Victorian Classical sterling silver water pitcher. Made by Tiffany & Co. in New York. Globular bowl with foot ring, drum-form neck, lip spout, and c-scroll handle with engraved leaf-cap and bold scroll and leaf terminal. Repousse rinceaux band. Fully marked including maker’s stamp, pattern no. 6462 (first produced in 1881), and director’s letter M (1873-91). Very good condition.

Dimensions: H 8 3/4 x W 6 3/8 x D 6 in. Heavy weight: 34 troy ounces. #BX926

Fairfax sterling silver coffee and tea set on tray. Made by Durham, which was part of Gorham, in Concord, ca 1926. This set comprises 7 pieces: Hot water kettle on stand, coffeepot, teapot, creamer, sugar, and waste bowl on tray.

Each: Chamfered. Rectilinear and tapering body on same foot. Handles scroll bracket. Covers gently raised with soft faceting (pot covers hinged). Finials chamfered with bead. Spouts faceted except for creamer, which has u-form spout. Tray rectangular with molded rim, ...

Pair of Victorian Classical sterling silver open salts. Made by Tiffany & Co. in New York. Each: Bellied bowl on 3 shell-mounted hoof supports. Repousse flowers and fronds. Everted rim with repousse scallop shells. Interlaced script monogram engraved on underside. Fully marked including maker’s stamp, pattern no. 4174, order no. 4997, and director’s letter T (1892-1902). Very good condition.

Dimensions: H 1 1/2 x D 2 1/2 in. Total weight: 3.4 troy ounces. #BZ171

Large Edwardian Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1907. Bowl has solid center with engraved leaves and tendrils, surrounded by pierced interlaced scroll and leaf pattern heightened with engraving. Rim has molded c-scrolls interspersed with scallop shells. Foot solid and spread. Tapering c-scroll swing handle engraved with same. Fully marked including pattern no. 16976C (first produced in 1907) and director’s letter m. Very good condition.

Dimensions: H...

Rare Bird's Nest sterling silver baby cup. Made by Tiffany & Co. in New York, ca 1870. Ovoid bowl on stepped foot. Scroll handle with squiggle tail. Bowl has shaped pointille ornament and wire scrollwork applied with cast fluttering and flapping birds. Beading. Oval frame engraved with 3-letter monogram. Fully marked including Tiffany and Moore stamps, and pattern no. 1063. Very good condition.

Dimensions: H 3 1/2 x W 4 1/2 x D 3 1/4 in. Weight: 5.7 troy ounces. #BZ160

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Rare Chrysanthemum sterling silver soup tureen. Made by Tiffany & Co. in New York. Lobed and oval bowl with scalloped and turned down scalloped rim. Bracket end handles and four splayed volute supports. Cover double domed with bracket finial. Dense and textural cast ornament in form of alternating flower heads and leaves applied to rim and cover shoulder. With dense profusion of same applied to feet and wrapped and mounted to handles. A big, drool-inducing centerpiece made soon after this histor...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

Edwardian Georgian sterling silver mug. Made by Tiffany & Co. in New York, ca 1916. Baluster bowl with leaf-capped double-scroll handle and round stepped foot. Large with nice heft and plenty of room for engraving. Fully marked including maker’s stamp and pattern no. 19191 (first produced in 1916). Very good condition.

Dimensions: H 5 1/4 x W 5 3/4 x D 3 3/4 in. Weight: 12.5 troy ounces. #BZ554

Edwardian Classical sterling silver urn. Made by Tiffany & Co. in New York. Curved and tapering bowl with leaf flange on domed foot; leaf-capped, wrapped, and mounted high-looping side handles. Chased leafing-scroll border with pendant flowers. Mouth rim wavy with applied leaves. Foot rim has applied swags and leaves. Gilded inside and out. Turn-of-the-century sumptuousness. Fully marked including maker’s stamp, pattern no. 14368B and director’s letter C (1902-7) and volume (7 1/2 pts). Very...

Modern sterling silver porringer with Noah’s Ark motif. Made by Tiffany & Co. in New York, ca 1926. Bellied bowl and solid shaped handle. On exterior is acid-etched frieze with a lion, camel, elephant, bear—and so on single file through the animal kingdom. Destination Ark where Noah awaits. Fully marked including maker’s stamp, pattern no. 20731A (first produced in 1926), and director’s letter m. Very good condition with strong definition.

Dimensions: H 1 3/4 x W 6 x D 4 1/4 in. Weight...

Set of 12 Midcentury Modern sterling silver cocktail cups. Made by Tiffany & Co. in New York. Each: Curved conical bowl on tapering columnar stem with incised bands. Foot round and raised with applied cutout snowflake. A snowflake motif but not for snowflakes. These ones are for the grownups. Fully marked including maker’s stamp and postwar pattern no. 23411. One cup has director’s letter M (1947-56) and 11 have director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 3 3/4...

The poem etched on the side of this exceptional piece reads: "As a pastime ― bringing clumsy, fragile things to sell ― at Uruma Market ― how lonely!"  A very significant poem as it conveys a bit of irony; for the Edo period nun who inscribed this poem would go on to create a legacy of art, beauty, and philosophy that endures even today. The poem also suggests that this is one of her earlier works that would have been produced before she became renowned throughout Japan for her...

Chrysanthemum sterling silver oyster ladle. Made by Tiffany & Co. in New York, ca 1920. Round bowl with twisted fluting and curved and reeded stem with dense, entwined, and wraparound leaves embedded with flower heads; large flower head at terminal. A nice serving piece in this pattern which was introduced in 1880. Engraved interlaced script monogram. Fully marked including maker’s stamp. Very good condition.

Height: 10 1/2 in. Weight: 7.7 troy ounces. #BX974

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive. Additionally, once collected it takes on average 3-5 years for ...