Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Baluster with dense and vertical overlay in form of entwined stem flowers in curvilinear frames. Scrolled cartouche (vacant). Glass is green. Fully marked including maker's stamp (Alvin), retailer's stamp (Black, Starr & Frost), and no. G3215/3. Excellent condition with deep patina.

Dimensions: H 6 3/8 x D 2 5/8 in. #BT558

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Elongated baluster with flared rim and raised foot. Overlay in form of budding and blooming tulips with entwined and whiplash tendrils. On foot is scrolled cartouche engraved with scroll-letter C between the years 1880 and 1905. Glass is green. Silver has faint marks including La Pierre maker's stamp. Very good condition.

Dimensions: H 12 3/8 x D 3 3/4 in. #BZ148

Twelve French Classical 950 silver plates. Made by Jean-Baptiste Gustave Odiot in Paris, ca 1870. Round well and shoulder with shaped frames; serpentine guilloche rim. Engraved armorial with Latin motto “Non sine labore”. The super sumptuous set to bring out when the book club gets round to Proust. Fully marked with Minerva head and maker’s stamp. Ten numbered 2690 (2), 3670 (1) 7225 (5), 7328 (1), 7329 (1). Very good condition with minor fire scale in well.

Dimensions: H 7/8 x D 10 5/8 ...

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 1/2...

Chinese-style bowl, ca 1920. Mottled green hardstone urn on silver gilt fretwork base with 4 splayed supports. A pretty ornament that works as an ashtray with silver gilt leaf cradle mounted to rim. Marked “Edward I Farmer / Sterling”. Very good with nice toning. Rim has a few fleabite irregularities.

Overall dimensions: H 3 1/8 x W 2 7/8 x D 2 in. #BV277

Antique accessories have unique style and flair. This pair of art deco–style silver wine coolers features straight sides, reeded rims, and faceted corners. They also have ring handles and triangular mounts, making them distinct among antique wine coolers. Chill wine as you entertain guests at cocktail parties and other gatherings. You don’t want to miss this excellent pair of art deco–style silver wine coolers from our collection.

Excellent condition. Dimensions: H 12 x W 8 1/2 x D ...

Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.

Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284

Richly colored plique a jour beaker, ca 1910. Straight and gently tapering sides. Ornament includes stylized flower heads in rondels and beaded and guilloche borders. Colors red and blue. Silver gilt wire frames and cabled rim. Unmarked. Excellent condition.

Dimensions: H 2 x D 1 3/4 in. #BV278

Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku. Th...

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.

Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288

A green turquoise pendant with matching chain. The center turquoise appears to be stabilized with an epoxy film. The silver and dyed howlite bead chain measures 20"; the pendant 2" x 1-5/8". Ganadonegro has been creating jewelry since 1984. The pendant is signed on the back.

Pair of magnificent French Neoclassical 950 silver 7-light candelabra, ca 1880. Each: Six leaf-wrapped s-scroll arms each terminating in single leaf-and-dart socket, mounted to central socket on shaft set in petal mount on knopped and tapering shaft; raised foot on 3 bracket-mounted feet. Imbricated leaf wreaths and garlands, fluting, beading, and pendant flowers. Two oval medallions with armorials for Bernard de Lassus, a mountaineering baron, who divided his time between the remote peaks of th...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

Classical coin silver christening mug, ca 1850. Baluster bowl with high-looping leaf-capped s-scroll handle and round stepped foot. Large scrolled frame (vacant) surrounded by rural idyll with house and barn set in bosky landscape. In foreground a hunter takes aim at a fox. No vermin allowed in paradise. New York retailer’s stamp (Ball, Black & Co.) and star and eagle associated with Hartford production. Very good condition with nice patina.

Overall dimensions: H 5 x W 5 x D 3 1/8 in. Weight...

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Drum form with spread base; cover raised. Cast egg-and-dart and floral rims. Heart engraved with single script letter monogram set in flower wreath on cover top and body. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice toning.

Dimensions: H 2 1/4 x D 1 5/8 i...

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan. The print is set behind glass in a large frame, and the back of the frame lists artist: ...

