Japonesque mixed metal napkin ring. Made by Gorham in Providence in 1882. Hand-hammered sterling silver ring applied with cooper ornament: A man in pointy hat is seated on the ground, smoking while a small dog approaches from behind, interrupting the opium-induced serenity. Above is a darting butterfly. Engraved name “Edward Hegeler”. Hegeler (1835-1910) was a German-born American industrialist and publisher. Fully marked including maker’s stamp, no. 675, and date letter. Very good conditi...
Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with central oval cartouche (vacant). Sides open and engraved with same. Well solid. Four leaf-mounted scroll supports. Fully marked including maker’s stamp, pattern no. 16202, and director’s letter m. Very good condition.
Dimensions: H (with handle) 12 x W 13 x D 8 3/8 in. Weight: 28 troy ounces. #BY224
Edwardian Classical sterling silver bowl. Made by Tiffany & Co. in New York, ca 1910. Flared rim and curved and fluted sides below chased swag border; stepped and inset foot. Reeding. Fully marked including maker’s stamp, pattern no. 48319, and director’s letter m. Excellent condition.
Dimensions: H 4 x D 10 in. Heavy weight: 34.5 troy ounces. #BX519
Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...
During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...
Traditional sterling silver Revere bowl. Made by Gorham in Providence in 1957. Curved sides, flared rim, and stepped foot. A historic form that can suit many modern uses. Fully marked including maker’s stamp, date code, no. 41659, and phrase “P. Revere / Reproduction”. Very good condition.
Dimensions: H 4 1/4 x D 7 3/8 in. Weight: 16.2 troy ounces. #BX518
Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23617. Very good condition.
Dimensions: H 3 7/8 x D 7 3/4 in. Weight: 17.2 troy ounces. #BX520
Art Deco sterling silver bowl. Made by Tiffany & Co. in New York. Curved and tapering sides; short and splayed foot. Fully marked including maker’s stamp, pattern no. 20024, and director’s letter M (1947-56). Very good condition.
Dimensions: H 3 1/2 x D 6 in. Weight: 11 troy ounces. #BX497
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...
Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...
A simple silver bangle with niello marked Sterling. The width is a tad over 1/16"~ inner diameter 2-5/8".
Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.
Dimensions: H 2 1/2...
Edwardian sterling silver porringer with circus motif. Made by William B. Kerr in Newark, ca 1910. Upward tapering sides and molded rim. Solid and waisted handle. Acid-etched procession with piggies, kitties, and doggies as well as elephants and lions in fancy dress. Monkey-supported mirror for engraving the initials of the cutest animal of all. Fully marked including maker’s and retailer’s (Bailey, Banks & Biddle) stamps, and no. 1482. Excellent condition with strong definition and deep pat...
Pair of German Biedermeier Classical silver candlesticks, ca 1830. Each: Socket mounted to leaf flange in turn mounted to baluster shaft on raised round foot on square base. Fluting, gadrooning, acanthus leaf, and leaf-and-dart ornament. Marked. Very good condition with nice patina.
Dimensions: H 10 1/8 x W 3 1/2 x D 3 1/2 in. Weighted. #BY091
Turn-of-the-century sterling silver baby cup rich in period assumptions. Made by William B. Kerr in Newark. Upward tapering sides and scroll handle.
Acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Symbolic imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”
Ahem.
Fully marked including maker's stamp and ...
Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprised of warrior’s shields. Oval form for stealthy gliding. Planks with filigree rinceaux. Stylized Arts & Crafts ornament. Translucent green, red, yellow, and purple. Marks include maker’s stamp. Excellent condition with strong and intact color.
Dimensions: H 4 x W 6 5/8 x D 3 1/4 in. #BY195
American Edwardian Classical sterling silver tray, ca 1910. Rectangular well with curved corners, tapering and paneled shoulder, and molded serpentine rim. Fully marked including retailer’s stamp (Bailey, Banks & Biddle) and no. 1088. Very good condition.
Dimensions: H 1 x W 18 1/4 x D 11 7/8 in. Heavy weight: 44 troy ounces. #BY133
Lovely Art Nouveau sterling silver picture frame. Oval window in same surround. On front acid-etched ornament in form of fluid flower heads and tendrils between scalloped borders; sides plain. Two charming ball supports. With glass, silk lining, and burgundy velvet back and hinged easel support. For portrait (vertical) display. Fully marked including stamp for IN Deitsch, a New York maker active from ca 1904 to 1915, and no. 118. Very good condition with strong definition.
Dimensions: Frame: H...