Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 ...

German 800 silver figural bird spice box, ca 1900. A hen with neat feathers and firmly planted talons. Detachable head tilted to side with intent glass eyes and small crown. A sweet barnyard helpmate with funny, flouncy tail. A desirable table ornament from all angles. Hanau marks. Very good condition with nice patina.

Dimensions: H 8 3/4 x L 9 x W 4 1/4 in. Weight: 22.5 troy ounces. #BZ290

Gorgeous Titania glass vase by historic maker Loetz with engraved silver overlay, ca 1900. Upward tapering sides with gently flared mouth. Sides concave and corners chamfered. Overlay in form of vertical leafing scrollwork mounted at corners and joined on sides by double arches. Glass is mottled and iridescent white shading to green with exposed patches of the solid cobalt blue interior. Very good condition.

Dimensions: H 8 1/8 x W 3 3/4 x D 3 3/4 in. #BZ193

American Art Nouveau glass vase with engraved silver overlay, ca 1900. Tall and tapering neck with turned-in mouth rim in silver collar. Wide and bellied bowl. Overlay in form of windswept flowers and entwined and whiplash stems and tendrils. Ribbon cartouche (vacant) Glass is red. Worn marks including no. 38. Very good condition.

Dimensions: H 12 1/8 x D 5 1/8 in. #BZ217

Pair of pretty Austrian Biedermeier Classical silver candlesticks, 1863. Each: Tapering socket with turned-down rim and overhanging base mounted to knopped baluster shaft on domed and curvilinear foot with stippled flowers at corners. Fluting and lobing. Perfect for reading Goethe by candlelight. Marks include dated Viennese assay stamp indicating 13 loths (that is 812.5 silver) and maker’s initials IC. Very good condition.

Dimensions: H 11 5/8 x D 5 3/4 in. Weighted. #BY787

American Art Nouveau glass vase with engraved silver overlay, ca 1900. Baluster with inset and flared rim and spread foot. Vertical overlay pattern comprising distended flower heads and leaves overlapping curvilinear tendrils. Heart-shaped cartouche engraved with interlaced script monogram. Glass is green. Silver has retailer's stamp (“Wm Wise & Son”). Very good condition.

Dimensions: H 12 3/8 x D 4 in. #BZ129

German 800 silver box, ca 1910. Rectangular with straight sides. Cover flat and hinged; tapering sides applied with flower head border. Embossed Olden Days scenes of merrymaking with dancing and flirting by men in neck ruffs and women in laced bodices. On front are massed soldiers carrying swords and pikes. Gilt interior. Corner leaf-mounted scroll supports. Marked “800” with Hanau maker’s stamp (Karl Söhnlein & Söhne). Very good condition.

Overall dimensions: H 4 x W 4 x D 2 7/8 in. ...

Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Conical mouth and neck, and bellied bowl. Overlay in form of dense leafing scrollwork and flowers; asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R387. Very good condition.

Dimensions: H 8 x D 4 in. #BZ165

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Elongated baluster with flared rim and raised foot. Overlay in form of budding and blooming tulips with entwined and whiplash tendrils. On foot is scrolled cartouche engraved with scroll-letter C between the years 1880 and 1905. Glass is green. Silver has faint marks including La Pierre maker's stamp. Very good condition.

Dimensions: H 12 3/8 x D 3 3/4 in. #BZ148

Belle Epoque Rococo 950 silver jardiniere centerpiece, ca 1900. Bombe oval bowl with wide and tapering rim. Embossed twisted fluting and applied round frames (vacant) with scallop shell crown supported by winged cherubs. Elaborate end handles, each with cast figure of lunging cherub, holding drapery in one hand and flowers in the other, between leaf-wrapped double-scrolls. Four leaf-mounted scroll supports. A sumptuous homage to the 18th century. Detachable brass liner. Fully marked including Mi...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Edwardian Classical glass vase with engraved silver overlay. Made by La Pierre Mfg. Co. in Newark, ca 1910. Faceted cone with scalloped rim; round flat foot with star cut to underside. Overlay in form of garlands threaded through interlaced arches (body) and star (foot); scrolled frame (vacant) also on foot. Marks include maker’s stamp. Very good condition.

Dimensions: H 11 1/8 x D 5 in. #BY772

German 800 silver cow creamer, ca 1910. A sweet bovine with upturned horns, flexed ears, and smiley mouth spout. Sturdy sagging body with ring-handle tail and hinged back cover with fly finial. Stands on firmly planted hooves. Unidentified Hanau marks. Very good condition.

Dimensions: H 4 1/8 x L 5 1/2 x W 2 in. Weight: 5.6 troy ounces. #BY777

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...