Japanese Meiji Art Nouveau silver tea tray, ca 1890. Retailed by Arthur & Bond in Yokohama. Lobed oval. Well stippled and engraved with shaded interlaced monogram. Upturned c-scroll end handles. Blossoming prunus branches, iris flowers, and bamboo applied to handles and tapering shoulder. Exotic ornament and Western form. Marked “Arthur & Bond / Sterling / Yokohama”. Very good condition. One handle back has dent (not visible from front).

Overall dimensions: H 2 7/8 x W 28 1/2 x D 18 1/2 in...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice ton...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 18...

A Zohiko covered rice bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in gold lacquer inside the bowl's foot rim. 20th century. Bowl diameter 5 1/16 inches (12.86 cm). The bowl has two small losses to the lacquer along the foot and one small loss to the rim. The cover is in good condition. The lacquer otherwise being in good condition with no distress or wear of note. Combine with other pieces ...

Turn-of-the-century French Belle Epoque Classical 950 silver gravy boat on stand. Oval bowl with curved sides and elongated end spouts. Side handles entwined and split-mounted with leaves and flowers. Stepped oval foot mounted to stand with oval well and reeded and serpentine rim. Armorial engraved on stand shoulder. Marks include unidentified maker’s stamp and Minerva head. Very good condition.

Overall dimensions: H 4 1/4 x W 10 1/2 x D 7 in. Weight: 20 troy ounces. #BX235

A Zohiko covered soup bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in silver lacquer inside the bowl's foot rim. 20th century. Bowl diameter 4 9/16 inches (11.59 cm). Condition is relatively quite good with only a small abrasion to the lacquer on foot rim of the bowl. The lacquer otherwise is in good condition with no distress or wear of note. A quirk in the underlying wood (not an issue wit...

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

French Belle Epoque Classical 950 silver gravy boat on stand, ca 1910. Boat has ovoid bowl with helmet mouth and raised oval foot with imbricated leaf rim. High-looping and split leaf-mounted handle with armorial engraved in beaded oval frame. Stand oval with open well and four trefoil supports. Both have stippled tubular frames alternating with stylized flower heads. Reeding. Fully marked with Minerva head and maker’s stamp (Alphonse Dutac). Very good condition.

Dimensions: Boat: H 6 x W 8...

German 800 silver bowl commemorating Napoleon I and Marie-Louise. Lobed quatrefoil with embossed medallion bust portraits of the couple surmounted an eagle; at bottom a military trophy. Open sides with leaf swag with pendant ribboned medallions (vacant) applied to interior. Beaded rim. Mounted end handles in form of burning torch between gryphons.

The eternal flame such as might have been supposed to burn between Napoleon and his teenage bride, an Austrian archduchess—and grandniece no less ...

Equestrian-themed silver tankard with German imperial association, ca 1875. Straight and paneled sides with low-relief frieze depicting galloping riders, racing through the countryside, trees and buildings in the background; branch borders. Split-mounted s-scroll handle with thumb rest. At bottom applied branch and leaf border and open supports. Cover hinged and bellied with imbricated leaf rim; on top is cast finial in form of mounted jockey and engraved phrase citing Kaiser Wilhelm I in an all...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

This pretty brooch with stones mounted in silver-topped 18k gold has been designed in the shape of a flower. The petals have been formed from 5 incised citrines in a warm smokey yellow-brown color which surround a cut diamond in the center. The stem of the flower and the petals' border are all highlighted by inlaid old European and rose-cut diamonds. The back has been marked with a French guarantee stamp. The brooch measures approximately 1 3/4" X 1 1/4" and was made Circa:1880. It is a lov...

Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated August 21st, 1937.
Size: 7.5 x 5375 inches (19 x 13.6 cm).
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese shin-hanga woodblock print made from a carved wood block. Mechanization w...

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

Swedish Neoclassical 830 silver serving bowl, 1932. Ovoid bowl with high-looping end handles and raised foot. Engraved leaf-and-dart mouth rim. Pierced colonnade foot rim. Fully marked including maker’s stamp (G. Graumann) and date code. Very good condition.

