Catalog: Antiques: Regional Art (482)

Many Chinese would "grind" a day's supply of ink in advance and store the liquid ink in a metal "inkbox". According to the calligraphy on the top of this inkbox, it was a gift in the year of the goat, to a medical inspector upon completion of his 3rd year of work in Yuncheng city, Shanxi province. The inkbox is 3 inches in diameter and has an dried ink in the bottom and a built in inkstone inside the lid.

This is a Qing Dynasty woman's skirt which has been Adapted for western wear. The 2 panels of the skirt have been sewn together and the original waist band has been narrowed. The skirt easily wraps around the hips so that the flat sections were displayed at at the front and back....the pleated sections hang at draped the sides.....

Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss...

This pair of antique Miao boots were made by a young woman from Song Tao to be worn for festivals. The thick sole has iron hob nails to make walking easier on the hills and terraces. The vamp is made from cotton fabric and is heavily embroidered with cottton thread using satin and chain stitch techniques. The upper part of the boot is also made of cotton fabric.

This antique hat from Afghanistan is heavily decorated with variety of old Middle Eastern coins.

The gently domed top of this incense box is decorated with a traditional painting of crane diving for fish over sea rock. The sides of the box lid have scalloped indents to allow for easy opening. Box is 5+ inches x 3+ inches X2 inches high.

This ingenious antique Chinese pillow expands and contracts so it can be used as either a double and single pillows. The wooden ends have hand carved floral decoration. The head rest areas are bamboo and the individual rails are wooden. As expected,there are a few nicks to the finish which are consistent with a 100 yrs plus daily use item.

This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual.

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...

This antique Korean serving tray would have been used for serving tea or individual meals. The signature characters on the bottom are followed by the symbol for "student", presumably the tray was carved by an apprentice. The bottom also has rough darken areas for a more secure gripping surface and shallow attached feet which also have rough bottoms.

The tray has a delicately upturned lip, a deep rich red brown color. It is approx 13" x 9.5 inches...

This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.

This antique childs toy was brought back from Chinese by an American Missionary during the early 19th century. The snake or possibly a dragon has jointed body which can easily be moved to assume different positions. Obviously hand carved in the Chinese folk art tradition, this toy is in excellant condition. It displays nicely on the custom made stand.

This old set of pygmy quiver and arrows have seen a lot of use. When hunting, the leather quiver would have been worn high on the back. The cap comes off easily and the upper portion of the quiver is bent to allow easy access to the arrows. The metal tips of the 5 arrows are worn and broken with only 1 showing its original shape and barbs. Each arrow has a plant binding around the end with a notch for the bow string...

22 inches long and a century of hard use but the tip is clean and sharp. I suspect a skilled carpenter could still use this old Chinese drill to build a cabinet or post and beam house. Personally, I am so thankful for electrical tools.

This pair of traditional short boots were made and worn by the Miao women of Anshun. They are in very good condition but the upper boot areas have some soiling and the soles show signs of wear.

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...

Tradition Lotus shaped Chinese silk pillow Fret pattern Embroidered background with dragons and other creatures using both satin stitch and couching with gold metallic covered thread.... Some fading and some wear around the edge... roughly 8 x 14 inches A note on displaying textiles… When framing Chinese textiles….do not allow your framer to glue the textile to any kind of backing board… Instead have the textile basted (sewn) to a piece of complimentary background fabric…and the...

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance...