Catalog (422)

Lacquered wood sake cup. Hira and Taka Maki-é gold powder decoration on a KinJi (gold powder) background, différents kind of nashiji, détails in red,brown and reddish brown, the reverse in red lacquer. Depicting a curious scene of mother and childs in front of a toys shop. Epoque Edo. Signature. Best quality surely a great artist and very amusing and curious scène as you can see there are some toys, ducks, boats ,evil but what's this water machine? I don't know ,somebody perhaps know? .Good condition, no restoration or repainting. D: 137mm H: 32 mm.

Jade pendant (Talisman) representing a tigress and her cub. (Or devouring a prey?) Usual wear for this period. No lack or restoration. Drilled with a hole between the front legs. Ming or earlier. 40x26x18mm Exceptional note: This jade was part of a collection of hundreds of Chinese jades from all eras from Neolithic to Ts'ing (Qing) purchased in the auction room in the 1970s in France, as for other objects on offer on our site, for each one we will specify.

Painting on woven paper. An unusual and surprising technique. The paper is cut out then this woven paper is painted. However there is a subtlety because in some places only the vertical strips are painted and not the horizontal ones which shows us colored squares alternating with unpainted squares which gives a blurred effect anticipating our "pixels" and which, I think, gave the illusion of a woven fabric. Most certainly from the Qing period but perhaps before.It's a very rare technique. Moving condition.Stained,worn,faded,torn. 185cm x 50cm

A cast bronze vase. Finely executed. The finish is nice, made with a lathe and a scraper. Very elegant decoration of chains and tassels inlaid in gold and silver. At the neck a frieze of stylized dragons. Beautiful old patina, good condition, no restoration. No mark. High: 30cm.

Suzuribako in roiro lacquer decor of a setting sun behind the waves in red and gold lacquer. Inside a couple of gold lacquer cranes on a nashiji background. Edo period 19th century or before. Good condition, no repairs. Normal use wear for this period. Very interesting subject. Dimensions about 21x21 cm

Porcelain dish, decoration in underglaze cobalt blue. Although this dish is made for export, its exceptional quality is identical to the finest creations made for the chinese imperial court. The mastery of the brush is total. The painter who executed this work was one of the best hands of King-to-chen. The very high cost of a service of this quality allows us to affirm that this was the order of an important character. . China end 18°. Diameter: 232mm Good condition but multiple chips all around the edge and the heel. This type of accident is found on certain porcelains from this period and seems to be due to firing defects.

Pewter and bronze tea box imitating a drum. Decor incised with a chisel representing peony flowers on the sides, a symbol of longevity. Two handle in lion head.Bronze nails are arranged all around imitating a drum.The excellent quality of the workmanship, unusual for pewter, as well as the style suggests that this is an object dating from the very beginning of the Qing period. Good condition, no restoration or welding. One bronze nail is missing. No shock. Normal wear and tear for a centuries-old object, but the decor remains clean and precise. Inside we can see a mark of 4 Chinese characters. Very rare object. Height about 18cm.

Vase in the shape of a fish. Iron inlaid with gold and silver. Turquoise stone detail and red eye, either glass or ruby. On the reverse, a tie was soldered to the pewter later to be able to suspend it and thus make it a wall vase. But it seems to me that the object was simply made to be placed on a table. The silver inlays are very numerous, but oxidized in black, they have become almost invisible, however they are clearly distinguishable on the enlargements. It would be easy to lighten them by deoxidizing them and making them shiny, but I liked the sobriety of this black with a slight shade of gray. The tail is particularly elegant. The base is riveted. The stones are set in bronze or brass receptacles. Good condition very few inlay missing. Middle orient probably Qajar or Ottoman. Length: 27cm.

Nabeshima hard porcelain dish. Okawachi kilns. Decoration in underglaze cobalt blue and overglaze enamels. Although the model already exists at the beginning of the 18th century, we do not believe that the dish presented here is authentic. The enamels are perfect, one can distinguish with a magnifying glass discreet wear of use and the enamels show age cracks, but the cobalt blue on the reverse is too pale. It is not a modern copy, as it has been in the Sakura collection for about forty years. It must probably be an excellent creation made around 1900 by a Japanese potter such as Imaizumi (Kakiemon 10) who excelled in remaking old models by challenge. Good condition. Diameter 205mm.

