Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Set of 3 Modern sterling silver open salts. Made by Georg Jensen in Copenhagen. Each: Curved and shallow bowl with tapering and high-looping split-mounted handle with bead terminals. Fully marked including maker’s stamp and no. 110. Two have postwar maker’s stamp (1945-77) and one has maker’s stamp “Georg Jensen / Silversmiths Ltd” and letter E in lozenge. Very good condition. Overall dimensions: H 1 x W 3 x D 2 in.

With: Set of 3 Acorn sterling silver salt spoons. Made by Georg Jens...

Francis I sterling silver 3-light candelabrum. Made by Reed & Barton in Taunton. Central socket on spool base to which are mounted to reeded wraparound branches, each terminating in single socket. Branches have short leaf and flower band. Branch plug set in socket mounted to baluster shaft; raised foot. Engraved and low relief ornament with leaves and fruit and flower clusters. Sockets bellied and shaft and foot fluted. Foot and bobeche rims scrolled. Fully marked including maker’s stamp, patt...

American Midcentury Modern sterling silver picture frame. Retailed by Cartier in New York. Rectangular window in same surround with convex front and flat sides. In hard-to-find landscape form with regal gold crown applied to top rail. With glass, silk lining, and velvet back and hinged easel support. Fully marked including retailer’s stamp, no. 47CC, and phrase “Hand Made”. Very good condition.

Dimensions: Frame: H 7 7/8 x W 9 7/8 in. Window: H 6 3/8 x W 8 1/4 in. #BY629

Edwardian sterling silver tray. Made by S. Kirk & Son Inc. in Baltimore. Oval well and wide shoulder with repousse floral garland on stippled ground; imbricated leaf rim. Fully marked including maker’s stamp (1925-32), no. 2517, and phrase “Hand Decorated”. Very good condition.

Dimensions: H 1 x W 17 x D 11 3/4 in. Weight: 38.3 troy ounces. #BY473

Edwardian sterling silver vase. Made by Gorham in Providence in 1904. Steeply tapering ovoid body; domed foot. Rims scrolled with applied flowers; mouth rim wavy. Fully marked including maker’s stamp, no. 4678A, and date symbol. Very good condition.

Dimensions: H 10 x D 6 7/8 in. Weight: 14 troy ounces. #BY861

Super stylish Art Deco sterling silver compote. Round bowl with flared rim and curved and tapering sides. Ovoid support with Bakelite band to round foot with same. Visible hand hammering with nice shimmer. Italian marks (1934-44) including unidentified Roman maker’s stamp (14 Roma) and Milan retailer’s stamp (Fratelli Veneziani). Good condition. Bakelite crack on foot.

Dimensions: H 5 x D 9 3/4 in. Gross weight: 22 troy ounces. #BY685

Edwardian Classical sterling silver vase. Made by Tiffany & Co. in New York, ca 1912. Tapering sides with flared mouth rim and stepped round foot. Acid-etched vertical ornament with alternating wide and narrow curvilinear frames with stylized leaves and volute scrolls; foot encircled with curvilinear volute scrolls and pendant flower heads. Fully marked including maker’s stamp, pattern no. 18193B (first produced in 1912), and director’s letter m. Very good condition with strong definition.

Edwardian Classical sterling silver vase. Made by Tiffany & Co. in New York, ca 1912. Tapering sides with flared mouth rim and stepped round foot. Acid-etched vertical ornament with alternating wide and narrow curvilinear frames with stylized leaves and volute scrolls; foot encircled with curvilinear volute scrolls and pendant flower heads. Fully marked including maker’s stamp, pattern no. 18193B (first produced in 1912), and director’s letter m. Very good condition with strong definition.

Modern sterling silver tray. Made by Arthur Stone in Gardner, Mass., ca 1930. Round well with curved sides, tapering shoulder, and molded rim. Fully marked including maker’s stamp and craftsman’s initial T for Herbert A. Taylor, who was active from 1908-37. Very good condition.

Dimensions: H 3/4 x D 12 1/8 in. Weight: 23.7 troy ounces. #BX526

Set of 10 Acorn sterling silver place card holders. Made by Georg Jensen in Copenhagen. Each: Double-sided stylized acorn mounted to rectangle, in turn, mounted to larger rectangle. Marks including maker’s stamp (1945-77), designer’s stamp (Johan Rohde), and no. 62. Very good condition.

Dimensions: H 1 x W 1 1/8 x D 7/8 in. Total weight: 5.7 troy ounces. #BY846

A beautiful and rare bracelet by the very important Fred Davis. It has a unique design with high set Amethyst cabochon stones set in round silver links. The connector links have a open work design with half domes at each end. It has a longer 8" length, and it measures 1" wide. Weighs 69.2 grams. In good vintage condition with minor age related wear and some tarnish with a few minor dings on the underside. It closes with a fold over clasp. Hallmarked FD, Made in Mexico along with the eagle 22. A ...

Timeless and elegant this early Vintage Antonio Pineda Necklace features deep purple Amethyst Cabochon stones set to "float" above silver discs. The necklace measures 14 1/2" long by 5/8" wide and weighs a substantial 159 grams. Good vintage condition with light signs of age related wear and tarnish. Hallmarked with the Antonio Taxco Crown, Sterling, Mexico, Silver, 970 with the design number YY 564 and the eagle stamp 17. A stunning necklace that will never go out of style.

Edwardian mixed metal sterling silver ewer. Made by Tiffany & Co. in New York. Helmet mouth with high looping leaf-mounted handle; ovoid body on domed foot. Mouth, neck, and foot have copper ground. Applied meandering border on shoulder. Acid-etched palmette and leaf-and-dart borders as well as scrollwork heightened with copper; scrolled frame with acid-etched interlaced script monogram. A stylish mix of Japonesque technique and early 20th-century Classicism. Fully marked including maker’s st...

A Charming and rare pair of vintage Sterling Silver stylized Bird Earrings by the famous Taxco jewelry artist Hector Aguilar. They measure 1 1/3" wide by 3/4" tall and weigh 10.1 grams total. The screw backs are in good working order and the silver has developed an aged patina that highlights the bird's detail. Hallmarked with the HA mono in the center of "Made in Mexico Sterling". A very special pair of earrings with a great look.