Kawase Hasui
Postal Life Insurance Office
Date: ca. 1930s/1940s.
Size: 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Hasui seal at lower right.
Rare genuine woodblock-printed postcard.
Condition: Front is excellent. Verso has residue at top corners.
English Georgian Neoclassical sterling silver basket, ca 1790. Ovoid body on same foot with reeded c-scroll swing handle. Engraved wavy-shaped frame (vacant) and ornamental borders. Linear and circular piercing and beading. Partially worn marks include London assay stamp. Very good condition.
Dimensions: H (with handle) 11 1/2 x W 14 1/4 x D 10 1/2 in. Weight: 27.5 troy ounces. #JM
First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft.
With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone ...
George VI sterling silver salver. Made by Mappin & Webb in Sheffield in 1945. Molded curvilinear rim with ogee arches. Three hoof supports. Large and heavy in traditional Georgian form. Fully marked. Excellent condition.
Dimensions: H 1 7/8 x D 16 7/8 in. Weight: 61 troy ounces. #BU966
Pair of turn-of-the-century German 800 silver bobble-head boxes. A two-man percussion band comprising baby-faced drummer and wizened cymbalist. Rotund bodies squeezed into olden-days doublet and hose with neck-ruff covers. Feather-capped heads bob, bob, bob along to the music. Perfect timing not guaranteed. Marked. Excellent condition.
Approximate dimensions: H 7 1/2 x W 3 1/4 x D 4 1/4 in. Total weight: 25.5 troy ounces. #BV204
Turn-of-the-century Chinese silver mustard pot. Round and bellied bowl with plain concave neck, thin scroll handle, and spread foot. Modish floral ornament in form of chased and applied water lilies and pads heightened with engraving on stippled ground. Chinese marks. Very good condition.
Dimensions: H 2 3/8 x W 3 1/4 x D 2 3/8 in. Weight: 2 troy ounces. #BV330
Richly colored plique a jour beaker, ca 1910. Straight and gently tapering sides. Ornament includes stylized flower heads in rondels and beaded and guilloche borders. Colors red and blue. Silver gilt wire frames and cabled rim. Unmarked. Excellent condition.
Dimensions: H 2 x D 1 3/4 in. #BV278
Chinese-style bowl, ca 1920. Mottled green hardstone urn on silver gilt fretwork base with 4 splayed supports. A pretty ornament that works as an ashtray with silver gilt leaf cradle mounted to rim. Marked “Edward I Farmer / Sterling”. Very good with nice toning. Rim has a few fleabite irregularities.
Overall dimensions: H 3 1/8 x W 2 7/8 x D 2 in. #BV277
Edwardian sterling silver bowl. Made by Goldsmiths & Silversmiths Co. Ltd in London in 1905. Bellied with flat shoulder and gadrooned rim. Three leaf and scroll-mounted talon supports. Well circular and solid (vacant). Solid leafy ornament in open and leaf-inset diaper ground with scrollwork. Fully marked. Excellent condition.
Dimensions: H 4 3/4 x D 11 3/4 in. Weight: 41 troy ounces. #BR790
American applied sterling silver perfume vial, ca 1880. Clear glass cylinder with twisted fluting. Sterling silver collar and hinged cover with tendril, flower, and insect on hand-hammered ground; gilt interior. Unmarked. Very good condition with deep patina.
Dimensions: H 2 3/4 x D 1/2 in. #BN380
Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)
Kiyoshi Saito
Daitoku-Ji Kyoto (C) 1959
Edition: 99/100
Size: 23.5 by 18 inches.
Matte size: 26.125 x 21.75 inches.
Date: 1959.
Self-carved and printed by the artist. (See tag).
Signed and sealed in the image.
Titled, numbered, and dated in pencil.
Condition: Margins heavily foxed. Front image area has minimal foxing. Two bits of tape residue at top back margin.
The temple dates to 1326. This print features a brilliant band of dark plum purple behin...
A student of Itaya Hazan, one of the most sought after potters in the world of Japanese art, the ceramicist who crafted this fine vase displays here a high degree of mastery, both in form and glazing technique. For the collector who has always wanted a Hazan but has never been lucky enough to chance upon one, this may be a worthy acquisition. Although much of Inoue’s work is quite different in style to that of Hazan’s, you can find a number of pieces where the influence is unmistakeable—th...
An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...
Kawase Hasui
Mount Fuji, Narusawa
Date: 1936.
Publisher: Watanabe Shozaburo. Black 6mm Watanabe seal in lower left corner, indicating a lifetime edition printed between 1946-1957. We've marked in red the location of the lightly applied black seal.
Size: Oban. Approximately 15.5 x 10.5 inches.
Reference: Hotei #395.
Medium: Japanese woodblock print.
Condition: Pristine. Removed from original folder. Two original drying pinholes at top margin.
First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft. With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone looking for a ...
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...
The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its theorized introduction during China’s Tang Dynasty. Falling in and out of fashion over the centuries as Japan alternated between preferences for Chinese style tea-ware and more homegrown versions, today it remains a common fixture in many tea rooms. With beautiful red accents on a dark background, this is surely one of this artist...