American Edwardian 3-piece carving set, ca 1910. This set comprises knife, fork, and sharpener. Each: Ribbed and irregular ebonized horn handle; sterling silver mounts with low-relief leafing scrollwork and asymmetrical scrolled frame (vacant); end has engraved monogram. Blade, shank, and rod stainless steel. Marked “Sterling”. Very good condition.

Dimensions: Knife: H 14 in. Fork: 10 1/2 in. Sharpener: H 13 in. #BY531

Fancy American Victorian sterling silver basket, ca 1890. Retailed by Tiffany & Co. in New York. Oval well and wide flared mouth; spread and reeded foot. Rim interior has cast scrolls, shells, and leaves with pendant flowers in open scroll rondels as well as chased flowers and leaves. Open curvilinear swing handle with leaves and flowers as well as central scrolled oval frame (vacant). Fully marked including retailer’s stamp and no. 4727/94. Very good condition.

Overall dimensions: H 13 1/2 ...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

Pair of Edwardian Georgian sterling silver candlesticks, 1927. Retailed by Black, Starr & Frost in New York. Each: Bellied socket with detachable bobeche; tapering shaft on raised foot. Faceted with lined frames. Foot has applied trapezoidal mono plate. Fully marked including maker’s stamp, Gorham date letter, and no. 4/15. Very good condition.

Dimensions: H 9 3/4 x W 4 1/4 x D 4 in. Weighted. #BY621

Turn-of-the-century Art Nouveau sterling silver mirror. Made by Lebkuecher in Newark. Two bracket supports joined by concave and crisscrossing stretchers. Hinged swing oval frame inset with beveled glass. Dense and fluid engraved scrolls, leaves, and flowers on lined ground. Each support has shaped cartouche (vacant). Glass frame engraved with interlaced script monogram. A timeless addition to a lady’s vanity table. Fully marked and numbered 2473/15. Excellent condition with strong definition....

Georgian-inspired sterling silver tray. Made by Tiffany & Co. in New York. Rectangular with stepped molded rim and double c-scroll corners. A great Midcentury adaptation of 18th-century design. Fully marked including maker’s stamp and postwar pattern no. 23966. Very good condition.

Dimensions: H 1/4 x W 14 1/2 x D 10 1/4 in. Heavy weight: 33.5 troy ounces. #BZ553

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Baluster with dense and vertical overlay in form of entwined stem flowers in curvilinear frames. Scrolled cartouche (vacant). Glass is green. Fully marked including maker's stamp (Alvin), retailer's stamp (Black, Starr & Frost), and no. G3215/3. Excellent condition with deep patina.

Dimensions: H 6 3/8 x D 2 5/8 in. #BT558

Large Edwardian Art Nouveau sterling silver basket. Made by Meriden Britannia (part of International) in Connecticut, ca 1910. Wide and shaped mouth and cylindrical body flowing into round foot. Hinged c-scroll handle. Pierced and engraved ornament, including flowers, leaves, and garlands. Reeding. Armorial frames on front and back engraved with interlaced script monogram. Fully marked including maker’s stamp and no. 920. Very good condition.

Dimensions: H (with handle) 23 x W 16 x D 9 in. W...

Ca 1892 An ornately stamped gilt metal blue chalcedony (dyed agate) bracelet in original condition with detailed crimped frames and expandable panels all accented by flowerheads and small opals. The stones' facets and tables show light wear; one stone has a small chip on a table facet, another has a small section missing adjacent the setting (please refer to pictures). Hidden box clasp and safety chain. There is some darkening to the metal. A lovely piece sold as is. 7 -1/4".

Turn-of-the-century Art Nouveau sterling silver bookmark. Made by William B. Kerr in Newark. Dagger blade engraved with interlaced script monogram set in open frame. Cast terminal in form of winged cherub, a guiding spirit to help you keep your place. Back plain. Fully marked including no. 922. Very good condition with nice patina.

Dimensions: H 3 5/8 x W 2 x D 1/2 in. #BS168

Classical coin silver christening mug. Made by Tifft & Whiting in North Attleboro, Mass., ca 1850. Straight and tapering sides with beaded rims. Three names and 3 birthyears (1851, 1877, and 1908) engraved in leafing scrolled frame. Leaf-capped s-scroll handle. Maker’s stamp and phrase “Pure Silver Coin”. Good condition with attractive period wear and nicely sunk engraving.

Overall dimensions: H 3 1/4 x W 3 3/4 x D 2 1/2 in. Weight: 2 troy ounces. #BR811

Edwardian sterling silver porringer. Made by McChesney in Newark, ca 1910. Round with straight sides, flat rim, and curved bottom; Tapering handle; center open and inset with curvilinear ornament. Sides exterior have engraved and acid-etched Mother Goose scenes including Old King Cole, Simple Simon, and Little Tom Tucker, cherished characters in olden days pre-industrial fashion, with the men wearing breeches, their woolen-stockinged calves dangling out of the rectangular frames. A goose balance...

Tall turn-of-the-century Art Nouveau glass decanter with engraved silver overlay. Globular bowl with cylindrical neck and everted rim. Stopper concave with faceted neck. Dense overlay. On bowl are flower heads, entwined scrolls, and trellis between double linear frames joined by beading and terminating in volute scrolls. On neck are shooting tendrils forming arches. Neck and rim in collar as is decanter neck. Glass is clear. Marked and numbered 044. Very good condition.

Dimensions: H 12 5/8 x...

Victorian Classical sterling silver loving cup, ca 1890. Baluster bowl with flared rim and raised foot. High-looping capped double-scroll handles. Exuberant embossed and cast ornament with scrolling leaves and scallop shells contained by fluted frames. Fully marked including maker’s (Frank W. Smith) and retailer’s (Theodore B. Starr) stamps, no. 1334B, and volume (6 1/2 pts). Very good condition with deep patina.

Overall dimensions: H 10 1/2 x W 10 x D 6 in. Heavy weight: 46.8 troy ounce...

Art Nouveau clear glass decanter with silver overlay. Made by Black, Starr & Frost in New York, ca 1920. Oval bowl with flat foot, cylindrical neck, and everted rim. Ball stopper with conical mount, spool neck, and short plug. Dense ornament with stylized leaves in whiplash frames overlapping with intersecting lines. Stylistically transitional incorporating both the curvilinear and geometric. Scrolled cartouche engraved with interlaced script monogram. Foot in silver collar as are neck and rim...

Craftsman sterling silver bowl. Made by Lebkuecher in Newark, ca 1920. Ovoid with reeded rim and small c-scroll handles. Fluting and ogee-form frames (vacant). A traditional pottery form with visible hand hammering. Fully marked including maker’s and retailer’s (Grogan Company) and no. 02907HCD. Very good condition with nice shimmer.

Dimensions: H 6 1/4 x W 10 3/8 x D 8 3/4 in. Heavy weight: 39.7 troy ounces. #BX864

Aesthetic coin silver baby cup. Made by Juergens & Andersen in Chicago. Tapering and inset sides engraved with stylized ornament, including swags and scrolls, centered on oval frame (vacant) bordered by beading and dentil interspersed with trefoils. Top and bottom have ornamental borders on ribbed ground. Thick scroll bracket handle. Marked “Coin” and “Chicago” with maker’s stamp (1857-71). Very good condition.

Dimensions: H 3 3/8 x W 4 1/8 x D 3 in. Weight: 3 troy ounces. #BT449 ...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...