Chinese-style bowl, ca 1920. Mottled green hardstone urn on silver gilt fretwork base with 4 splayed supports. A pretty ornament that works as an ashtray with silver gilt leaf cradle mounted to rim. Marked “Edward I Farmer / Sterling”. Very good with nice toning. Rim has a few fleabite irregularities.
Overall dimensions: H 3 1/8 x W 2 7/8 x D 2 in. #BV277
A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...
Large French Etruscan 950 silver coffeepot, ca 1820. Ovoid body with spool neck, side-hinged cover, and raised and round foot. Upright S-spout with ram’s head mouth, and low relief leaves and gadroons. Leaf-and-dart borders. Cover has bud finial on scroll and flower mount. High-looping stained-wood handle with silver mounts: a ram’s head at top, a garlanded face at bottom. Robust Classicism. Fully marked including maker’s initials AL. Fine condition.
Overall dimensions: H 14 1/2 x W 10 ...
A unique and heavy sterling turquoise squash blossom necklace and earring set by Navajo artisan Hemerson Brown. The silver has been "antiqued" . The necklace measures 23" while the naja measures 2-1/2" x 2-1/2". The earrings (for pierced ears) are 2-1/4" x 1-1/2. Total weight 5.4ozs.
This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.
Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...
Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...
Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.
Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284
Modern carving pair with knife and fork. Made by Christofle in France, ca 1970. Tapering easy-grip silver-plated handles. Knife blade and 3-tine shank are stainless steel. Handy for the holidays and all the days in between. Marked. Good condition.
Dimensions: Knife: H 12 3/4 x W 1 1/2 x D 1/2 in. Fork: H 10 1/8 x W 1 1/8 x D 1/2 in. #BX127
Turn-of-the-century Art Nouveau glass flask with engraved silver overlay. Flat with curved sides. Overlay in form of grain stalks and fruiting grapevine. Asymmetrical cartouche engraved with script monogram. Silver neck collar and hinged and cork-lined cover. Glass is clear. Lady’s medicinal size. Can be held in one small gloved hand. Marked “Sterling” and numbered “232”. Excellent condition.
Dimensions: H 4 3/4 x W 2 3/4 x D 1 in. #BW418
La Rochelle silver dinner set for 12. Made by Tetard Frères in France. This set comprises 90 pieces (dimensions in inches):
Knives: 12 dinner knives (9 3/4) and 12 fish knives (8 1/8);
Forks: 12 dinner forks (8 1/4), 12 dessert forks (6 7/8), and 12 fish forks (6 7/8);
Spoons: 12 soup spoons (6 7/8) and 12 teaspoons (5 3/4);
Serving pieces: gravy ladle (6 7/8), spoon (8), sugar spoon (5 1/2), cold meat fork (9 5/8), butter spreader (6 1/2), and pie server (10 7/8).
Dinner knives, butt...
An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...
A green turquoise pendant with matching chain. The center turquoise appears to be stabilized with an epoxy film.
The silver and dyed howlite bead chain measures 20"; the pendant 2" x 1-5/8".
Ganadonegro has been creating jewelry since 1984. The pendant is signed on the back.
Turn-of-the-century German Rococo 800 silver box. Rectilinear with tapering sides and chamfered corners with scroll supports. Cover hinged, raised, and inset. Chased ornament with chubby, bare bottomed cherubs with adroitly arranged drapery surrounded by garlands and and Classical architecture. Gilt-washed interior. Marks include Hanau maker’s stamp (Storck & Sinsheimer). Very good condition.
Dimensions: H 3 7/8 x W 6 3/8 x D 4 1/2 in. Weight: 15.5 troy ounces. #BX028
An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...
German Rococo 930 silver sweet meat coach. Imported to England by David Bridge in 1894. A round coach harnessed to a prancing reindeer with large antlers. A trumpet-blowing cherub holds the reins, and two more cherubs support an armorial in strapwork frame. Chased scenes depicting pastoral landscapes and frolics. Wheels rotate for a quick journey around the table. Fully marked with Hanau maker’s marks and English import marks, including London assay stamp. Very good condition.
Overall dimens...
Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...
Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.
In excellent condition, this piece is 5.5 in...
With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...