Pair of dramatic sterling silver seafood serving bowls. Made by Buccellati in Italy. Each: Two joined scallop-shells bowls on scallop-shell supports. A traditional form enlivened by the figure of an octopus squatting in the center, its curled and tangled legs draped over the bowls. A graphic contrast between the scales and suckers of the octopus and the controlled and stylized ornament on the shells. Very original. Beautiful craftsmanship.
Fully marked including “Buccellati” stamp and post...
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.
This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...
Beaded sterling silver dinner and lunch set. Made by Georg Jensen in Copenhagen. This set comprises 157 pieces (dimensions in inches):
Forks: 12 Dinner forks (7 1/4), 12 luncheon forks (6 7/8), 24 salad forks (6 3/4), 12 pastry forks (5 5/8), 2 seafood forks (6 1/8), and 1 youth fork (5 5/8);
Spoons: 12 teaspoons (5 7/8), 12 teaspoons (5 1/2), 8 fruit spoons (5 7/8), 4 gumbo spoons (6 5/8), 2 ice cream spoons (5 5/8), 2 demitasse spoons (4 1/2), and 3 salt spoons (2 5/8);
Knives: 12 short-...
With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.
Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...
American brilliant-cut glass and sterling silver decanter. Made by Gorham in Providence in 1894. Round body with thumb ring handle. Cut ornament in arched frames. Collar silver as is hinged and cork-lined cover with floral repousse. On cover is engraved block monogram and dates “1870 W. G. C. 1895”. Fully marked including no. S1744 and date symbol. Very good condition.
Dimensions: H 9 x W 5 1/4 x D 3 1/2 in. #BO891
Pair of Edwardian Georgian sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1915. Each: Tapering shaft with base knop on stepped and raised foot. Socket has straight sides and detachable bobeche. Faceted. Traditional form with showy gilding. Fully marked including maker’s stamp, pattern no. 18910 (first produced in 1915), and director’s letter m. Very good condition with nice toning.
Dimensions: H 9 x W 4 3/4 x D 4 1/4 in. Total weight: 15 troy ounces. #BW772
Edwardian Classical sterling silver coffee set. Made by Tiffany & Co. in New York, ca 1907. This set comprises coffeepot, creamer, and sugar. Coffeepot: Tapering body on raised foot, hinged and domed cover with vasiform finial, vertical s-scroll spout, stained-wood scroll-bracket handle, and raised and round foot. Creamer: Tapering body, helmet mouth, scroll-bracket handle, and raised and round foot. Sugar: Hemispheric bowl with scroll-bracket side handles and raised and round foot. Traditional ...
Pair of Neoclassical-style gilt sterling silver tea urns. Each: Ovoid bowl on raised foot mounted to round base. Cover domed with knopped top terminating in bud finial. Swags and acanthus leaves as well as beading and leaf and dart. Fluted spout with carved leaf twist tap (one in black and one in white). Traditional vessels revved up with scaly and entwined snake handles. One marked “Sterling Silver” and the other marked “Sterling”. Very good condition with rich color.
Dimensions: H ...
Victorian Classical sterling silver paper knife. Made by Tiffany & Co. in New York, ca 1885. Serpentine and integral with hollow handle tapering into flat blade. Handle has allover floral repousse with feathered leaf border at bottom. Blade recto has acid-etched monogram with elongated, interlaced, and whiplash letters. Fully marked including maker’s stamp, director’s letter M (1873-91), and no. 730. Very good condition.
Dimensions: H 10 x W 1 1/4 x D 3/4 in. Weight: 3 troy ounces. #BZ252...
The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...
Hiroshige Ando
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Date: Thursday, December 3, 1931.
Size: 7.625 x 5 inches (19.5 x 12.6 cm).
Note: Concert and tea party menu for the passenger ship Chichibu Maru on the N.Y.K. Line.
Publisher: Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo).
Medium: Japanese woodblock print made from a carved wood block. Mechanization may have been added to the printing process.
Condition: Cover woodblock print very good to...
Victorian Classical sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises coffeepot, teapot, creamer, sugar, and waste bowl.