Hard porcelain vase covered with a crackle glaze. Decor of two facing dragons enamelled in an exceptionally bright electric blue, their eyes enamelled in yellow. Two friezes enamelled in green and a frieze of stylized flowers molded in relief on a celadon background. The style and quality of the drawings, enamels and technique suggest a creation by Makuzu Kozan. There is no mark, but the base seems to have been ground, if so, it was probably to erase a mark which would have made it possible to identify the vase. This type of grinding was done to remove the marks Imperial on Chinese objects stolen from the Palace and sold for trade by the eunuchs of the Imperial Court. Japanese work from the end of the 19th century around 1900. Good general condition, a small enamel drop. Height: 280mm.

Very beautiful tsuba in sentoku inlaid with shakudo, gold and silver by Jo-I, first-rank artist from the end of the 18th century. The funny subject represents a man driving demons out of his house by throwing beans on the ground. Excellent work, perfect finish. No restoration or hidden defects. Original patinas. 67x58x4 mm

Extremely rare dish decorated in blue white, china late 18th century for export to Japan. The design is of high quality and the cobalt blue is perfectly fired. Deep blue color. The quality of the design is far superior to what we usually see on Chinese export porcelains and equals that of some imperial pieces. The decoration of the marli is particularly complex. The presence of 2 Japanese Mon allows us to think that it is a Japanese order. Probably a service for a wedding? Excellent condition. Diameter 28,5cm.

Rare carnelian bowl with a beautiful deep orange-yellow. The typical Chinese shape is classic, and the capacity is that of a tea bowl. The grinding work is meticulous, the shape is perfect, the Agate has an excellent color which shows shades of color ranging from yellow to orange through transparency. Difficult to date with precision but all these quality criteria seem to indicate a creation from the Qing period. Excellent condition except micro scratches invisible without magnifying glass. Diameter: 105mm

Lost wax cast bronze incense burner. It is formed by a large peach opening by a lid, the fruit is represented with its branch, its leaves and other smaller peaches. In total there are 8 peaches but on closer examination, it appears that in one place a little surface of the bronze was not well scraped and finished like everywhere else, which would indicate that there was an additional peach, today now broken and disappeared and that the presence of this one had prevented the tool of the craftsman to maneuver under this fruit.There are also 2 bats All the fruits rest on a very old base which seems to be from the same period as the bronze and which is carved in a pretty hard wood with a fine grain which seems to me to be from Huang-Huali. It is very rare that this type of object still has its base. Beautiful patinas of bronze and wood. Good condition except that a small peach and a piece of the wood base are missing. All this is visible in the photos. Chine 18th century or earlier. Length: 23cm Height: 16cm

Handle rest cut from a half section of bamboo, skillfully sculpted with lotus flowers on an aquatic background. In a small spared rectangle, the artist incised his name in 2 Chinese characters. The quality of the sculpture is beautiful, precise and deep, some stems are completely detached from the base. The old patina is superb. The decor, although cluttered, is very elegant. This is an excellent quality handle rest executed for a scholar by a good artist. The translation of the signature should confirm. We can translate it on request. 19th century or earlier. Good condition. No restoration, splits or sticking. 152x64mm.

Wooden lectern covered with black lacquer, decorated with Japanese seignorial emblems (Mon) with gold powder. The emblems are treated in three different versions, all three of excellent lacquer quality in a very elegant style. The lectern can be dismantled into 4 parts, the box, the drawer, the top and the axis, the elements are assembled using mercury-gilded copper frames, which are finely chiseled with scrolls of stylized plants on a nanako background. This simple “Mon” decor but of superb discreet quality makes us think that this lectern dates from the first part of the Edo period, probably from the beginning of the 18th century or even the end of the 17th century. Japanese lecterns are very rare. Note the details of the emblems in the enlarged photos. Good condition. No catering. No re-lacquering. Usual wear visible on photos. 57x44x31cm.

White jade pendant stained with rust representing a goose busy washing itself. The bird is represented resting on a large lotus leaf, its head preening its dorsal feathers, gracefully curving its neck which stands out from the body and serves as a natural handle for passing the silk cord. The compact shape, the whiteness of the rust-stained stone, the subject, the natural attachment and the quality of the sculpture as well as the details make it a jewel of excellent quality. Chinese lapidary work from the Qing period, probably 18th century but perhaps earlier. Length approximately 7cm.

The woven silk panel is decorated in the typical Kyoto style of the early Edo period. Sewn on a cotton base. Colored silk threads, and silk threads covered with rolled gold ribbon. The whole is made up of three strips with identical silk decorations sewn together, their width must correspond to the maximum width imposed by the looms of the time? Good condition, which is exceptional as well as the dimensions, 171x165cm. Mark painted in black ink.