Overall dimensions: H 3 3/4 x L 11 x W 4 3/4 in. Weight: 8.7 troy ounces. #BZ125

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes shin-hanga series.
Size: Chuban. Approximately 10.25 x 7.75 inches.
Date: 1910-38. A rare, early edition on card-like paper.
Publisher: Hasegawa. #1248 in Hasegawa catalog.
"Made in Japan" stamp and #427 tag on verso.
Not sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).

Fine quality Japanese Meiji silver incense burner, ca 1890. Barrel-form with solid top and bottom and open sides; applied chrysanthemums heightened with gold and silver. Cover oval and flush; finial in form of big loosely-tied bow with tassels. Ends plain and studded; copper and gold ornament with central mons encircled by two scaly, taloned dragons. Scrolled cradle mounted to pillar with brackets on four scroll supports. Applied leafing and flowering tendrils.

Appears to be unmarked. Very goo...

Japanese Modern silver flask, ca 1950. Curved and faceted sides with flat bottom. On front bright-cut leafing-scroll lozenge (center vacant) between side borders. Back hand hammered. Tall and straight exterior cover and cork-lined interior cover; both threaded. Marked. Very good condition.

Dimensions: H 6 3/8 x W 4 x D 1 3/8 in. Weight: 5.7 troy ounces. #BZ410

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 8.5 x 3.5 inches.
Date: ca 1910.
Publisher: Matsumoto Print Works. No. 40 publisher's tag on back.
Medium: Japanese woodblock print.
Condition: Bend lower right corner. Chip upper left corner.

Ohara Koson
Bullfinch on the branch of a blossoming plum tree
Date: Saturday, April 27th, 1940.
Size: 7.5 x 5.375 inches (19 x 13.6 centimeters).
Note: Cover of a dinner menu for the passenger liner Nitta Maru of the Trans-Pacific Line.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese shin-hanga woodblock print made from a carved wood block. Mechanization was added to t...

Aoki Seiko
Waxwings (Red Berries and Birds)
Date: Friday, July 5th, 1929.
Accordion format. Opened out size: 10.375 x 7.625 inches (23.4 x 19.2 cm).
Note: Dinner menu for the Kashima Maru on the N.Y.K. Line
Medium: Japanese shin-hanga woodblock print made from a carved wood block. Mechanization was added to the printing process.
Condition: Toning, marks, and scuff on map page.

Kawase Hasui
Morning at Niju Bridge (Nijubashi no Asa)
Date: Monday, August 17, 1936.
Size: 7.5 x 5.375 inches (19 x 13.6 centimeters).
Note: This rare print was the cover of a dinner menu for the Yasukuni Maru, a cruise ship on the N.Y.K. Line (Nippon Yusen Kabushiki Kaisha). It is identified as a Hasui in the Japanese publication, "The Nippon From Japan - Menu Design of the Cruise Ship Era (2017)(日本が運んだニッポンー客船時代のメニューデザイン).

Hiroshige Ando
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Date: Thursday, December 3, 1931.
Size: 7.625 x 5 inches (19.5 x 12.6 cm).
Note: Concert and tea party menu for the passenger ship Chichibu Maru on the N.Y.K. Line.
Publisher: Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo).
Medium: Japanese woodblock print made from a carved wood block. Mechanization may have been added to the printing process.
Condition: Cover woodblock print very good to...

Josetsu (Jousetsu) 城雪
Cock and Hen with Chickens under a Plum-tree
Size: 7 x 4.75 inches.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #164 tag on back.
Medium: Japanese woodblock print from a painting by Tokyo artist Josetsu.
Condition: A few marks. Slight waviness corresponding to location of tag on back.

Artist: Unsigned
Ueno Lotus Pond in Tokyo
Date: ca. 1920s-30s.
Size: Approximately 5.25 x 3.25 inches)
Medium: Japanese shin-hanga woodblock print attached along its top edge only to an used holiday card with correspondence.
Condition: Print is excellent. Tiny dot in sky. Card correspondence has marks.

Arai Yoshimune
Pleasure Boat
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.625 inches (14 x 9.4 cm)
Not signed (acquired with our artist-sealed Yoshimune053).
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is toned in sky. Card is toned and has bend at right.

