jacob in London, 1896-1902. Cut out with chasing, stippling, and tooling. Each different with jockeys, polo players, and hedge-jumping hunters. Hinged c-scroll support.

Fully marked including date letters 1896 (3), 1901 (1), and 1902 (2). Five holders have each a different design number; the numbers were registered between 1894 and 1897. Three have retailer’s stamp (Thornhill & Co.). Very good condition.

Ove...

Italian silver gilt grand-tour bell, ca 1920. Figural handle in form of piping faun with puffed out cheeks and hoofed and hirsute hindquarters. Based on Greek statuette excavated in Pompeii and today in the National Archaeological Museum in Naples. Marked. Very good condition with nice toning.

Dimensions: H 4 3/4 x W 2 3/8 x D 1 3/4 in. Weight: 3.6 troy ounces. #BX081

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in Sheffield in 1913. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied molding and ornament. Lion’s head side mounts with hinged and turned rings. Fully marked, including design no. 13163. Very good condition.

Dimensions: H 10 1/4 x D 4 1/2 in. Weight: 14.5 troy ounces. #BX034

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in Sheffield in 1912. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied molding and ornament. Lion’s head side mounts with hinged and turned rings. Fully marked, including design no. 13163. Very good condition.

Dimensions: H 10 1/4 x D 4 1/2 in. Weight: 15.5 troy ounces. #BX033

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in London in 1911. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied molding and ornament. Lion’s head side mounts with hinged and turned rings. Fully marked, including design no. 13163. Very good condition.

Dimensions: H 10 1/4 x D 4 1/2 in. Weight: 14.5 troy ounces. #BX032

Kasamatsu Shiro (1898 - 1991)
Rice Planting (Taue)
Date: 1953. First edition.
Publisher: Unsodo.
Size: Oban. Approximately 16 x 10.625 inches.
Signed and sealed in Japanese in the image. Signed in English at lower margin.
Medium: Japanese woodblock print.
Condition: Excellent.

"Mandarin Ducks" and "Sparrows on Hedge"
Artist: Seals unread.
Size: Each approximately 5.625 x 3.625 inches 14.2 x 9.2 cm
Date: ca. 1910.
Publisher: Matsumoto (Nos. 427 and 424).
Medium: Japanese woodblock prints.
Condition: Ink marks as shown. Original fibers within handmade paper.
Early and rarely seen designs.

American Neoclassical sterling silver bowl. Retailed by Georg Jensen USA in New York. Curved sides and raised round foot mounted to square base. Beading. Fully marked including retailer’s stamp, no. 777, and phrase “Reproduction”. Very good condition.

Dimensions: H 5 1/4 x D 6 in. Weight: 20 troy ounces. #BX067

Italian Midcentury Modern 800 silver box. Rectangular with straight sides and thumb rest. Cover flat and hinged with tab. Allover engine-turned curvilinear ornament in plain borders on sides and cover top. Box underside plain. Marked “800” and stamp (1944-68) for Florentine maker Bartolini Bartolozzi. Condition: Minor bung to upper left corner. Otherwise very good.

Dimensions: H 1 1/2 x W 7 1/8 x D 3 3/4 in. Weight: 9 troy ounces. #BW633

Set of 4 George V sterling silver place card holders. Made by Goldsmiths & Silversmiths in London in 1911. Each: Round gilt ring inset with cast animal head. Two holders have fox heads and two have hound heads. Prey and predator have long pointed snouts and red glass bead eyes. In original leather-bound case with silk lining and fitted velvet. Fully marked. Very good condition with nice patina and toning.

Dimensions: H 1 1/2 x W 1 1/8 x D 1 1/2 in. Case: H 2 1/8 x W 8 1/4 x D 2 5/8 in. Total w...

Set of 4 Edwardian sterling silver place card holders. Made by Charles & George Asprey in London, 1906 to 1908. Each: A cast fox head pokes through a horseshoe clip; round and flat base. In leather-bound case with silk and fitted-velvet lining. Perfect for the hunt dinner. Fully marked including date letters 1906 (1), 1907 (1), and 1908 (2). Retailer’s stamp (Asprey). Excellent condition.

Dimensions: H 7/8 x D 1 1/8 in. Case dimensions: H 1 3/4 x W 6 7/8 x D 2 3/8 in. Total weight (silver o...

Set of 4 turn-of-the-century French Belle Epoque Rococo 950 silver open salts and spoons. Each salt: Open oval with scrolled and leafing rim and four reeded and scrolled supports. Asymmetrical scrolled cartouches engraved with interlaced script monogram. Cobalt glass liner with scalloped rim. Each spoon: Double-sided gilt-washed shell bowl and tapering stem with raised scrollwork. All pieces have maker’s stamp for V. Boivin. Spoons have Minerva head. Very good condition.

Overall dimensions: ...

George V sterling silver ice bucket. Made by Charles & Richard Comyns in London in 1925. Urn with curved bottom and raised and inset foot. Leaf-wrapped s-scroll side handles with cherub cap in form of chubby-cheeked, curly haired boy. Cover raised with reeded and overhanging rim and leaf bud finial. Engraved Indo-Persian decoration with turbaned swordsmen amidst vegetation and birds. Ye Olde English porringer adapted to the exigencies of Roaring Twenties barware. Fully marked. Excellent conditio...

Colonial Revival sterling silver bowl. Made by Dominick & Haff in New York in 1940. Tapering sides, flared rim, curved bottom, and raised and inset foot. Traditional form with plenty of room for engraving. Fully marked including maker’s stamp, no. X1455, Reed & Barton date symbol, and phrase “Paul Revere / Reproduction”. Dominick & Haff was acquired by Reed & Barton in 1928. Very good condition.

Dimensions: H 4 7/8 x D 10 in. Weight: 28.8 troy ounces. #BX253