Edwardian Classical sterling silver gravy boat on stand. Made by Dominick & Haff in New York in 1907. Boat has helmet mouth, leaf-capped high-looping handle, and 3 leaf-mounted scroll supports. Stand has oval well. Turned-down and irregular scrolled rims with chased leafing scrolls and applied scallop shells. Engraved interlaced script monograms. Fully marked including dated maker’s stamp, retailer’s (Bigelow, Kennard) stamp, and no. 2340. Very good condition.

Dimensions: Boat: H 5 1/2 x W...

German Biedermeier Classical silver tray, ca 1860. Plain oval well. Sides have open border in form of leaves set in ovals. Cast leaf-and-dart rim on lined ground. A practical serving piece with lots of Mitteleuropa charm. Marked. Very good condition.

Dimensions: H 1 3/8 x W 18 x D 12 3/4 in. Weight: 37 troy ounces. #BY866

Edwardian Classical water pitcher. Made by Redlich in New York, ca 1890. Clear cut-glass with bead-and-reel bands on bowl and brilliant star on underside; Neck faceted and notched with reeded bands. Sterling silver collar with helmet mouth and applied leafing scroll and beaded rim. Silver-mounted horn handle. A beautiful big game-era piece. Silver fully marked including maker’s stamp and no. 305. Excellent condition.

Overall dimensions: H 9 3/4 x W 8 1/4 x D 6 1/2 in. #BX106

Here is a rare complete set of nine lithograph/prints including one of Senator McGovern during his presidential run that year as well as eight others signifying campaign issues.The content page lists the artists with a small box picture of their work/issues. It is noted that the prints are issued in offset lithography in a numbered edition of 375, and signed in print by each artist with the EXCEPTION of the McGovern print.Each Measures 16" x 19.5" They include: 1)McGovern by Paul Giovanopolis, ...

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprised of warrior’s shields. Oval form for stealthy gliding. Planks with filigree rinceaux. Stylized Arts & Crafts ornament. Translucent green, red, yellow, and purple. Marks include maker’s stamp. Excellent condition with strong and intact color.

Dimensions: H 4 x W 6 5/8 x D 3 1/4 in. #BY195

Set of 4 turn-of-the-century French Belle Epoque Rococo 950 silver open salts and spoons. Each salt: Open oval with scrolled and leafing rim and four reeded and scrolled supports. Asymmetrical scrolled cartouches engraved with interlaced script monogram. Cobalt glass liner with scalloped rim. Each spoon: Double-sided gilt-washed shell bowl and tapering stem with raised scrollwork. All pieces have maker’s stamp for V. Boivin. Spoons have Minerva head. Very good condition.

Overall dimensions: ...

Chrysanthemum sterling silver oyster ladle. Made by Tiffany & Co. in New York, ca 1920. Round bowl with twisted fluting and curved and reeded stem with dense, entwined, and wraparound leaves embedded with flower heads; large flower head at terminal. A nice serving piece in this pattern which was introduced in 1880. Engraved interlaced script monogram. Fully marked including maker’s stamp. Very good condition.

Height: 10 1/2 in. Weight: 7.7 troy ounces. #BX974

Imperial Chrysanthemum sterling silver soup ladle. Made by Gorham in Providence, ca 1900. Tapering stem with waisted terminal and lobed round bowl. Dense ornament with flowers and leaves. Bowl interior gilt-washed with same. A nice serving piece in the late-comer Japonesque pattern, which was first produced in 1894. Fully marked including maker’s stamp. Very good condition.

Dimensions: H 12 3/4 x W 4 x D 3 7/8 in. Weight: 8.2 troy ounces. #BY819

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, which is often clea...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

Russian 875 silver ladle, ca 1880. Oval bowl and fiddle terminal with engraved initials and year 1881. A nice serving piece from the twilight of tsarist Russia. Marks include maker’s (PA) stamp and Moscow assayer’s (Aleksandr Nicolayevich Krollau) stamp dated 1880. Very good condition with nice patina.

Dimensions: H 11 1/4 x W 3 1/2 x D 3 in. Weight: 5.5 troy ounces. #BY490

George IV sterling silver and agate fruit set for 12 with 24 pieces. Made by Francis Higgins in London in 1833. This set comprises 12 forks and 12 knives. Tapering rectilinear half-fluted handles in mottled grey and brown agate. Sterling silver blades and 4-tined shanks. Regency Classicism for a special dinner party. Fully marked. Excellent condition.

Height: Fork: 6 1/8 in. Knife: 7 5/8 in. Case dimensions: H 2 3/8 x W 13 3/4 x D 9 1/2 in. #BW456

Tokuriki Tomikichiro
Sanjo Bridge
Date: Likely 1940s-50s.
Size: Tanzaku (pillar) 14.25 x 3 inches.
Signed "Tomi" at lower right.
Medium: Japanese woodblock print on decorative board as originally issued.
Condition: Slight toning near bottom.
Note: This is the only example of this wonderful design that we could locate.

French Classical silver coffeepot, 18th century. Baluster with silver-mounted stained and turned wood handle. Cover hinged with bud finial. V-form fish-mouth spout. Three hoof supports with oval medallion mounts. Gadrooning, twisted fluting, and ribbon-tied blossoming branch. Engraved on underside are 3 presentations of which two dated 1881 and 1950 as well as phrase “Bought in Tours, France”. Marked. Good condition with nice patina.

Dimensions: H 10 3/4 x W 9 1/4 x D 4 1/2 in. Gross weigh...

The poem etched on the side of this exceptional piece reads: "As a pastime ― bringing clumsy, fragile things to sell ― at Uruma Market ― how lonely!"  A very significant poem as it conveys a bit of irony; for the Edo period nun who inscribed this poem would go on to create a legacy of art, beauty, and philosophy that endures even today. The poem also suggests that this is one of her earlier works that would have been produced before she became renowned throughout Japan for her...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...