Two pairs of Edwardian Regency sterling silver salt & pepper shakers. Made by Graff, Washbourne & Dunn in New York, ca 1909. Each: Ovoid body with engraved scrolled frames inset with flowers and leaves. One frame engraved with interlaced script monogram. Short neck and pierced and domed cover with vasiform finial. Foot raised with tubular piercing overlaid with swags, and open heraldic shields inset with flowers. Fully marked including maker’s stamp, no. 5542/47, and patent year 1909. Very goo...

Japonesque mixed metal on sterling silver bowl. Made by Gorham in Providence in 1883. Curved sides with allover spot hammering and gilt-washed interior overhung with apple branch mounted to exterior. A gnarly growth with irregular fruit and gilt leaves. Also applied birds and butterflies as well as cattails rooted in granulated soil. Three tapering supports. Fully marked with maker’s stamp, date letter, no. 1725, and phrase “Sterling & Other Metals”. Very good condition.

Overall dimensio...

Set of 6 Chrysanthemum sterling silver bouillon bowl holders. Made by Tiffany & Co. in New York, ca 1910. Each: Curved and open sides comprising joined stem flowers. Flower-capped looping side handles. Foot ring with 4 scallop-shell supports. Fully marked including maker’s stamp, pattern no. 14782, and director’s letter m. Very good condition. Dimensions: H 2 x W 5 1/4 x D 3 1/4 in. Total weight: 18 troy ounces.

With: Set of 6 original porcelain bowls. Made by Lenox in New Jersey, ca 1910....

Rare sterling silver punch ladle. Made by Spratling in Taxco, Mexico. Round hand-hammered bowl with curved spout. Mount has tooled bands and applied rope band and is inset with tapering stained-wood handle. An early piece by this maker. 1940s marks. Very good condition with beautiful patina.

Dimensions: H 13 x W 3 3/4 x D 1/4 in. Gross weight: 5 troy ounces. #BR829

Edwardian Regency sterling silver box. Made by Gorham in Providence in 1917. Square with straight sides. Cover hinged with gently curved top and scrolled top. Allover engine-turned wave ornament on box sides and cover top, which also has engraved garland and wreath (vacant) with pendant flowers; cover sides plain with pointille borders. Interior velvet lines. Perfect for jewelry and keepsakes. Fully marked including maker’s stamp, date symbol, no. 7113, and letter R. Excellent condition.

Ove...

French 950 silver inkwell on stand, ca 1910. Straight sides with vertically applied strapwork bands; curved bottom and raised foot. Cover hinged and domed with flower-head finial. Gadrooned rims. Interior has engraved curvilinear border and clear-glass liner. Mounted to oval curvilinear stand with ornamental border. Fully marked including maker’s stamp CG. Very good condition.

Overall dimensions: H 5 x W 9 3/8 x D 5 7/8 in. Weight (without glass): 15.5 troy ounces. #BT381

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

Japonesque sterling silver creamer and sugar. Made by Tiffany & Co. in New York.

Each: Urn body on domed foot Handles high looping. Interior gilt washed. Creamer has helmet mouth. Engraved insects (dragonfly and butterfly), flowers, and blossoming branch on allover honeycomb hand-hammered ground. Handles have raised interlocking scrollwork with flowers and Moresque shapes based on Persian, the flatware pattern that was designed by Edward C. Moore and first produced in 1872.

Fully marked incl...

Pair of Japonesque sterling silver open salts. Made by John C. Moore for Tiffany & Co. in New York. Round with open rectangular bracket handles and straight foot. Engraved overlapping seals decorated with modish motifs, including fan, bug, vase, and bamboo. Foot decorated with acid-etched spirals and lunette-form flower heads, and pierced leaves. Union Square mark (1870-5) with pre-1875 pattern no. 3007 and order no. 901. Very good condition.

Dimensions: H 1 7/8 x W 4 5/8 x D 3 3/8 in. Total w...

Amusing shakudo brooch with copper and gold detail featuring a woman in repose. The brooch is braced by a sterling silver mount. Made in Japan. Meiji period, ca. 1880. Excellent condition with fabulous patina.

Length: 2 3/8 in. #1120

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with impressed shoulder and molten-style irregular turned-down rim. Overlay in form of whiplash tendrils and loose and fluid blooms. Glass iridescent in purple, yellow, and green with a few glimpses of blue. Gorgeous Art Nouveau with nice shimmer. Silver marked “Sterling” with La Pierre maker’s stamp. Very good condition.

Dimensions: H 5 3/8 x D 3 1/2 in. #BX850

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.

Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288

French Belle Epoque Classical 950 silver gravy boat on stand, ca 1910. Boat has ovoid bowl with helmet mouth and raised oval foot with imbricated leaf rim. High-looping and split leaf-mounted handle with armorial engraved in beaded oval frame. Stand oval with open well and four trefoil supports. Both have stippled tubular frames alternating with stylized flower heads. Reeding. Fully marked with Minerva head and maker’s stamp (Alphonse Dutac). Very good condition.

Dimensions: Boat: H 6 x W 8...

Turn-of-the-century French Belle Epoque Classical 950 silver gravy boat on stand. Oval bowl with curved sides and elongated end spouts. Side handles entwined and split-mounted with leaves and flowers. Stepped oval foot mounted to stand with oval well and reeded and serpentine rim. Armorial engraved on stand shoulder. Marks include unidentified maker’s stamp and Minerva head. Very good condition.

Overall dimensions: H 4 1/4 x W 10 1/2 x D 7 in. Weight: 20 troy ounces. #BX235

Dutch Neoclassical 934 silver salver, late 18 C. Round. Open gallery sides with flowering rinceaux and beaded rim. Four fluted and tapering supports. Fully marked including Amsterdam city stamp. Very good condition with nice patina.

Dimensions: H 1 7/8 x D 12 3/4 in. Weight: 31 troy ounces. #BU158

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s premier Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano�...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...