Arai Yoshimune
The Imperial Palace, Tokyo (penciled title, "Old Tokyo")
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.1 cm)
Not signed (acquired with our artist-sealed Yoshimune053).
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned.

Arai Yoshimune
The Temples in Shiba Park (penciled title, "Shinto Shrine)
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.2 cm)
Artist's Yoshimune seal at lower left.
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned and has lower left corner bend.

Arai Yoshimune
Sailing Boats at Anchor Under the Moon
Date: ca. 1910.
Size: Approximately 25.8 x 12.5 cm. 10.125 x 5.875 inches.
Artist's Yoshimune seal at lower left.
Publisher: Matsumoto. Catalog No. 385 tag on back.
Medium: Japanese woodblock print.
Condition: Small white surface marks in sky. Verso has a couple of faint foxing marks near top. Margin mark.
Compare with our Yoshimune036 "Sailing Boats and Moon (1)."

Aoki Seiko (b. 1880)
Quails Under the Moonlight
Size: 9.75 x 4.75 inches. 24.6 x 12 cm.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #366 tag on back.
Medium: Japanese woodblock print.
Condition: Slight bend at lower left corner.

Ando Hiroshige (after)
"A Fairy Moon and a Lonely Shore"
This scene depicts salt gathering at Suma Beach.
Date: ca 1910.
Size: 7.125 x 4.75 inches (18 x 12 cm).
Publisher: Matsumoto Print Works. Tag on back (#39).
Medium: Japanese woodblock print.
Condition: Mark on island and a couple foxing spots on back.

Uehara Konen (1878-1940)
Pagoda and Moon
Size: 5.0 x 3.25 inches. 12.8 x 8.4 cm.
ca. 1910.
Published by Kobayashi Bunshichi. The publisher's shop and many works did not survive the 1923 earthquake.
Artist's seal lower right.
Publisher's seal right.
Cartouche with number 262 in Japanese at right.
Medium: Japanese woodblock print.
Condition. Ink dot in tree.

Ohara Koson
An Eagle on a Tree
Size: Approximately 17 cm x 12 cm. 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 442). Tag at back.
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design not listed in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). The design is similar to K13.3 (Eagle on leafless tree) in the above catalog.

Ohara Koson
Wild Geese Over the Sea
Size: Approximately 17 cm x 12 cm. 6.625 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 441). Tag on back.
Medium: Japanese woodblock print.
Condition: Excellent. Two dashes in left sky.
An early and rarely seen design similar to K11.21 "Two white-fronted geese flying above water" in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).

Arai Yoshimune
Carp in a Pond
Date: ca. 1910.
Size: Approximately 8.75 x 6.125 inches.
Artist's signature and seal at upper right.
Publisher: Matsumoto (No. 387). Tag on back.
Condition: Bottom margin discolored. A couple of very faint foxing marks in image.
Note: Very rare. We could find no other example of this design.

Kawase Hasui
House by Water at Night
Date: 1951.
Size: Approximately 2.25 x 1.5 inches. Card size: 3.5 x 2.25 inches.
Hasui seal at right.
Woodblock print is attached along its top edge only to original blank card.
Publisher: Watanabe Shozaburo.
Condition: Excellent.
- A rare and truly tiny design.

Koga Iijima (1829-1900)
Leaping Trout
Date: Late nineteenth century.
Publisher: Matsuki Heikichi / Daikokuya.
Signed and sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
Condition: Back toned. Front very good with a few faint marks in sky an left edge toning.
Note: The fish in this wonderful design is highlighted with mica.

Watanabe Seitei (1851-1918)
Winter Landscape
Date: Early twentieth century.
Publisher: Matsuki Heikichi / Daikokuya.
Sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
The print has backing paper attached at the left and right edges only.
Condition: Very good with left edge vertical crease corresponding to the location where backing paper is attached.

Shodo Kawarazaki (1889-1973)
Iris
Date: 1950s. Later edition.
Size: Oban. 15.75 x 10.75 inches.
Artist's seal lower left.
Publisher: Unsodo. Publisher, carver, and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.