Turn-of-the-century American Art Nouveau glass flask with engraved silver overlay. Flat front and concave back; sides curved and bottom flat. Short neck in silver collar and hinged and cork-lined cover. Overlay in form of dense leafing scrollwork and flowers. Glass is clear. Silver marked “Solid Silver / Pat. Jan. 5-86”. Very good condition.

Lady's size: H 5 3/4 x W 3 3/4 x D 1 in. #BX343

Art Nouveau glass decanter with engraved silver overlay. Made by Alvin Corporation in Providence, ca 1890. Conical with cut-to-clear geometric ornament at base, and star on underside. Dense overlay with rinceaux, flowers, and scrollwork. Ball stopper with grape bunches and leaves in strapwork frames. Decanter is cranberry and stopper is clear. Silver fully marked including maker’s stamp and no. R112QT. Very good condition.

Dimensions: H 12 3/4 x D 5 1/2 in. #BX887

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corporation in Providence. Tall baluster with flared rim and short foot. Overlay in form twisted tendrils entwined and overlaid with flower heads. Glass is green. Silver fully marked including maker’s stamp and no. G3219/6. Very good condition with nice patina.

Dimensions: H 14 x D 5 in. #BX622

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

German Rococo 800 silver snuffbox, ca 1910. Oval with hinged cover; on top is chased scene depicting a large bird confronting two cherubs with soft chubby bodies and ethereal wings. Probably an allusion to some or other episode in Classical mythology, but can be enjoyed without esoteric literary knowledge. Hanau maker’s mark (Wolf & Knell). Very good condition with deep patina.

Dimensions: H 7/8 x W 2 3/8 x D 2 in. Weight: 2 troy ounces. #BZ256

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

French Art Deco 950 silver box, ca 1920. Round and flat. Concentric engine turned ornament with engraved flowers on top center and patera on bottom center. Gilt interior. Sweet and pretty. Marked. Very good condition with some handling wear.

Pocket-sized dimensions: H 3/4 x D 2 1/8 in. Weight: 2.2 troy ounces. #BZ625

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

South American dish, ca 1920. Lozenge-form with flared rim and 3 splayed supports comprising Brazilian 1000 Reis coins minted in the first two decades of the twentieth century. A great way to give “currency” to your décor. Very good condition with deep patina.

Dimensions: H 1 1/2 x W 7 3/4 x D 7 3/8 in. Weight: 17 troy ounces. #BY753

South American dish, ca 1920. Hexagonal with flared rim comprising Brazilian 500 Reis coins minted from the 1850s to 1880s. Three cast leaf-mounted paw supports. A great way to give “currency” to your décor. Very good condition with deep patina.

Dimensions: H 1 1/2 x W 8 1/4 x D 7 1/2 in. Weight: 13 troy ounces. #BY752

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s premier Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano�...

Austrian 800 silver 4-piece coffee and tea set on tray, ca 1920. This set comprises coffeepot, teapot, creamer, and sugar on tray.

Each: Tapering hexagonal body on raised foot. Handles high-looping stained-wood. Covers stepped with stained-wood finial (pot covers side-hinged). Spouts v-form. Tray has oval well with tapering sides and flat shoulder. Fashionable geometric forms from postwar Mitteleuropa.

Pre-1922 marks. Excellent condition. Teapot handle has minor irregularity.

Dimensions: ...

Aesthetic coin silver baby cup. Made by Juergens & Andersen in Chicago. Tapering and inset sides engraved with stylized ornament, including swags and scrolls, centered on oval frame (vacant) bordered by beading and dentil interspersed with trefoils. Top and bottom have ornamental borders on ribbed ground. Thick scroll bracket handle. Marked “Coin” and “Chicago” with maker’s stamp (1857-71). Very good condition.

Dimensions: H 3 3/8 x W 4 1/8 x D 3 in. Weight: 3 troy ounces. #BT449 ...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...

Large French Rococo Revival 950 silver oval centerpiece plateau, ca 1890. Curvilinear cartouche with 6 leaf-mounted scroll supports. Beaded oval on strapwork armorial with ribbon and quiver, and interlaced script monogram. Mirrored top. Note: Larger and more ovalish than appears in images. Fully marked. Very good condition.

Dimensions: H 3 3/8 x W 31 3/4 x D 20 1/2 in. #BS831

Turn-of-the-century Art Nouveau glass perfume with engraved silver overlay. Made by Gorham in Providence. Globular with short neck and everted rim in silver collar. Ball stopper. Open and whiplash overlay with linear borders, and round cartouche (vacant). Silver has maker’s stamp and no. D939. Very good condition.

Dimensions: H 5 1/4 x D 3 in. #BW284

A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as being by the legendary potter Ninsei (17th C.). Though the potter’s mark suggests this could be the case, there is no way to confirm for certain other than by its age and undeniably elegant craftsmanship. Believing it to be quite precious, the previous owner bestowed it with the poetic name "Ibitsu" which means "warped" or "cu...