Each: Bellied bowl on concave foot ring. Covers raised with cast bud finial (pot covers hinged). Teapot, coffeepot, and creamer have high-looping handle. Sugar has c-scroll side handles. All handles have stylized volute scroll and dart mounts. Spare with repousse rinceaux band. Fully marked including maker’s stamp, pattern no. 1982, ...
Victorian Classical sterling silver coffee and tea set. Made by Gorham in Providence in 1885. This set comprises 5 pieces: Coffeepot, teapot, creamer, sugar, and waste bowl. Each: Round body with floral repousse between chased and engraved leaf-and-dart and ogee borders; beaded rims. Handles high looping and covers domed with reeded finial. Coffeepot and teapot have s-scroll spout with applied stylized ornament. Coffeepot neck has engraved stippled zigzag border with incised trefoils.
Fully m...
When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ohi-ware has held a high place in the world of tea ceremony desp...
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.
As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...
Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...
Modern Classical sterling silver box. Made by Ferdinand Richard Wilm in Berlin, ca 1930. Rectangular with wraparound reeded sides; cover flat and hinged with paneled top. Fully marked including maker’s stamp. Excellent condition.
Dimensions: H 7/8 x W 6 x D 3 7/8 in. Weight: 13 troy ounces. #BZ772
Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with split bud mounts and bud and seed terminal. Open support comprising large vertical leaves and turned-down grape bunches; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrat...
Pair of Danish Modern sterling silver compotes. Made by Poul Petersen in Canada, ca 1940. Each: Lilypad bowl with lobed rim and upturned back; flying c-scroll handle with applied tendril and grape bunch. Open support comprising large vertical leaves and turned-down small leaves; domed foot. Visible hand hammering. A great piece by the legendary Danish-born silversmith who was Georg Jensen’s apprentice and son-in-law. He married the boss’ daughter Inger in 1922. The couple emigrated to Canada...
Danish Modern sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular with straight sides. Cover hinged and raised with flat border. Square corner supports. Fully marked including maker’s (1945-77) and designer’s (Harald Nielsen) stamps, and no. 827. Very good condition.
Overall dimensions: H 7/8 x W 8 1/8 x D 3 1/2 in. Heavy weight: 17.5 troy ounces. #BZ773
Modern sterling silver box. Made by Georg Jensen in Copenhagen. Rectangular; straight sides bisected by wraparound rectilinear band. Corner bracket supports. Cover flat and hinged with stepped rim. Midcentury Danish design by Harald Nielsen. Fully marked including Georg Jensen & Wendel maker’s stamp (ca 1945-51), which was limited to wares sold in Copenhagen, and designer’s stamp. Very good condition.
Dimensions: H 1 1/2 x W 6 1/4 x D 3 1/4 in. Weight: 15 troy ounces. #BZ775
Modern sterling silver box. Made by Georg Jensen in Denmark. Rectangular with wraparound reeded sides and inset corner bracket supports. Cover flat and hinged with rectangular and gently curved tab. Between-the-Wars Classicism. A made-in-Denmark Swedish design by the Duke of Uppland (that is, Sigvard Bernadotte). Fully marked including maker’s (1933-44) and designer’s stamps, and no. 712. Very good condition.
Overall dimensions: H 7/8 x W 5 1/4 x D 3 1/2 in. Weight: 8.8 troy ounces. #BZ776...
Modern sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1907. Ovoid body, stepped foot, short neck, and helmet mouth; soft bracket handle with trefoil shaped tail mount. A spare full-bodied vessel. Nice heft. Fully marked including maker’s stamp, pattern no. 16974 (first produced in 1907), director’s letter m, and volume (4 pts). Very good condition.
Dimensions: H 8 1/4 x W 7 1/2 x D 5 1/8 in. Weight: 28.5 troy ounces. #BZ676
Modern sterling silver hinged double picture frame. Each: Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support. Fully marked including stamp for Web Silver Co., a Philadelphia maker active from the 1950s to 1970s. Very good condition.
Dimensions: Each frame: H 10 1/4 x W 8 1/8 in. Each window: 8 7/8 x W 6 7/8 in. #BZ723
Set of 12 Modern sterling silver place card holders. Retailed by Cartier in New York. Each: Folded disc with turned down front mounted to round base. Fully marked including retailer’s stamp. Very good condition.
