Edwardian glass sugar caster with sterling silver cover. Made by the Merrill Shops in New York, ca 1910. Bowl has upward tapering sides with cut ferns and stars, and leaf mouth rim. Cover domed and pierced. Fully marked including maker’s stamp and no. 2103. Very good condition.

Dimensions: H 5 3/8 x D 2 1/2 in. #BY824

American Edwardian Classical sterling silver loving cup, ca 1910. Tapering bowl with flared rim and curved bottom on reeded domed foot; three leaf-wrapped and scroll-mounted handles. Elegant form with plenty of room for engraving. Fully marked including stamp for Theodore B. Starr, a New York maker and retailer, and no. 5490. Very good condition.

Overall dimensions: H 10 1/4 x W 8 1/2 x D 6 1/4 in. Weight: 29 troy ounces. #BY950

Set of 4 European gilt 935 silver and glass figural Buddha place card holders, ca 1925. Each: Contemplative and cross-legged figure of the Zen-man himself in molded glass. For a Siddhartha serene dinner party. Colors are green, blue, orange, and clear. Chamfered rectangular base and u-form back support. In leather-bound case with fitted velvet and silk lining. Marked. Very good condition.

Dimensions: H 1 5/8 x W 7/8 x D 3/4 in. Case: H 1 1/2 x W 5 3/4 x D 2 5/8 in. #BY940

American Modern sterling silver tumbler. Sides comprise three concave rings with flared mouth rim. Marked “Tiffany & Co / Sterling / 549”. Very good condition.

Dimensions: H 3 5/8 x D 3 in. Weight: 4.6 troy ounces. #BY651

Set of 4 Victorian sterling silver place card holders. Made by Saunders and Shepherd in Chester in 1899. Each: A rifle is propped against a shilling coin dated 1899, the year war broke out in South Africa between the British and Dutch colonial settlements. The rifle is the famous Lee-Metford, which was by then a tad old fashioned, but still considered reliable by British as well as Dutch troops, who made use of captured specimens. Open lunette base with vertical support. Fully marked including d...

Belle Epoque Rococo 950 silver jardiniere centerpiece, ca 1900. Bombe oval bowl with wide and tapering rim. Embossed twisted fluting and applied round frames (vacant) with scallop shell crown supported by winged cherubs. Elaborate end handles, each with cast figure of lunging cherub, holding drapery in one hand and flowers in the other, between leaf-wrapped double-scrolls. Four leaf-mounted scroll supports. A sumptuous homage to the 18th century. Detachable brass liner. Fully marked including Mi...

Edwardian Modern Classical sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1907. Bombe form. Curved and overhanging mouth with lip spout and cylindrical bowl; round and stepped foot and c-scroll handle. Acid-etched ornament: Meandering ivy on mouth and handle and half-fluting on bowl. Fully marked including maker’s stamp, pattern no. 16867B (first produced in 1907), director’s letter m, and volume (5 1/2 pts). Very good condition.

Dimensions: H 10 x W 8 3/4 x D 7 in. W...

Victorian sterling silver baby cup. Made by George W. Shiebler & Co. in New York, ca 1890. Curved bowl with allover frond and flower repousse on stippled ground. Reeded scroll bracket handle wrapped with applied band decorated with stylized flower head. Gilt-washed interior. Fully marked including maker’s and retailer’s (JE Caldwell) stamps and no. 1306. Very good condition with deep patina.

Dimensions: H 3 3/4 x W 4 1/2 x D 3 1/8 in. Weight: 4.8 troy ounces. #BY965

Victorian safari flask. Made by Gorham in Providence in 1896. Ovoid glass body. Top encased in leather with cutout tubular windows. Bottom has detachable sterling silver cup. Cover hinged and cork-lined. Holds 4 pints of chest-hair growing spirits—enough for everyone around the campfire. Fully marked including maker’s stamp, date symbol, no. S829, and volume. Good condition with some leather wear from rough handling.

Jumbo dimensions: H 10 3/4 x W 6 x D 3 1/2 in. #BY782

George V sterling silver figural place card holders. Made by William Suckling, Ltd in Birmingham in 1931 Each: Cast canine figure with plain silhouette back mounted to oval base. Each dog different as they are in real life. For a special “pack” night with a few close friends. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Jewellers / Nathan & Co / Birmingham”). Very good condition.

Tallest: H 1 1/8 x W 1 5/8 x D 1 1/4 in. Case: H 3 x W 7 7/8 x ...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Victorian Classical sterling silver loving cup, ca 1890. Baluster bowl with flared rim and raised foot. High-looping capped double-scroll handles. Exuberant embossed and cast ornament with scrolling leaves and scallop shells contained by fluted frames. Fully marked including maker’s (Frank W. Smith) and retailer’s (Theodore B. Starr) stamps, no. 1334B, and volume (6 1/2 pts). Very good condition with deep patina.

