Pair of Victorian cut-glass and sterling silver decanters. Made by Gorham in Providence in 1891. Each: Moon body with large stylized flower head on both sides and diaper and stars on front and back. C-scroll handle mounted to shoulder and cylindrical faceted neck. Repousse sterling silver collar and hinged and cork-lined cover. Silver fully marked including maker’s stamp, date symbol, and S830. Very good condition with deep patina.

Dimensions: H 8 3/8 x W 5 x D 3 3/8 in. #BV952

This tall and lovely Hagi chawan rests firmly on a wari kodai or “split foot” pedestal that is unglazed—displaying the coarse rich clay. The crackled milky glaze covers the curves and contours of the bowl, contrasting dramatically between the foot and the clay body. Hagi-ware such as this is part of a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, ...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Set of 3 Etruscan Revival sterling silver tureens. Made by JC Moore & Son for Tiffany & Co. in New York, ca 1865. This set comprises 1 large round tureen and 2 small oval tureens.

Each: Tapering, ovoid body on raised foot. Egg-and-dart border. Reeded bracket side handles with cast ram’s head mounts. Cover domed with cast Roman helmet finial. Beading. Super stylish midcentury design. Bold Classicism that works in a contemporary interior.

Early marks (1854-70) with Moore and Tiffany stamps...

Spare and Modern sterling silver geometric centerpiece after design by Frank Lloyd Wright. Retailed by Tiffany & Co. in New York. Large and detachable shallow cone set in small shallow cone mounted to two rows of rectangular pillars in turn mounted to square base. Fully marked including post-1967 Italian maker’s stamp (Pampaloni), retailer’s stamp, and Frank Lloyd Wright Foundation stamp. Very good condition.

Overall dimensions: H 5 7/8 x D 16 in. Heavy total weight: 96.6 troy ounces. #BZ1...

Austrian Rococo silver candle snuffer, 1827. Hinged with flower-head mount and flat vertical blade that fits into rectangular box with curved and lobed top. Ring handles on s-scroll mounts. Three baluster supports. Marks include year and alloy, which is 13 loths (that is 812 silver). Very good condition. Dimensions: H 6 1/2 x W 2 1/4 x D 1 5/8 in.

With: Austrian Rococo silver stand, 1847. Waisted rectangle with dynamic scrollwork surrounding plain and lobed well. Marks include year and initial...

George III sterling silver salver. Made by Ebenezer Coker in London in 1765. Round with molded scrolled rim interspersed with alternating large and small shells. Armorial with lion rampant in lozenge frame with leafing and flowering branch surround. Three hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/4 x D 12 1/4 in. Weight: 23.6 troy ounces. #BY060

A simple silver bangle with niello marked Sterling. The width is a tad over 1/16"~ inner diameter 2-5/8".

George III sterling silver salver. Made by Robert Rew in London in 1769. Round and ogee well with engraved armorial in floral surround. Sides tapering, and rim scrolled and gadrooned. Four leaf-capped volute scrolls. Stylish midcentury Georgian. Fully marked. Very good condition with nice patina.

Large dimensions: H 1 3/4 x D 15 in. Weight: 48 troy ounces. #BT951

American sterling silver 5-basket garniture, ca 1890. Retailed by Bailey, Banks & Biddle in Philadelphia. There are 4 small baskets and 1 large basket. Each: Oval bowl with fixed c-scroll handle and raised oval foot. Open flowering scrollwork on rim and foot. Handle same. Bowl exterior engraved with flowers and scrolls. All baskets have silver-plated frog and 4 baskets have detachable silver-plated liner with loose-mounted rings. Perfect for floral arrangements or passing around treats. Fully ma...

Set of 4 sterling silver figures of Bacchus. Made by Buccellati in Italy. A young Bacchus prances and gambols. One figure holds a grapevine. Another holds a large ivy leaf. The other two manipulate drapery. The infant deity, in all his manifestations, is buck naked apart from the artfully posed waistbands. Soft bottoms and stubby legs are on view. An attractive decoration for the wine cellar.

Dimensions: Tallest: H 7 ¼ x W 1 ¾ x D 3 in. Shortest: H 5 ¾ x W 2 ½ x D 3 in. Total w...

Handsome European stone trinket box, ca 1910. Rectangular with straight sides and sharp corners. Shoulder and base chamfered. Cover hinged, inset, and chamfered. Silver-plated mouth and cover rims. Cover has cabled border and filigree scrolled tab. Stone mottled red. Very good condition.

Dimensions: H 2 x W 4 x D 2 1/2 in. #BX269

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

German Rococo 930 silver sweet meat coach. Imported to England by David Bridge in 1894. A round coach harnessed to a prancing reindeer with large antlers. A trumpet-blowing cherub holds the reins, and two more cherubs support an armorial in strapwork frame. Chased scenes depicting pastoral landscapes and frolics. Wheels rotate for a quick journey around the table. Fully marked with Hanau maker’s marks and English import marks, including London assay stamp. Very good condition.

Overall dimens...

Edwardian stoneware match strike with sterling silver collar. Made by Royal Doulton in Lambeth in 1909. Globular with cylindrical interior and silver collar. Applied ornaments include windmill, pipe-smoking peasant, and running dogs. Shaded brown and cream glaze. A homely piece in the Dutch style. Fully marked on underside and collar. Excellent condition.

Dimensions: H 3 x D 3 ½ in. BH609

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

This piece is described on the box as a Hikidashi Kuro Chawan. In Japanese hikidashi means “a pull-out drawer” and the term first came into use at Mino kilns in the 16th century to describe individual pieces that were pulled out of the wood kiln at the peak of firing to gauge if the batch was ready. The rapid cooling of such pieces often creates dramatic effects, with the most noted being rich varieties of deep black. Today this practice has fallen out of use and and only a handful of master...

Set of 7 Francis I sterling silver nut dishes. Made by Reed & Barton in Taunton, Mass. 1951-52. Quatrefoil well, lobed sides, and scrolled rim. Embossed fruits and leaves. Nice pieces in the classic pattern. Fully marked including maker’s stamp, pattern name, and no. X569. Three have 1951 date symbol and 4 have 1952 date symbol. Very good condition.

Dimensions: H 7/8 x D 3 3/8 in. Total weight: 11 troy ounces. #BZ119

Colonial sterling silver ale pitcher. Made by Old Newbury Crafters in Newburyport, Mass. Curved bowl with reeded staves; c-scroll handle and sharp v-spout. For serving ye olde fermented refreshment. Fully marked including maker’s and craftsman’s (Fletcher S. Carter) stamps as well as phrase “Boston / Museum of Fine Arts / Reproduction”. Very good condition.

Dimensions: H 5 x W 6 1/2 x D 3 1/2 in. Weight: 10.5 troy ounces. #BY462

Edwardian Classical water pitcher. Made by Redlich in New York, ca 1890. Clear cut-glass with bead-and-reel bands on bowl and brilliant star on underside; Neck faceted and notched with reeded bands. Sterling silver collar with helmet mouth and applied leafing scroll and beaded rim. Silver-mounted horn handle. A beautiful big game-era piece. Silver fully marked including maker’s stamp and no. 305. Excellent condition.

Overall dimensions: H 9 3/4 x W 8 1/4 x D 6 1/2 in. #BX106

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

Francis I sterling silver bowl. Made by Reed & Barton in Taunton, Mass. in 1950. Quatrefoil well and wide flared mouth with wavy scrolled rim. Chased and embossed fruits. A nice piece in the classic French Renaissance pattern. Fully marked including maker’s stamp, pattern name, no. X569, and date symbol. Very good condition.

Dimensions: H 3 x D 11 5/8 in. Weight: 20.4 troy ounces. #BX690

Plymouth sterling silver water pitcher. Made by Gorham in Providence in 1909. Tapering and paneled ovoid body, reeded helmet mouth, capped scroll bracket handle, and stepped oval foot. A fine piece in the classic pattern. Fully marked including maker's stamp, pattern name, no. A2788, date symbol, and volume (3 3/8 pints). Very good condition.

Dimensions: H 10 3/8 x W 9 3/4 x D 4 1/2 in. Weight: 24.7 troy ounces. #BY636

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Chrysanthemum sterling silver oyster ladle. Made by Tiffany & Co. in New York, ca 1920. Round bowl with twisted fluting and curved and reeded stem with dense, entwined, and wraparound leaves embedded with flower heads; large flower head at terminal. A nice serving piece in this pattern which was introduced in 1880. Engraved interlaced script monogram. Fully marked including maker’s stamp. Very good condition.

Height: 10 1/2 in. Weight: 7.7 troy ounces. #BX974

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with applied tendril and grape bunch. Open support comprising large vertical leaves and turned-down small leaves; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrated to Canada...

Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his son, his pieces have a grace and elegance all their own as demonstrated here with this charming tea bowl. With its milky crackled glaze and split foot (wari-kodai) showing the rich clay this piece was fashioned from, it possesses strong character and has a calming presence, bringing a sense of stability. Perfect for those deepen...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

Royal Danish sterling silver gravy boat on stand. Made by International in Meriden, Conn. Boat bellied with helmet mouth, banded scroll handle, and oval reeded foot. Stand ovalish with pierced acorn motif at ends. Desirable pieces in the classic pattern. Fully marked including maker’s stamp, pattern name, and no. G39. Very good condition.

Dimensions: Boat: H 4 x L 7 x W 3 5/8 in. Stand: H 1 1/4 x L 9 x W 5 1/4 in. Total weight: 17 troy ounces. #BW897

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.

In excellent condition, this piece is 5.5 in...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Set of 4 Victorian sterling silver place card holders. Made by Saunders and Shepherd in Chester in 1899. Each: A rifle is propped against a shilling coin dated 1899, the year war broke out in South Africa between the British and Dutch colonial settlements. The rifle is the famous Lee-Metford, which was by then a tad old fashioned, but still considered reliable by British as well as Dutch troops, who made use of captured specimens. Open lunette base with vertical support. Fully marked including d...