Dimensions: H 7/8 x W 1 x D 3/8 in. Total weight: 3 troy ounces. #BZ695
Elizabeth II sterling silver box. Made by Padgett & Braham Ltd in Birmingham in 1980. Rectangular with straight sides. Cover hinged and tabbed; on top stand a horse and jockey in a faint surround suggestive of a cloud (of dust?). Box interior cedar-lined and partitioned. Box underside leather lined. Fully marked. Very good condition.
Dimensions: H 2 x L 8 1/8 x D 3 5/8 in. Gross weight: 19 troy ounces. #BZ737
Edwardian Georgian sterling silver mug. Made by Tiffany & Co. in New York, ca 1916. Baluster bowl with leaf-capped double-scroll handle and round stepped foot. Large with nice heft and plenty of room for engraving. Fully marked including maker’s stamp and pattern no. 19191 (first produced in 1916). Very good condition.
Dimensions: H 5 1/4 x W 5 3/4 x D 3 3/4 in. Weight: 12.5 troy ounces. #BZ554
Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated August 21st, 1937.
Size: 7.5 x 5375 inches (19 x 13.6 cm).
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese shin-hanga woodblock print made from a carved wood block. Mechanization w...
Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.
Japanese silver centerpiece bowl, ca 1900. Round and curved. Flat mouth rim with long and low scallops. Raised and spread foot. Applied iris flowers with loose and crisscrossing tendrils and stems in eddying water. Foot has cutout flower heads and engraved wraparound tendrils. Gorgeous period motif on spot-hammered ground. Double-walled. Meiji-era Art Nouveau centerpiece for the cosmopolitan West. Marked. Very good condition.
Dimensions: H 8 3/4 x D 12 3/4 in. Weight: 78 troy ounces. #BZ691
...
American Midcentury Modern sterling silver picture frame. Retailed by Cartier in New York. Rectangular window in wide and flat surround. With glass, paper lining, and wood laminate back for portrait (vertical) or landscape (horizontal) display. Liner has retailer’s stamp. Frame fully marked including retailer’s stamp, no. 53, and phrase “Hand Made”. Very good condition.
Dimensions: Frame: H 12 x W 10 in. Window: H 10 x W 8 in. #BZ570
Edwardian Regency sterling silver box. Made by Tiffany & Co. in New York, ca 1909. Oval with straight sides. Cover hinged and tabbed; top overhanging with chased patera; center (vacant) has bead-and-reel border, radiating flutes, and stylized flowerheads. Interior has traces of gilt wash. Fully marked including maker’s stamp, pattern no. 17518 (first produced in 1909), and director’s letter m. Very good condition.
Dimensions: H 1 3/4 x W 5 1/4 x D 3 3/8 in. Weight: 5.8 troy ounces. #BZ517...
Edwardian Classical sterling silver picture frame. Made by Gorham in Providence in 1909. Rectangular window with concave border and molded rim. With glass, silk lining, and velvet back and hinged easel support for landscape (horizontal) display. Perfect for a special wide-angled shot with room for everyone. Fully marked including maker’s stamp, no. B3936, and date symbol. Very good condition.
Dimensions: Frame: H 8 1/2 x W 11 3/4 in. Window: H 6 3/4 x W 9 7/8 in. #BZ575
German silver figural dog stirrup cup, ca 1920. Cast bust of spaniel with long snout, resolutely closed mouth, and direct, concentrated gaze as well as floppy ears and thick fur. Mounted to plain and upward tapering bowl. A loyal hunt companion. Marked with maker’s stamp “Föhr” (probably, Eduard Foehr) and old-fashioned “13” (that is, 13/16 loths or 812 silver). Very good condition.
Dimensions: H 6 3/4 x D 3 5/8 in. Weight: 8 troy ounces. #BZ714
Modern sterling silver mini martini shaker, ca 1930. Straight and tapering sides, curved shoulder, and short neck with snug-fitting bun cover. Spout diagonal with chained ball cap for secure shaking. Handy small size for stylish solo drinking. Fully marked including New York maker’s stamp (Currier & Roby), Boston retailer’s stamp (Shreve, Crump & Low), and no. 6711L. Very good condition.
Dimensions: H 7 x W 4 1/4 x D 3 3/8 in. Weight: 7.2 troy ounces. #BZ687