Overall dimensions: H 10 1/2 x W 10 x D 6 in. Heavy weight: 46.8 troy ounce...

Cactus sterling silver dinner set. Made by Georg Jensen in Copenhagen. This set comprises 84 pieces (dimensions in inches):

Forks: 12 dinner forks (7 3/4), 12 luncheon forks (6 1/2), and 12 seafood forks (6 1/4);

Spoons: 12 dessert spoons (6 3/4) and 12 teaspoons (6);

Knives: 12 dinner knives (9) and 12 butter spreaders (6 1/8).

Dinner knife blades are stainless steel.

For a special dinner party. Cactus was designed by Gundorph Albertus (1887-1970) and first produced in 1930.

Fully...

Pair of Old Country sterling silver candlesticks. Made by Elgin Silversmith Co., Inc. in New York, ca 1950. Each: Bellied socket on baluster shaft; domed foot with three embossed scroll supports. Naif-style pointille ornament. Marked “ESCO / Sterling”. Very good condition.

Dimensions: H 13 1/8 x D 5 7/8 in. Total weight: 18 troy ounces. #BY595

Edwardian Classical sterling silver trinket box. Made by Tiffany & Co. in New York. Oval with upward tapering sides and hinged scrolled cover. On sides applied ribbon-tied garland. On cover top chased scrolls threaded with garlands overlapping central reeded frame (vacant). At ends stand two quiver bearing cherubs balancing fruit baskets on their heads. Gilt interior. Fully marked including maker’s stamp, pattern no. 14930 (first produced in 1901), and director’s letter T (1892-1902). Very g...

Pair of Lancaster sterling silver ice tongs. Made by Gorham in Providence, ca 1900. U-form with beaded stem and floral terminal. One jaw ovoid and scalloped with ornamental piercing; the other a cast claw with five talons. A nice early piece in this pattern, which was first produced in 1897. Fully marked including maker’s and retailer’s (Shreve & Co.) stamps. Condition: Nice definition. Taut and springy.

Height: 6 1/2 in. Weight: 1.8 troy ounces. #BY812

Maintenon sterling silver serving tray. Made by Gorham in Providence in 1923. Oval with leaf-capped and -mounted c-scroll side handles. Well has engraved beaded oval frame (vacant) in garland surround. Tapering shoulder with chased scrolls and flowers in alternating wide and narrow curvilinear frames. Imbricated leaf rim. Fully marked including maker’s stamp, date symbol, pattern name, no. 10217/1, and letters “CCQ”. Very good condition.

Dimensions: H 1 3/4 x W 25 x D 15 5/8 in. Weight: ...

Edwardian Classical sterling silver sugar caster. Made by Tiffany & Co. in New York, ca 1909. Upward tapering bowl with reeding; stepped and spread foot. Cover domed with vasiform finial; top has ornamental piercing. Fully marked including maker’s stamp, pattern no. 17583 (first produced in 1909), and director’s letter m. Very good condition.

Dimensions: H 6 x D 2 5/8 in. Weight: 6.6 troy ounces. #BY560

American Edwardian Modern sterling silver picture frame, ca 1910. Oval window in same surround with canted interior border and flat sides. Two ball supports. Simple and unadorned for the perfect portrait. With glass, silk lining, and red velvet back and hinged easel support for vertical display. Worn marks including no. 1503. Very good condition.

Dimensions: Frame: H 8 1/2 x W 6 3/8 in. Window: H 6 5/8 x W 5 in. #BY043

Modern carving pair with knife and fork. Made by Christofle in France, ca 1970. Tapering easy-grip silver-plated handles. Knife blade and 3-tine shank are stainless steel. Handy for the holidays and all the days in between. Marked. Good condition.

Dimensions: Knife: H 12 3/4 x W 1 1/2 x D 1/2 in. Fork: H 10 1/8 x W 1 1/8 x D 1/2 in. #BX127

German Rococo 800 silver centerpiece, ca 1900. Ovoid and bellied bowl with leaf and flower-capped split-mounted double-scroll end handles, and four scroll-mounted supports. Exuberant leafing scrolls, layered scallop shells, and open flower-strewn diaper. Two scrolled and bead-and-reel frames (vacant). Detachable brass liner. Gilt interior. Fully marked including maker’s stamp (Bruckmann & Söhne). Very good condition with nice patina.

Dimensions: H 8 3/4 x W 17 3/4 x D 8 1/2 in. Weight (wi...

