Catalog: Antiques: Decorative Art: Ceramics: English (60)

A molded porcelain plate with an overlapping acanthus leaf lip picked out in gilding and blue-grey. In the upper part of the well an exotic bird rests on a branch with green leaves and red berries. On the back are the gold anchor mark, pontil marks and an inventory number applied much later. Like most Chelsea of the period it is quite heavy. 8 ¼ inches (21 cm) diameter.

Condition: No chips, cracks, hairlines or repairs...

SOLD An underglaze blue transfer printed porcelain mug in the “Fisherman” pattern with a loop handle circa 1790. Marked on the bottom with a transfer printed “S.” 3 ¼ inches tall, 3 ¾ inches across the handle.

Condition: no chips, cracks, hairlines or repairs. Good clear printing of the pattern in an even blue.

Nice example of a popular pattern that Caughley used on numerous different pieces of porcelain.

A pair of porcelain dinner plates with molded basketweave edge and swirl ribbing with the lines extending into the well. Decorated with hand painted overglaze flowers and a gilt edge. The style closely resembles Meissen, but these are unmarked. The four ribs in four groups of four is identical with a plate pictured in Godden's book on Coalport that he dates from c. 1805 to 1810. 10 inches (23.5 cm) diameter. Unmarked.

Condition: No hairlines or repairs...

A 12 ¼ inch (31 cm) diameter blue and white delft charger made at Lambeth, London toward the end of the 18th century. The “Chinese garden” is well executed as is the border on the lip. A plate with the same decoration is at the Victoria and Albert Museum in London.

Condition: chips around the edge and a few places on the lip where the glaze has flaked off.

A very nicely molded Leeds creamware plate with underglaze blue decoration of an oriental man standing beside a low fence holding a parasol in one hand and pointing with his other while the birds fly in the sky beyond. Impressed mark that reads, “EDS*POTTERY.” 9 ¼ inches diameter (23.5 cm).

Condition: no chips cracks hairlines or repairs...

A silver form porcelain teapot with the vented knop on the lid and the pattern number, “N 195” in red enamel on the base. This pattern is known as the “knitting wool” pattern. 5 ¾ (14.6 cm) inches tall, 9 3/8 inches (23.8 cm) across the handle and spout.

Condition: excellent. A tiny rough spot on the lip of the spout might be a tiny glaze chip or it could be a very small firing loss.

I think this form is one of the most pleasing for late 18th century teapots.

SOLD An elaborately molded high handled sauceboat decorated with blue transfer flowers and blue transfer border on the interior top edge. There is a large amount of kiln ash in the glaze. 5 ¾ inches (14.5 cm) long, 3 ¼ inches (8 cm) tall and 2 ¾ inches (6.5 cm) wide.

Condition; Hairline crack where the handle joins the body and another short one on the left side just behind the first bump traveling back toward the handle. As mentioned earlier there is plenty of ash in the glaze...

SOLD A Worcester mug with flared sides decorated in transfer printed underglaze blue of sprigs of natural flowers. Although it is unmarked the transfer on one side is identical to the one shown on the side of a Worcester marked jug shown in plate 282 of Godden’s Caughley and Worcester Porcelains 1775-1800. The transfers are well printed. 3 ¾ inches (9.5 cm) tall and a little more in diameter across the handle.

Condition: No chips, cracks, hairlines or repairs. Minor firing flaws...

A creamware mug with a black transfer depicting two men walking across a bridge over a stream that pours into a peaceful river with a sailboat and boat with freight steered by a man in the stern. In the distance people on a point of land and in the far distance, beyond bends in the river, the top of an obelisk shows against the horizon. The oval transfer appears as if it was slightly too tall for the mug, being cut off at the bottom. It is otherwise framed with a laurel leaf surround...

A creamware mug, probably Liverpool, with a black transfer printed scene of a farm cottage with gate and outside the fence two men standing in front of a loaded one-horse cart. The oval transfer surrounded by foliage. Though much creamware was earlier it remained popular into the nineteenth century. 3 ¾ inches tall and 4 3/8 inches across the handle.

Condition: no cracks, hairlines or repairs. Fairly substantial chip that is mostly on the inside of the foot and another minor one on the foot...

A hexagonal Worcester teapot stand circa 1760 with molded chrysanthemums overlaid by blue painted blossoms which are repeated in a garland formation on the interior rim. Diameter is approximately 5 inches (12.7 cm), and height is approximately 5/8 of an inch (1.6 cm).

Condition: Slight discoloration on bottom. No chips, cracks, or repairs.

The teapot stand is an attractive shape with a nice contrast between the painting and molding.

A porcelain (hard paste) baluster form coffee pot decorated with a small bouquet of flowers and a few sprigs on one side and a few sprigs on the other with reddish purple ribbon with flowers around the top of the pot and the outside of the lid. Also on the pot a double band with entwined roses. The lid with a vented knop, which is a feature of silver form New Hall teapots. No marks. 10 ¼ inches tall (26 cm) and 8 ¼ inches (21 cm) across the handle and spout...

Hard paste fluted handless cup and saucer decorated with a brownish purple edge, flowers and a green and black band with elaborate breaks and red bindings. In the center of the saucer three larger flowers and a single flower at the bottom of the cup. Unmarked though probably Champions, circa 1775. Cup 1 ¾ inches tall, 2 ¾ inches diameter. Saucer 4 5/8 inches diameter.

Condition: No chips, cracks, hairlines or repairs. Very little wear.

Very pleasing unusual decoration. SOLD

An oval English porcelain sugar bowl with the lid and body decorated with blue and magenta bell flowers growing out of gilt plants...

Three plates with a blind molded basket weave border and swirled ribs the way Coalport molded plates in the early part of the 19th century. The hand painted flowers in a central bouquet and four single flowers on the lip are very much in the early Coalport style. The plates are 9 ¼ inches (23.5 cm) in diameter.

Conditon: no chips cracks, hairlines or repairs for two and the third with a spider in the center. The surface of all three has been scratched enough to be noticeable either by use ...

A cup and deep saucer in the bamboo pattern with an early printed Spode mark on the cup. The transfer design was applied over glaze by the “pluck and dust” method of transferring color followed by hand painting of the gilding. The color is referred to in the Spode literature as, “chestnut brown,” though this one has a reddish tint. Saucer 5 ½ inches diameter, cup 2 inches tall.

Condition: no chips, cracks, hairlines or repairs. Very minor gilding wear.

A pair of hand painted English porcelain dessert serving dishes, probably Spode, lozenge shaped with lobes and decorated with floral sprays and sprigs in bright colors with gilt scalloped border and gilt floral design in the apexes. No marks on the base, but this form with the elegant gilding in the apexes is ascribed to Spode and from early in the 19th century. Length 10 ¼, width 7 ¼ and height 2 inches.

Condition: No chips, cracks, hairlines or repairs. Almost no wear.

An oval English porcelain sugar bowl with the lid and body decorated with blue and magenta bell flowers growing out of gilt plants. The flowers circle both the lid and the body, which has molded ring handles (not working) at the end of the long sides. The knop on the lid is elaborately gilt. Unmarked, but certainly English and from the first quarter of the 19th century. 6 inches tall by 6 inches long by 5 inches wide.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear, espe...