At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...

The poem etched on the side of this exceptional piece reads: "As a pastime ― bringing clumsy, fragile things to sell ― at Uruma Market ― how lonely!"  A very significant poem as it conveys a bit of irony; for the Edo period nun who inscribed this poem would go on to create a legacy of art, beauty, and philosophy that endures even today. The poem also suggests that this is one of her earlier works that would have been produced before she became renowned throughout Japan for her...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for. As any experienced potter will tell you, tenmoku ...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ohi-ware has held a high place in the world of tea ceremony desp...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft.

With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone ...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft. With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone looking for a ...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Pair of German 800 silver pheasants, ca 1920. A rooster and hen, each with hinged wings, long overlapping tails, closed beak, and wary stare. An on-guard couple standing on scaly talons, ready to take flight if the party talk turns dull. Heads detachable for hiding a secret stash of treats or booze. Hanau maker’s marks (Vereinigte Silberwarenfabriken). Very good condition.

Overall dimensions: Rooster: H 8 1/2 x L 19 3/8 x W 4 3/8 in. Wingspan: 7 1/4 in. Hen: H 9 x L 18 3/4 x W 4 1/2 in. Wing...

Modern sterling silver porringer. Made by Tiffany & Co. in New York. Round with straight sides. Cast open cinquefoil handle inset with acorn-nibbling squirrel. Fully marked including maker’s stamp, pattern no. 23111, director’s letter m (1907-47), and wartime star (1943-5). Very good condition.

Dimensions: H 1 3/4 x W 5 7/8 x D 4 1/2 in. Weight: 6.5 troy ounces. #BZ175

German 800 silver figural stirrup cup, ca 1910. Cast boar head with flexed-back ears, fierce eyes, funny snout, and fearsome teeth and tusks. Bowl straight and tapering with tooled bands; gilt-washed interior. Pocket size. Marked. Very good condition with nice patina.

Dimensions: H 4 1/2 x W 1 7/8 in. Heavy weight: 5 troy ounces. #BZ597

George V sterling silver picture frame. Made by Docker & Burn Ltd in Birmingham in 1923. Rectangular window in flat cutout curvilinear shaped surround. A simplified postwar Edwardian design. With glass, silk lining, and wood back and hinged easel support. Very good condition. Wear and warping to wood.

Dimensions: Frame: H 10 1/2 x W 8 1/2 in. Window: H 8 x W 6 in. #BY909

Pair of English Neoclassical-style sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1917. Each: Urn socket mounted to tapering shaft on raised and round foot. Pointillé frames and Vitruvian scroll borders. Faceted. Fully marked including maker’s stamp, pattern no. 19221 (first produced in 1917), order no. 6727, and director’s letter m as well as phrases “Reproduction Original by John Green & Co. Sheffield 1797” and “Silver 13 1/2 OZS Wood Weighted”. Very good cond...

American Art Deco sterling silver tray, ca 1925. Retailed by Cartier in New York. Rectangular with chamfered corners, tapering sides, and molded rim. Fully marked including retailer’s stamp, no. 47/4, and phrase “Hand Made”. Very good condition.

Dimensions: H 3/4 x W 16 x D 12 in. Weight: 43.8 troy ounces. #BY625

American Art Deco sterling silver tray, ca 1925. Retailed by Cartier in New York. Rectangular with chamfered corners, tapering sides, and molded rim. Fully marked including retailer’s stamp, no. 47/4 and phrase “Hand Made”. Very good condition.

Dimensions: H 3/4 x W 16 x D 12 in. Weight: 43.8 troy ounces. #BY624