Catalog: Antiques: Decorative Art (197)

The porcelain plate is marked in underglaze blue with the crossed torches of Locre which was known to have exported undecorated porcelain to England. Once in England, very often London, it was decorated with overglaze enamels and gilding. The Locre factory closed in 1820. The decoration is reminiscent of 18th century Worcester. Though it may have been part of a set of plates it may also have been painted to replace a broken plate in an 18th century set...

A nicely decorated and shaped platter with 12 sides (the form known in France as a douze pans). This type of platter with a bust and scrolling decoration is typical of Moustiers, though the attribution to the Clerissy factory as stated on the stuck-on label on the back is less certain. The dimensions are 13 5/8 inches (35 cm) long, 10 inches (25 cm) wide and 1 ¼ inches 2.5 cm) tall.

Condition: No chips, cracks, hairlines or repairs...

An English creamware mug probably either Yorkshire or Staffordshire elaborately decorated with a brown body on which is painted in green black and yellow a very stylized house with fences and trees all within a yellow band at the foot and the lip. The squared off handle is also yellow. The shape of the handle leads to the fairly late date. 4 ¾ inches (12 cm) tall and 5 5/8 inches across the handle (14.2 cm).

Condition: no cracks, hairlines or repairs...

A large ormolu mounted turquoise glass covered bowl with an ormolu (gilding gone) and an attached ormolu base (gilding in good condition). The flattened bowl decorated with gilt lines and white enamel jewels. The top with a gilt band around the outside, a ring of gilt leaves and berries, then two black transfer classical female figures on opposing sides separated by gilt and white enamel jeweled quatrefoils . 9 inches (23 cm) diameter...

A creamware mug with a black transfer depicting two men walking across a bridge over a stream that pours into a peaceful river with a sailboat and boat with freight steered by a man in the stern. In the distance people on a point of land and in the far distance, beyond bends in the river, the top of an obelisk shows against the horizon. The oval transfer appears as if it was slightly too tall for the mug, being cut off at the bottom. It is otherwise framed with a laurel leaf surround...

A creamware mug, probably Liverpool, with a black transfer printed scene of a farm cottage with gate and outside the fence two men standing in front of a loaded one-horse cart. The oval transfer surrounded by foliage. Though much creamware was earlier it remained popular into the nineteenth century. 3 ¾ inches tall and 4 3/8 inches across the handle.

Condition: no cracks, hairlines or repairs. Fairly substantial chip that is mostly on the inside of the foot and another minor one on the foot...

A pearlware child’s mug with the stencil inscription in blue on the front, “A Gift from the Pottery,” in a cut corner rectangle with a seaweed surround. The top and bottom of the mug with a single blue band. The ends of the oval handle spread like a leaf. 2 1/8 inches (5.4 cm) tall, 3 ¼ inches (8.3 cm) across the handle.

Condition: no chips, cracks, hairlines or repairs. Tiny rough spot on the lip and a little wear on the base...

A pair of elaborate porcelain vases with large leaves in turquoise and gilt opening from a narrow base which rests on four wide feet. The base and feet encrusted with vegetation and occasional flowers which also support a large rising stem on either side with roses on one side and blue, orange garden flowers and possibly small lilies on the other side. Hard to imagine putting flowers that wouldn’t clash into these vases...

A Dutch delft blue and white tile painted on the diagonal showing a tulip in the center with parts of fruits around it as it grows out of ground that would form a star with three other tiles of the same pattern. 5 1/8 inches (13 cm) square. A little less than ½ inch (1 cm) wide. Tapered sides. Wire hanger attached.

Condition: damaged along the upper left edge, part of an old repair and part not repaired. Firing flaw on the right. Small losses on other edges.

A Dutch delft polychrome tile, from 1620 to 1650, with a bee resting on the petals of one flower (probably a snake’s head fritillary) with a second blossom on the same plant below it. The petals in blue and orange, also the bee. The leaves are green and the blue stem is growing out of a green bulb on the ground. Inside a blue three line octagon with gothic arches and the corners filled with a pattern of lines. The initials T G on the back. 5 inches (13 cm) square...

A Dutch delft polychrome hand decorated tile made between 1620 and 1650 depicting a double handled vase containing three orange flowers that fit into the space on the tile between the large painted corners. The colors are blue, orange and green. 4 ½ inches (11.5 cm) square. ½ inch (1.5 cm) wide. Tapered sides. Glued on hanger a late addition.

Condition: chips to the corners, especially the upper left one which shows part of an old repair, Old repair in the upper right corner. Some losses...

A Dutch delft tile from between 1625 and 1650 showing a blue flower in the center enclosed in an oval of three blue lines. The single blossom has blue petals and a yellow center. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick. Beveled edge...

A hand painted Dutch delft tile from between 1625 and 1650 showing a carnation flower in the center enclosed in an oval of three blue lines. The single blossom is orange over the white ground. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick....

A Dutch delft tile from between 1625 and 1650 showing a snake’s head flower in the center enclosed in an oval of three blue lines. The single blossom is yellow and brown. The green leaves on a blue stem grow out of a yellow bulb on the ground. The oval with fleur-de-lis on the sides that correspond with the tile edges that are also decorated in blue with scroll work and vegetation (?). 5 inches (12.5 cm) square and slightly less than ½ inch (slightly more than 1 cm) thick. Beveled edge.

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A molded porcelain figure of a man in 18th century dress turned slightly to his right to warm his hands over a flaming brazier, emblematic of winter. The figure is marked on the base with the underglaze blue “F.” for Furstenberg. It also has the impressed marks A.a.M for a later production of the model which has the impressed number 85. 7 3/8 inches (19 cm) tall.

Condition: excellent except for the amputation of the fingertips of the right hand.

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base. Shield mark and the numbers 192 and 0 impressed on the underside.

Condition: other than the loss of th...

Porcelain hand painted figure of a musician playing a lute(?). The original by Bustelli was modeled in the mid-18th century. This is a later copy, after 1887 when the factory was taken over by Albert Baumi and the old models revived. Nymphenburg shield and the numbers 59 and 0 impressed on the underside. 4 5/8 inches (11.7 cm) tall and 5 3/8 inches (13.5 cm) across the base.

Condition: undamaged except for three of the four tuning pegs and part of the red bow on his left shoe missing.

A silver form porcelain teapot with the vented knop on the lid and the pattern number, “N 195” in red enamel on the base. This pattern is known as the “knitting wool” pattern. 5 ¾ (14.6 cm) inches tall, 9 3/8 inches (23.8 cm) across the handle and spout.

Condition: excellent. A tiny rough spot on the lip of the spout might be a tiny glaze chip or it could be a very small firing loss.

I think this form is one of the most pleasing for late 18th century teapots.