Catalog: Antiques: Regional Art (482)

This antique Chinese silk wall hanging is embroidered with mounted soldiers carrying banners across a mountainous terrain. Silk background fabric with a wide silk border, the tapestry is approx 60 inches tall and 28 inches wide. The fabric is in very good condition. This tapestry conservatively dates to the mid 1800's. While the detail of the embroidery is clearly visible, some of the embroidered threads are abraided and worn, which is typical of a textile of this technique and age.

This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.

The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.

This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.

Silver Japanese hinged cigarette case, made for export to the US... Excellent pierced work forms different kenji on front and rear of box.

In 1881 Kintarō Hattori opened a watch and jewelry shop called "K. Hattori" in the Ginza area of Tokyo, Japan. Eleven years later, in 1892, he began to produce clocks under the name Seikosha (精工舎), meaning roughly "House of Exquisite Workmanship" The beginnings of the Seiko watch company...

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom

The gently domed top of this incense box is decorated with a traditional painting of crane diving for fish over sea rock. The sides of the box lid have scalloped indents to allow for easy opening. Box is 5+ inches x 3+ inches X2 inches high.

The only differences between this matching pair of Japanese woman's hair combs are the very slight details in the hand-painted design and the size and spacing of the tines. The finely detailed lacquer design was painted in 3 shades of gold. Unfortunately the minute details, flower petals and tree knots are hard to see in the photos.

This matched set of Japanese lacquer consists of a 10 inch diameter shallow serving bowl and 5 plates, 5.75 inches in diameter. Each piece has a silver rim and nashiji finish with a decorative motif of bamboo leaves with abalone shell inlay flowers.

Charming eggshell thin hand-painted scenic porcelain in excellent condition..makers mark on bottom of both cup and saucer

This Japanese hibachi is made from a single piece of Kiri wood, aka paulownia. A design of thick raised gold lacquer, aka Makie depicts Botan peony plant with added colors of pink and green for definition of flower and a single leaf. Hibachi comes with the original copper insert and the condition is very good. A couple of hard to find scratches and tiny (pinheadsize) dents on the top rim. Hibachi dates from late Meiji period. The size is approx 6.5" diameter x 6” high

This Japanese red lacquered wooden serving platter or tray is 13 inches in diameter. It is carved as a bream, which is the Japanese fish symbol for the "bounty of the sea". There are several layers of different colors of red lacquer which heighten the fluid appearence of the fish. The surface is slightly dulled with use and age, the charger is in wonderful condition.

This Japanese Meiji period 6 sided porcelain chocolate pot was made for export to the Western markets. The chocolate pot has a lovely traditional Japanese scene which was hand painted, with bits of moriage detail. Excellent condition, no chips, no cracks, pot is 9.5 inches tall. There are 3 matching cups and saucers will be listed separately.

Dated by McKinley Tariff Act requiring name of country of origin to be permanently engraved (stamped) or imprinted into a piece.

Made of iron, this antique Japanese mobile candle stand, known as a teshoku, dates from the Edo period. So typical of the old Japanese ethnographic objects, the design of this single candle holder is totally simple and wonderfully functional. With a lighted candle, this candlestand could be easily carried about the house by use of long very gently curved handle. When set in down, the placement of the 3 legs makes it very stable to minimize chances of it being accidentally knocked over...

This deep blue Japanese cloisonne vase is decorated with 4 panels. Two of the panels have a dragon against a rust colored goldstone background. The other 2 panels have a bird against a dark green goldstone background.

Vase is in very good condition, no chips, no dents, and no losses.

This small hinged metal case is covered with leather and opens to display both red ink pot and personal ivory chop. The person's name on the base of the chop is clearly carved. Leather in old China was very expensive...the owner of this chop must been a person of both status and wealth. The leather shows age but is intact and set is in very good condition. The case measures 2.5" X 1+" This is a rare old piece.

This old Indo-Persian Bronze bowl has ornate repousse pattern and is heavily patinated with use and age. The upper rim edge has a few small chips from ages past. The bowl is 4.5 inches in diameter and about 2.3 inches high. The bowl is an artifact from the early 1800'S.

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches...