Japanese antique Funa Tansu (merchant's safe), all made of very heavy quarter sawn Keyaki (Zelkova) wood. The door opens to 3 interior drawers also with Keyaki wood fronts (interior of each drawer made with Kirinoki (Paulownia) wood, wooden bracing on the bottom, heavy iron hardware including double locks on the outer doors and each of the three interior drawers has a large lock as well, two handles on top of safe, 2 iron reinforced holes at the bottom of each side to allow the safe to be...

This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide

A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground. Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

With a height of 32 inches, this is a rare and impressive example of early 19th century Imari ware. Both the vase and stand are finely decorated in shades of blue, gold and orange.

Condition is excellent.

Carefully polished impasto ware amphora of biconical shape. The handles span from the slightly flared mouth to the shoulder.
The shoulder area enhanced with molded ridges.
Hand-built dark brown impasto with carefully smoothed surface. Dendrite-like deposits.
For related examples, cf. CVA Warsaw, Musée National 6, 4345, pl. 38.5 (inv. 147348) and pl. 38.13 (inv. 147340). Beazley archive no. 1012354.
Ceramic, impasto ware
Etruscan, Villanovan Period, late 8 cent...

A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937). Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s. Late Meiji to Early Showa, 20th cent. H. 26, 5 x Diam 7,5 cm. Condition: Fine. **** Ito Tozan I (1846-1920) started his artistic career as ...

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

An ancient Egyptian alabaster torso of a striding man. Wearing a kilt and with arms depicted on each side. 5.5 inches high. Late Period, 600-30 B.C. Purchased on the Paris art market. Said to be originally purchased a long time ago at the Paris flea market.

Luxurious 19th Century Meiji Period Japanese Dragon Painting on Gold Silk Scroll. A grand six-feet-tall painting of ink and colors on paper. In Japan, the dragon is a benefactor and protector. The dragon in this painting is exploding with protective power and the energy of good fortune. Scroll: 70 x 26 inches (178 x 66 cm), Painting: 55 x 21 inches (140 x 53 cm).

Chinese Qing dynasty Kangxi marked monochrome beehive form water coupe (taibo zun) covered overall in a copper red glaze. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. This type of water pot was used to refill a low flat brush washer. 5 1/8” diameter by 3 1/2” high. Guangxu period (late 19th century). The neck and mouth have been carefully ground down. The pot is otherwise ...

RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE

Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.


selec...

A pair of ancient Egyptian bronze and inlaid stone eyes. Late Period, 600-300 B.C. Right eye measures 2 inches wide. Left eye measures 1 3/4 inches wide. Originally, from a NYC private collection.

First edition Taisho period Japanese woodblock print titled “The Snow Maiden Umekawa” (aka “The Heroine Umekawa in the Snow”) from the supplements of “The Complete Works of Chikamatsu Manzaemon" by Kitano Tsunetomi (1880-1947) published in 1923. First edition with mica and silver highlights, hand applied gofun, black ink Tsunetomi seal at the upper right, and Yamagishi Kazue (carver) and Nishimura Kumakichi (printer) seals at the lower edge. Paper: 17 3/4" x 11 3/8." Very good overa...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

This is a very special example of Japanese Cloisonne. The workmanship and elegant form are what makes this piece so special. This vase was acquired from one of the world's greatest cloisonne collections. It measures 12 inches tall. Great overall condition but it does has a very tiny enamel flake (See last image) on the back shoulder and minor pitting. It is not signed.