Romantic Edwardian Art Nouveau sterling silver frame. Made by Tiffany & Co. in New York. Heart-shaped window in same and curved surround flowing into bracket feet. Acid-etched leafing scrollwork and flowers. At top shaped cartouche vacant for engraving a lovey-dovey message. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 14282, and director’s letter C (1902-7). Excellent condition with stro...

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s and retailer’s (Grogan Company) stamps...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims. Fully marke...

Set of 4 Edwardian sterling silver place card holders. Made by Charles & George Asprey in London, 1906 to 1908. Each: A cast fox head pokes through a horseshoe clip; round and flat base. In leather-bound case with silk and fitted-velvet lining. Perfect for the hunt dinner. Fully marked including date letters 1906 (1), 1907 (1), and 1908 (2). Retailer’s stamp (Asprey). Excellent condition.

Dimensions: H 7/8 x D 1 1/8 in. Case dimensions: H 1 3/4 x W 6 7/8 x D 2 3/8 in. Total weight (silver o...

Victorian sterling silver baby cup. Made by Tiffany & Co. in New York. Straight sides and banded scroll-bracket handle. Low-relief base ornament with stylized flower heads and beading. Acid-etched depiction of Goosey Gander, an English nursery rhyme that has been subject to various religious and moral interpretations. Shown here a sassy New Woman brandishing a crook and a nattily dressed and bespectacled goose. Gilt-washed interior. Fully marked including maker’s stamp, pattern no. 4254, and d...

Set of 8 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1902 to 1909. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Each coat of arms different. Symbols include lions, ravens, eagles, and swords. All fully marked. Date letters vary: 1902 (1), 1905 (1), 1906 (2), 1907 (1), and 1909 (1). Two have indistinct marks. Six have design no. 454426. Retailer’s stamp (“Rowell / Oxford”). Excellent condition with st...

Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1901 to 1902. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Two each in two coats of arms. In leather-bound case with silk lining and fitted velvet. All fully marked including date letters 1901 (2) and 1902 (2). Design no. 454426 and retailer’s stamp (“Rowell / Oxford”). Excellent condition with strong and intact color.

Dimensions: H 1 1/2 x W 1 ...

Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1906 to 1908. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Same design comprising yellow cross and birds on cobalt ground. In leather-bound case with silk lining and fitted velvet. Case has retailer’s stamp (Army and Navy Co-Operative Society) All fully marked including date letters 1906 (3) and 1908 (1). Design no. 454426 and retailer’s stamp (“Ro...

Set of 4 Edwardian sterling silver figural place card holders. Made by Levi & Salaman in Birmingham 1906. Each: Pair of perched owls with scrolled back clip; raised and round base. Wise birds standing ready to tamp down excessive dinner party levity. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Leighton / Lancaster”). Fully marked. Very good condition.

Dimensions: H 1 3/4 x D 1 1/2 in. Gross weight: 2.3 troy ounces. #BW863

English Victorian cologne bottle, 1880. Cut-glass cylinder with short and threaded inset neck. Ball cover in form of male head with big ears, receding hairline, tronie-style grimace, and red bead eyes. Fully marked including London assay stamp and unidentified maker’s initials “T.S” in oval. Very good condition.

Dimensions: H 6 x D 2 1/4 in. #BW614

Edwardian Regency sterling silver box. Made by Gorham in Providence in 1917. Square with straight sides. Cover hinged with gently curved top and scrolled top. Allover engine-turned wave ornament on box sides and cover top, which also has engraved garland and wreath (vacant) with pendant flowers; cover sides plain with pointille borders. Interior velvet lines. Perfect for jewelry and keepsakes. Fully marked including maker’s stamp, date symbol, no. 7113, and letter R. Excellent condition.

Ove...

Amusing shakudo brooch with copper and gold detail featuring a woman in repose. The brooch is braced by a sterling silver mount. Made in Japan. Meiji period, ca. 1880. Excellent condition with fabulous patina.

Length: 2 3/8 in. #1120

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with impressed shoulder and molten-style irregular turned-down rim. Overlay in form of whiplash tendrils and loose and fluid blooms. Glass iridescent in purple, yellow, and green with a few glimpses of blue. Gorgeous Art Nouveau with nice shimmer. Silver marked “Sterling” with La Pierre maker’s stamp. Very good condition.

Dimensions: H 5 3/8 x D 3 1/2 in. #BX850

German Classical 800 silver centerpiece, ca 1910. Solid oval well and curved sides with reeded rim, open basketweave, and chased and engraved ornament: Leafing scroll frames inhabited by cherubs feasting on grapes in company of a goat as well as waving torches and hoisting flower baskets overhead. Cast double-scroll end handles surmounted by cast figures of same, precariously perched and drapery-clad cherubs. Four scroll- and flower-mounted stepped supports. Gilt-washed interior. Fully marked ...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

German 800 silver figural bird bowl, ca 1910. A big beautiful swan with graceful downturned neck terminating in closed and tapering bill. Fan-shaped tail and hinged wings ready to spread for taking flight if the party chat gets too dull. Finely chased and engraved feathering from dense and imbricated to fluffy and plumy, and tucked-up taloned and webbed feet. Capacious hollow body for holding treats or flowers. Marks include maker’s (Friedrich Reusswig) and Munich retailer’s stamp (Rosenau) ...

Pair of German 800 silver figural bird bowl, ca 1920. Each: Swan with ovoid body, upturned tail, and scaly-s-scroll neck terminating in in closed bill. Imbricated feathers and hinged plumy wings that can be opened to suggest flight. Hollow gilt-washed interior for holding treats. German marks including Hanau maker’s stamp (Gebrüder Neumann) and American importer’s stamp (Buchholz & Zelt). Very good condition.

Dimensions: H 5 1/4 x L 6 3/4 x W 3 1/4 in. Wingspan: 8 1/2 in. Total weight: 1...

A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddish maroon. A hasami-no-ato mark can be seen where the tongs were used to remove this piece from the kiln, and the potters mark can be seen near the foot of the bowl. Simple and refined, perfect for collectors and practitioners of tea alike.

Born into a generational line of tea-ware potters from Kanazawa, Fumiaki Kaihatsu (b. 1...