This figure of a seated scholar is glazed turquoise with amber colored highlights. The back is mostly unglazed except for the original white slip coating, now darkened with age. The interior is hollow and unglazed, exposing the reddish clay body. The white slip coating continues for an inch or so into the interior cavity. The face is covered with a thin white slip (now darkened) but is otherwise unglazed. The turquoise glazed hat has a few old losses to the glaze wh...
This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...
This rare blue & white porcelain jar of hexagonal form was made during the 16th Century. It is quite "heavily-potted" and attractively decorated in underglaze blue of good colour. Each of the six sides features a chrysanthemum blossom (the emblem of friendship and representing a life of ease). Around the shoulder is what is possibly a cloud collar (representing long life). As can be seen, on the edges of the sides there is "frit...
This attractive small round porcelain box of rare and unusual form was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. The underglaze blue decoration is of a particularly good colour. The decoration to the conical cover comprises two chilong dragons. The lower section is decoration with a floral pattern.
Diameter 5.5 cm. It is in fine condition with no repair or restoration, altho...
This attractive small porcelain jar, a brush washer, was made during the late 15th to early 16th century. It is relatively heavily-potted and decorated in underglaze blue of very good colour with a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a thick glaze. The foot and recessed flat base remain unglazed.
Diameter 6.75 cm. A fine example in fine condition. No repair or restoration. ...
This attractive small porcelain jar, a brush washer, was made during the Hongzhi reign (1488 - 1505) of the Ming Dynasty. It is relatively heavily-potted and decorated in underglaze blue of good colour in a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a finely-crackled glaze. The foot and recessed flat base remain unglazed.
Diameter 6.75 cm. It is in very good condi...
This attractively-shaped porcelain jar was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. Both jar and cover are decorated in underglaze blue with scrolling floral and lotus patterns, and coated in a silky smooth glaze. The inner surface of the jar is also glazed whereas the underside of the cover and the recessed flat base of the jar remain unglazed revealing the pale porcelain body.
Diameter 11 cm, height 11 cm. C...
This attractive and very interesting blue and white porcelain bowl was made in the 16th century. It is decorated in underglaze blue of very good colour. The centre is decorated with a male figure standing next to a deer. The decoration to the outer wall is quite elaborate and includes a varied landscape, two male figures and one female figure. To the base is a mark (not translated).
Diameter 12 cm. There is no repair or restoration...
Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.
The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...
This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...