Jinbo Tomoyo (1902-1994)
Given title: Woman in Lavender Kimono
Date: 1957.
Size: 18.25 x 11.75 inches.
Edition: First.
Signed and sealed by the artist.
Carver: Sato Jurokichi. Printer: Inomura Shonosuke.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: One of just a few prints made by this artist.
Tomoyo Jinbo (Teisaburo) studied under Hirazaki Eiho and Ito Shinsui.

Lovely Art Nouveau sterling silver picture frame. Oval window in same surround. On front acid-etched ornament in form of fluid flower heads and tendrils between scalloped borders; sides plain. Two charming ball supports. With glass, silk lining, and burgundy velvet back and hinged easel support. For portrait (vertical) display. Fully marked including stamp for IN Deitsch, a New York maker active from ca 1904 to 1915, and no. 118. Very good condition with strong definition.

Dimensions: Frame: H...

Art Nouveau red glass cologne bottle with engraved silver overlay. Made by Gorham in Providence, ca 1886. Globular with short neck and flat everted rim. Stopper globular. Tight and dense overlay with flower heads and rolling scrolls. Scalloped borders. Scrolled cartouche with interlaced script monogram. Glass red except stopper plug, which is clear. Fully marked including patent year 1886 and no. S682. Very good condition with deep patina.

Dimensions: H 7 1/2 x D 4 in. #BT185

Japanese Meiji Art Nouveau silver tea tray, ca 1890. Retailed by Arthur & Bond in Yokohama. Lobed oval. Well stippled and engraved with shaded interlaced monogram. Upturned c-scroll end handles. Blossoming prunus branches, iris flowers, and bamboo applied to handles and tapering shoulder. Exotic ornament and Western form. Marked “Arthur & Bond / Sterling / Yokohama”. Very good condition. One handle back has dent (not visible from front).

Overall dimensions: H 2 7/8 x W 28 1/2 x D 18 1/2 in...

Lovely Edwardian Art Nouveau sterling silver picture frame. Made by Mauser Mfg. Co. in New York, ca 1900. Oval window in same surround. Front has engraved leafing scrollwork and tubular cartouche (vacant) at top; sides plain. Open bracket supports. With glass, silk lining, and red velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 1418A. Very good condition.

Dimensions: Frame: 9 3/4 x W 6 5/8 in. Window: H 8 3/8 x W 5 5/8 in. #...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

Turn-of-the-century Art Nouveau sterling silver loving cup. Made by Frank W. Smith in Gardner, Mass. Curved body with 3 high-looping handles and domed foot. Flower heads clustered at rim under handles. Foot same with openwork. Fresh and voluptuous with plenty of room for engraving. Fully marked including maker’s stamp and no. 1884. Very good condition.

Overall dimensions: H 10 1/4 x W 8 1/4 x D 6 1/4 in. Weight: 31 troy ounces. #BW216

Yuichi Hasegawa (b. 1945)
Record of Wind Erosion (Red)
Japanese title: Fushoku-ki (Aka)
Date: 1989
Edition: 4/20
Signed in pencil by the artist.
Paper size: 24.25 x 12 inches. Image size: 20 x 8.75 inches.
Reference: Art Gallery of New South Wales.
Medium: Japanese woodblock print.
Condition: Excellent.

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

Pair of Art Deco Classical jade and gilt sterling silver candelabra. Made by Lebkuecher in Newark, ca 1920. Each: Cylindrical jade shaft on same octagonal base with carved petal flutes and fretwork. Curvilinear silver gilt arms with block volute terminals mounted to shaft with same; each terminates in single jade socket on silver gilt leaf-and-dart mount. Raised central socket same. Ornamented silver gilt mounts on shaft top and base. Rests on silver gilt foot with block volute supports.

Full...

Koichi Okumura (1904 ~ 1974)
Red Mt. Fuji from Shojin Lake
Size: Oban. Approximately 15.5 x 10 inches.
Date: 1948. First edition.
Publisher: Unsodo.
Carver: Nagashima. Printer: Shinmi.
Medium: Japanese woodblock print.
Condition: Excellent.

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

Ohara Shoson (Koson)
Pheasants and Maple Tree
Size: Approximately 5.25 x 3.25 inches.
Date: ca. 1930s.
Shoson seal at lower right
Publisher: Watanabe Shozaburo.
Reference: AS.15 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

American Art Nouveau glass vase with engraved silver overlay, ca 1900. Tall and tapering neck with turned-in mouth rim in silver collar. Wide and bellied bowl. Overlay in form of windswept flowers and entwined and whiplash stems and tendrils. Ribbon cartouche (vacant) Glass is red. Worn marks including no. 38. Very good condition.

Dimensions: H 12 1/8 x D 5 1/8 in. #BZ217