Catalog: Antiques (488)

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches...

Made of iron, this antique Japanese mobile candle stand, known as a teshoku, dates from the Edo period. So typical of the old Japanese ethnographic objects, the design of this single candle holder is totally simple and wonderfully functional. With a lighted candle, this candlestand could be easily carried about the house by use of long very gently curved handle. When set in down, the placement of the 3 legs makes it very stable to minimize chances of it being accidentally knocked over...

This is a traditional Qing Dynasty woman's skirt. Chines skirts during this time period were made in 2 sections which were "buttoned" together with "frogs" The skirt was then wrapped around the hips so that the flat sections were displayed at at the front and back....the pleated sections were at draped the sides... The background fabric of this skirt is an unusually fine jacquard silk but the pattern of the jacquard does not show in the pics....the pleated sections of the skirt and also meti...

This Japanese pipe case, aka kiseruzusu, and matching sagemono, aka inro, are of burl wood and held together with ojime cord and a sliding bead coral

This ethnographic artifact is a seated ancestor female figure carved from goat's horn. It is from one of the Indonesian Islands by one of the indigenous Dayak tribes.

The horn is in good condition with no chips or losses and stands approximately 6 inches tall.

Obvious hand carved, this antique Sarinda is missing the tuning pegs, and the animal skin covering...wonderful patina...This is rare collectors ethnographic piece, and looks great hanging on a wall.

24 x 9 x 7 inches...hand carved from one solid piece of wood.

The "Sarinda" musical instrument was used for centuries in various countries in Central Asia, primarily in Rajasthan (Northern India), Pakistan, Nepal, Afghanistan, and Baluchistan...

This is one of a pair of wooden (not papermache) chinoiserie footed plates made for export. The central medallion Japanese scene is classic and the rim has ornate panels of individual woman in various poises. Each side has handle shaped and painted as an ivy leaf.

On the black lacquered back is the rement of a very old label. Plate is 10.75 inches at the widest point...

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This matching Japanese 5 piece set consists of 2 deeply footed shallow serving bowls and 3 small shallow bowls. The deep rich red/orange lacquer background serves to highlight the gold, black and gray landscape scene which graces the inside of each piece. Flying high overhead a gold crane surveys the pine tree and series of sacred mountains. The largest piece is 7 inches diameter, next piece is 6 inches diameter and the 3 pieces each have a 3.5 inch diameter.

This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.

The body of this antique Miao Chinese powder horn is carved with large spider web, small foo dogs, and clouds. The stopper is carved into a lotus blossom. The Miao believe that passed relatives take the form of spiders to visit and watch family members, so spider webs are left undisturbed in the home. This horn is from Kali area and is in excellent condition. It is 80-90 years old and approx 9" long.

This pair of sleeve bands is made of black cotton satin weave fabric with very delicately stitched floral motif embroidery. Each panel measures 6" x 26" with embroidered area measuring 3" x 9"

This antique lidded container was made for jewelry or other small household items. Obviously hand made, probably by the original owner, it does have a few surface nicks from age and use. With a 5 inch diameter and standing approx 4 inches high, it is a charming artifact of Chinese folk art.

This large Chinese scale has metal balance beams and shallow metal bowls. The scale fits into an ornately carved red and black lacquer wooden case which is slightly domed and has its original copper band closure. There is some wood chip loss around what was the hole for the string which allowed the case to be hung up for storage. Dating from the 1800's the braided cords which attach the shallow bowls to the metal balance beam appear to be replacement cords...

very nice old beaded choker/armband in good condition. measures 2.25 x 13.5 inches

This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.

The outside of this antique perfume bottle, from Afghanistan, is covered with silver metal which has a detailed, etched and fire polished design. The bottom of the bottle reveals it lapis lazuli interior liner...bottle is approximately 4 inches tall

This antique Chinese box would have been used during the Qing dynasty, possibly by a scholar or shop keeper. The bottom of this box has covered compartments for seals, chops,calligraphy brush, ink sticks and a built in inkstone. There is an abacus built into the lid.

The original hinge pin was lost and has been replaced. The box was made with large dovetail joints and from a hard wood of unknown origins. The outside is dirty and I have not cleaned it...