Imperial Chrysanthemum sterling silver soup ladle. Made by Gorham in Providence, ca 1900. Tapering stem with waisted terminal and lobed round bowl. Dense ornament with flowers and leaves. Bowl interior gilt-washed with same. A nice serving piece in the late-comer Japonesque pattern, which was first produced in 1894. Fully marked including maker’s stamp. Very good condition.

Dimensions: H 12 3/4 x W 4 x D 3 7/8 in. Weight: 8.2 troy ounces. #BY819

Pair of Repousse sterling silver ice tongs. Made by S. Kirk & Son in Baltimore. U-form applied with dense flowers and leaves in crisp relief; leaf jaws. Fully marked including maker’s stamp (1932-61). Condition: Strong definition. Taut and springy.

Height: 6 1/4 in. Weight: 2 troy ounces. #BY816

English Edwardian Classical sterling silver tray, 1908. Rectangular with tapering sides and everted rim. Scroll and flower border applied to well and rim. Corner ball supports. Fully marked including London assay stamp and stamp for New Bond Street retailer Finnigans Ltd. Very good condition.

Dimensions: H 1 1/8 x W 12 1/8 x D 9 1/8 in. Weight: 28.8 troy ounces. #BY945

Edwardian Classical sterling silver ring box. Theodore W. Foster & Bro. in Providence, ca 1910. Heart shaped with open leafing scroll sides. Beading. Cover side-hinged and flat with room for engraving. Interior lined with red silk. Fully marked including maker’s stamp. Very good condition. Silk worn.

Dimensions: H 1 1/8 x W 2 1/8 x D 2 1/4 in. Gross weight: 1.2 troy ounces. #BY562

Super luxurious Modern sterling silver colander. Retailed by Cartier in New York. Round bowl with two bracket side handles and 3 scrolled supports. Four pierced stars. A practical kitchen accessory wrought in precious metal. Fully marked including retailer’s stamp and phrase “Hand-Made”. Excellent condition.

Dimensions: H 6 1/2 x W 14 x D 10 1/2 in. Weight: 45 troy ounces. #BY860

Edwardian Classical glass vase with engraved silver overlay. Made by La Pierre Mfg. Co. in Newark, ca 1910. Faceted cone with scalloped rim; round flat foot with star cut to underside. Overlay in form of garlands threaded through interlaced arches (body) and star (foot); scrolled frame (vacant) also on foot. Marks include maker’s stamp. Very good condition.

Dimensions: H 11 1/8 x D 5 in. #BY773

Edwardian Classical glass vase with engraved silver overlay. Made by La Pierre Mfg. Co. in Newark, ca 1910. Faceted cone with scalloped rim; round flat foot with star cut to underside. Overlay in form of garlands threaded through interlaced arches (body) and star (foot); scrolled frame (vacant) also on foot. Marks include maker’s stamp. Very good condition.

Dimensions: H 11 1/8 x D 5 in. #BY772

French Belle Epoque Classical 950 silver gravy boat on stand, ca 1910. Boat has ovoid bowl with helmet mouth and raised oval foot with imbricated leaf rim. High-looping and split leaf-mounted handle with armorial engraved in beaded oval frame. Stand oval with open well and four trefoil supports. Both have stippled tubular frames alternating with stylized flower heads. Reeding. Fully marked with Minerva head and maker’s stamp (Alphonse Dutac). Very good condition.

Dimensions: Boat: H 6 x W 8...

Midcentury Modern sterling silver picture frame. Made by Watrous Mfg. Co. (part of International) in Wallingford, Conn. Rectangular window in clean and unadorned flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 30. Very good condition.

Dimensions: Frame: H 10 1/4 x W 7 1/2 in. Window: H 8 5/8 x W 6 in. #BY262

German Baroque 800 silver menorah, ca 1900. Scrolled back with crown, chased interlaced scrolls, and half fluting; applied Torah between lions rampant and two detachable lion-head oil pitchers mounted to top. Rectangular base on 4 splayed corner supports. Eight figural oil fonts in form of lion sejant between lions couchant on rectangular pedestals. Floral ornament. Marked. Very good condition with Old World patina.

Dimensions: H 11 3/4 x W 12 3/4 x D 6 in. Weight: 53.5 troy ounces. #BY778 ...

German 800 silver cow creamer, ca 1910. A sweet bovine with upturned horns, flexed ears, and smiley mouth spout. Sturdy sagging body with ring-handle tail and hinged back cover with fly finial. Stands on firmly planted hooves. Unidentified Hanau marks. Very good condition.

Dimensions: H 4 1/8 x L 5 1/2 x W 2 in. Weight: 5.6 troy ounces. #BY777

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...