This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...
This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.
Diameter 14.5 cm. Condition is very good: there is a hairlin...
This fine and attractive deep porcelain bowl was made in the Southern Song Dynasty (AD 1127 - 1279). The inner surface is decorated with an unusual moulded floral pattern whilst the underside is decorated with a repeating carved leaf pattern. It is unusual for both upper and lower surfaces of a qingbai bowl to be decorated. It is coated in a delicate and finely-crackled pale green qingbai glaze, save for...
This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...
This wide-bodied porcelain ewer was made during the Song Dynasty (AD 960 - 1279). It is particularly "heavily-potted" for its type. It has a "kinked" spout, a wide loop handle and two decorative loops on opposite sides joined at the shoulder and neck. It is coated in a fairly thick greenish blue glaze that is crackled in places. The base remains unglazed revealing the creamy-white body.
Height 22.5 cm. Weight 1.325 kg. Despite being an i...
The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.
It has hairline cracks, glaze crazing, stains, and surface wears and scratches (as seen in the photos).
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This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...
The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.
This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.
Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...
This attractive porcelain dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 - 1279). It is coated in a finely-crackled pale greenish translucent qingbai glaze, save for the rim and flat base that remain intentionally unglazed. To the small flat base is a Chinese character in fired-on black pigment that most likely represents a name.
The upper surface is decor...