This old pair of Chinese shoes were made for a small child. Appliqued onto the red cotton background fabric are bits of trim and cotton fabric which give the appearance of a cats face. Gold thread is used in a couching embroidery stitch for the design on the both sides of each shoe.

Delicately carved with a floral motif, is horn was used to give domestic animals medicine. It is Chinese ethnic minority probably from Inner Mongolia. Horn is about 6" long and has small chip at the end of the bowl. It is a wonderful ethnographic piece for the tribal arts collector

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

This rare Edo period antique Japanese round box has 3 tiers, lid and plate. There is a column of small Gosan kiri family crests down one side and another column of small family crests on the other side. The inside is of each piece is red orange lacquer. The box fits into the rim of a plate which was use for serving. The gold lacquer paintings designs are all very fine.

The box on the plate stands approx 9.5 inches tall. and is approx 5.5 inches in diameter...

The metal bowl of this traditional old bronze Chinese spoon is heavily patinated from extensive use and was probably used for heating maybe opium.

This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...card is 3 x 3.5 inches

This charming old Chinese headband was handmade for a small child sometime in the late Qing dynasty. It is one of the nicest animal headbands that I have seen, and it is in good condition. The cat's face would have been worn at the child's forehead and is 3 dimensional. Made with silk fabric, with silk thread for the elaborately embroidery, the face is complete with ears that flap, and side paws. Opened at the back seam for easy framing, it can easily be re-sewn to fit display stand.

This set of Chinese dolls were made with wire bodies covered with fabric padding and then silk clothing. Their heads, lower arms and feet are made from some kind of composition material and then painted. Because of their wire construction, their arms, legs, and bodies etc can be carefully repositioned. The feet are wired together to provide a more stable base...it is a theory which frankly does not always work well...

These 3 Japanese porcelain cups and saucers were hand painted with a delicate landscape scene. They are the matching set to the previously listed Japanese chocolate pot dealers number J157 or troc #1008113. Thought the set was made for chocolate, it can easily be used for tea.

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

The top of this black lacquer Japanese box is heavily carved with leaves and foliage. The carved oval cinnabar panel in the center depicts a long and stable marriage scene. The standing wife has just served her sitting husband tea in the garden, outside the house surrounded by mountains. The four sides of the box are carved with continuous textile design.

The box is 5.5 inches x 4.75 inches and 2+ inches high.

This Buddhist figure was cast in bronze and sewn into a leather case. It would have been carried in a pocket or worn hanging about the neck by the leather thong...a personal amulet or talisman meant for protection. Good condition, 4 the case in 4 inches high and 3 inches across at the widest point.

The Chinese ethnic minority Miao are very fond of silver and would use any festival to display their ornate silver jewelry. This dragon necklace was used by a young girl child from one of the many Miao villages around the hills of Kali. The pendent is 6.5 inches wide, childs' size, but the decorative chain is long enough for an adult to wear. Because the pendent is hollow, it is comfortable to wear. As one moves, the necklace makes a soft tinkling sound.

This traditional Chinese antique tea container was made from bamboo. The outside has a carved rib design. This tea caddy would have been used regularly by family and friends during the Qing dynasty. Some minimal loss of finished surface on top ...to be expected with age and use...9.5 inches high

This small hinged metal case is covered with leather and opens to display both red ink pot and personal ivory chop. The person's name on the base of the chop is clearly carved. Leather in old China was very expensive...the owner of this chop must been a person of both status and wealth. The leather shows age but is intact and set is in very good condition. The case measures 2.5" X 1+" This is a rare old piece.

this matching pair of Turkomen Yomud tent bags, aka chuval, are out of my private collection...beautiful condition Sumak weave on bag faces plain woven canvas backs 39 x 17 inches (not including fringe)

Tibetan Buddhist monks Hand made folded paper with text and amulets. one side mostly with text and amulets on lower section. other side drawn amulet drawings with text This piece was from a collection gathered in Tibet in the late 60's..aged conservatively from the 1800's

Rare Chinese form, this Chinese chalice is from the late Qing Dynasty period. The dome shaped lid is topped with a gold finial. The surface of the piece is covered with cloisonne pattern. There is a floral design in black and brown which is offset against a background filled with a fretwork pattern. The chalice with its matching lid stands 9 inches tall.

The metal bottom of the chalice is stamped with the word China...